<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-873385641573126155</id><updated>2012-01-24T22:01:06.712-05:00</updated><title type='text'>medievalism-medievalismo-mediävalismus-médiévalisme</title><subtitle type='html'>a public blog discussing manifestations of the middle ages in postmedieval times</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>89</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8155784675172056657</id><published>2012-01-24T22:01:00.001-05:00</published><updated>2012-01-24T22:01:06.809-05:00</updated><title type='text'>Kaufman reviews</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mj9eS5TA7ww/Tx9v-e0LC2I/AAAAAAAAByY/BoAiauNE57w/s1600/NEJE.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-mj9eS5TA7ww/Tx9v-e0LC2I/AAAAAAAAByY/BoAiauNE57w/s1600/NEJE.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: 11pt;"&gt;Berns, Ute and Andrew James Johnston, eds. &lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Medievalism&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt;"&gt;: &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;A Special Issue of&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt; &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;the&lt;i&gt;European Journal of EnglishStudies&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;,15.2 (August 2011).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2012/01/bernsjohnston-eds-medievalism.html" target="_blank"&gt;Reviewed&lt;/a&gt; by Amy Kaufman (Middle Tennessee State U) &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8155784675172056657?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8155784675172056657/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8155784675172056657' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8155784675172056657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8155784675172056657'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/01/kaufman-reviews.html' title='Kaufman reviews'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-mj9eS5TA7ww/Tx9v-e0LC2I/AAAAAAAAByY/BoAiauNE57w/s72-c/NEJE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1342783973374498604</id><published>2012-01-05T21:19:00.001-05:00</published><updated>2012-01-19T09:07:33.460-05:00</updated><title type='text'>Unique continuity?</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--20BvJrkAyY/TwZZq4hS9zI/AAAAAAAABw8/e66Ry5w2R_o/s1600/robin_hood_set_photo_scott_grimes_russell_crowe_01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/--20BvJrkAyY/TwZZq4hS9zI/AAAAAAAABw8/e66Ry5w2R_o/s400/robin_hood_set_photo_scott_grimes_russell_crowe_01.jpg" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;I did not know how quickly my recent claim (in "&lt;a href="http://www.tandfonline.com/doi/abs/10.1080/13825577.2011.566691#preview" target="_blank"&gt;Coming to Terms with Medievalism&lt;/a&gt;") about the "unique continuity" between medieval culture and contemporary culture in Anglo-America would be proven right. But here it is: Some politicians in New Hampshire just introduced a bill that would demand that all new laws in NH find their origin[alism] in the 1215 English &lt;i&gt;Magna Carta&lt;/i&gt;. Did they all watch &lt;i&gt;Sir&lt;/i&gt; [another medievalism] Ridley Scott's &lt;i&gt;Robin Hood&lt;/i&gt;?&lt;br /&gt;This really beats some of the many other orginalist organizations' habit of using eighteenth-century dictionaries to decide today's political issues. My first reaction to all this: Grant them prima nocte! &lt;br /&gt;&lt;a href="http://thinkprogress.org/justice/2012/01/04/397520/new-hampshire-gop-bill-mandates-that-laws-find-their-origin-in-1215-english-magna-carta/" target="_blank"&gt;HERE IS THE LINK&lt;/a&gt; to this fascinating example of medievalism. And here are three sections from &lt;i&gt;Magna Carta&lt;/i&gt; that put the proposed law in perspective:&lt;br /&gt;&lt;br /&gt;(6) &lt;i&gt;Heirs may be given in marriage, but not to someone of lower social                        standing. Before a marriage takes place, it shall be made known to                        the heir's next-of-kin.&amp;nbsp;&lt;/i&gt; &lt;br /&gt;(10) &lt;i&gt;If anyone who has borrowed a sum of money from Jews dies                        before the debt has been repaid, his heir shall pay no interest on the                        debt for so long as he remains under age, irrespective of whom he                        holds his lands. If such a debt falls into the hands of the Crown, it                        will take nothing except the principal sum specified in the bond.&amp;nbsp; &lt;/i&gt;&lt;br /&gt;(54) &lt;i&gt;No one shall be arrested or imprisoned on the appeal of a woman                        for the death of any person except her husband.&lt;/i&gt;&amp;nbsp; (Source: &lt;a href="http://www.fordham.edu/halsall/source/magnacarta.asp" target="_blank"&gt;Internet History Sourcebook&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1342783973374498604?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1342783973374498604/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1342783973374498604' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1342783973374498604'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1342783973374498604'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/01/unique-continuity-raises-its.html' title='Unique continuity?'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/--20BvJrkAyY/TwZZq4hS9zI/AAAAAAAABw8/e66Ry5w2R_o/s72-c/robin_hood_set_photo_scott_grimes_russell_crowe_01.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4662744950708797976</id><published>2011-12-16T11:35:00.005-05:00</published><updated>2011-12-16T19:10:18.023-05:00</updated><title type='text'>Medieval Kalamazoo</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-kpYJmhg-TPg/Tuvdwv5kq0I/AAAAAAAABwc/XgxRMuze-w8/s1600/oo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="63" src="http://4.bp.blogspot.com/-kpYJmhg-TPg/Tuvdwv5kq0I/AAAAAAAABwc/XgxRMuze-w8/s320/oo.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;A collaborative project at Western Michigan University, sponsored by the Medieval Institute, will negotiate the resonances of medieval culture in a modern North American city. &lt;a href="https://sites.google.com/site/medievalkalamazoo/" target="_blank"&gt;LEARN MORE HERE&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4662744950708797976?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4662744950708797976/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4662744950708797976' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4662744950708797976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4662744950708797976'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/12/medieval-kalamazoo.html' title='Medieval Kalamazoo'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-kpYJmhg-TPg/Tuvdwv5kq0I/AAAAAAAABwc/XgxRMuze-w8/s72-c/oo.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1237843762440878782</id><published>2011-12-08T11:10:00.001-05:00</published><updated>2012-01-05T21:39:26.564-05:00</updated><title type='text'>Old Songs</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-iorbCNNF-Ug/TuDh2h6QZGI/AAAAAAAABwE/jO09HVHwV1g/s1600/dIS-9782503535661-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-iorbCNNF-Ug/TuDh2h6QZGI/AAAAAAAABwE/jO09HVHwV1g/s320/dIS-9782503535661-1.jpg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;Recently published: Louise D'Arcens, &lt;i&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/i&gt; (Brepols, 2011).&lt;br /&gt;&lt;br /&gt;Publisher's summary: This volume is the first close examination of the rich and diverse body of medievalist texts produced in late colonial and early Federal (ie post-1901) Australia. It examines the many ways in which early Australian novelists, poets, and dramatists drew on the motifs, events, and personages of the medieval past, and places particular emphasis on how they used the European past to illuminate their sense of the Australian present. Broadly stated, the book argues that a study of early Australian medievalist literature and theatre uncovers a rich and revealing drama in which the forces of cultural nostalgia and cultural amnesia sometimes contended against one another, and sometimes harmonised, to produce a unique and distinctive corpus. The book significantly extends current knowledge about nineteenth-century literary and theatrical medievalism by offering an exploration of how medievalist discourses and idioms came to be taken up within a major, but as yet under-examined, branch of Anglophone literature. It aims also to broaden the cultural ambit of nineteenth-century medievalism by offering analyses of popular and ephemeral instances alongside more ‘serious’ medievalist texts. The study balances an interest in how this medievalism responded to local conditions with an interest in its international complexion, examining how Australian medievalist novels, poems, and plays, participated in imperial and transpacific intellectual and entertainment circuits.&amp;nbsp; While the emphasis of the volume is on close, historically-contextualising interpretations of texts, it has woven through its arguments a series of meditations on such theoretical matters as how we determine the boundaries of medievalism, how we might develop an account of colonial medievalism as non-derivative, whether medievalist discourses are equally amenable across gender, class, and ideological lines, and how the premodern past is evoked as a means for formulating the present and the future. For additional information and the table content's see &lt;a href="http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503535661-1"&gt;HERE&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1237843762440878782?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1237843762440878782/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1237843762440878782' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1237843762440878782'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1237843762440878782'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/12/recently-published-louise-darcens-old.html' title='Old Songs'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-iorbCNNF-Ug/TuDh2h6QZGI/AAAAAAAABwE/jO09HVHwV1g/s72-c/dIS-9782503535661-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7094888186855758154</id><published>2011-11-17T11:32:00.001-05:00</published><updated>2011-11-21T21:33:20.191-05:00</updated><title type='text'>Creole Medievalisms</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xPSTsh_17Fc/TsU3GHmXM9I/AAAAAAAABv4/eZyxTVyitAA/s1600/image_mini.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-xPSTsh_17Fc/TsU3GHmXM9I/AAAAAAAABv4/eZyxTVyitAA/s400/image_mini.jpg" width="258" /&gt;&lt;/a&gt;&lt;/div&gt;A fascinating addition to the field of medievalism studies: Michelle R. Warren, &lt;i&gt;Creole Medievalism. Colonial France and Joseph Bédier's Middle Ages&lt;/i&gt;. U of Minnesota P, 2010.&lt;br /&gt;&lt;br /&gt;The publisher summarizes: &lt;span style="color: #666666;"&gt;Probing the work of the once famous but little understood cultural figure Joseph Bédier, &lt;/span&gt;&lt;i style="color: #666666;"&gt;Creole Medievalism&lt;/i&gt;&lt;span style="color: #666666;"&gt; illustrates how postcolonial France and Réunion continue to grapple with histories too varied to meet expectations of national unity. Michelle R. Warren demonstrates that Bédier’s relationship to this multicultural and economically peripheral colony motivates his nationalism in complex ways.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #666666;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="background-color: white;"&gt;&lt;span style="color: black;"&gt;Publisher's &lt;a href="http://www.upress.umn.edu/book-division/books/creole-medievalism"&gt;LINK&lt;/a&gt; to full information.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7094888186855758154?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7094888186855758154/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7094888186855758154' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7094888186855758154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7094888186855758154'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/11/fascinating-addition-to-field-of.html' title='Creole Medievalisms'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-xPSTsh_17Fc/TsU3GHmXM9I/AAAAAAAABv4/eZyxTVyitAA/s72-c/image_mini.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5090884065756179417</id><published>2011-11-07T06:17:00.001-05:00</published><updated>2011-11-07T07:42:02.036-05:00</updated><title type='text'>Negotiating Heritage</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-YSkCWuBO_lA/Tre_EepxtxI/AAAAAAAABvg/GNRURYvoYrQ/s1600/dIS-9782503527949-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-YSkCWuBO_lA/Tre_EepxtxI/AAAAAAAABvg/GNRURYvoYrQ/s1600/dIS-9782503527949-1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;Recently published:&amp;nbsp; Richard Utz,&lt;b&gt;&lt;b&gt; "Negotiating Heritage: Observations on Semantic Concepts, Temporality, and the Centre of the Study of the Cultur&lt;/b&gt;&lt;b&gt;al Heritage of Medieval Rituals," &lt;a href="http://web.fu-berlin.de/phin/phin58/p58t8.htm"&gt;&lt;i&gt;Philologie im Netz&lt;/i&gt;&lt;/a&gt; 58 (2011): 70-87.&lt;/b&gt;&lt;/b&gt;&amp;nbsp; This essay is a revised version of a paper originally presented at the "Fifth Conference on the Cultural Heritage of Medieval Rituals" at University of Copenhagen on October 26, 2009. It seeks to review the interdisciplinary scholarship done by the Centre of the Study of the Cultural Heritage of Medieval Rituals, a project funded by the Danish National Research Foundation since 2001, from the perspective of Reinhart Kosellek's work on semantic concepts and temporality, focusing specifically on a 2009 Centre publication: &lt;i&gt;Negotiating Heritage: Memories of the Middle Ages&lt;/i&gt;, edited by Mette B. Bruun and Stephanie Glaser as volume 4 in Brepols Publishers' book series, &lt;i&gt;Ritus et Artes: Traditions and Transformations&lt;/i&gt;. By bringing the "father" of conceptual historiography to bear on some of the scholarship in &lt;i&gt;Negotiating Heritage&lt;/i&gt;, the essay contributes to tracing, from a meta-perspective, the momentous mutations through which Western societies and their scholars continue to conceive their experiences of the medieval past.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5090884065756179417?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5090884065756179417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5090884065756179417' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5090884065756179417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5090884065756179417'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/11/negotiating-heritage.html' title='Negotiating Heritage'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-YSkCWuBO_lA/Tre_EepxtxI/AAAAAAAABvg/GNRURYvoYrQ/s72-c/dIS-9782503527949-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2747001571371241149</id><published>2011-10-28T10:54:00.003-04:00</published><updated>2011-10-28T10:57:06.814-04:00</updated><title type='text'>27th Conference on Medievalism @ Kent State</title><content type='html'>The &lt;b style="color: red;"&gt;27th&lt;/b&gt; Annual International Conference on Medievalism will be hosted by the Kent State University Regional Campuses on October 18-20, 2012. The focus will be on&lt;br /&gt;&lt;br /&gt;&lt;div style="color: red;"&gt;&lt;span style="font-size: large;"&gt;Medievalism(s) &amp;amp; Diversity&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;Is there diversity in medievalism? How has medievalism represented diversity of religion, race, nationality, ethnicity, sexuality, gender,...? How have medievalist works supported issues concerning equity and inclusion? How have medievalist works oppressed and suppressed?&amp;nbsp;&amp;nbsp;&amp;nbsp; Are there elements of bigotry and discrimination? What about human rights as a medieval concept, as a contemporary concept? Media to consider might include (but are not limited to) any of the following: novels, plays, films, art works, the Internet, television, historical works, political works, comics, video games. Angles to consider might include (but are not limited to) any of the following: race, gender, sexuality, disability/ability, religion, corporation and/or class, nationality, human rights, political correctness, marginalization, anti-marginalization tactics, rewritten codes, rewritten ideologies, re-affirmed codes, re-affirmed ideologies.&lt;br /&gt;&lt;br /&gt;Conference Location: Nestled on 200 beautiful acres, yet only minutes from the hustle and bustle of The Strip and Westfield Belden Village Mall, Kent State University at Stark provides a quiet, serene and picturesque setting for students and the community to enjoy. With rolling hills, a pond, walking trail, and a Campus Center and Food Emporium, it is located in Jackson Township, just five minutes from the Akron-Canton Airport and easily accessible from Interstate-77.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Publication Opportunities&lt;/span&gt;: Selected papers related to the conference theme will be published in &lt;i&gt;The Year’s Work in Medievalism.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Deadline: June 1, 2012&lt;br /&gt;Please send paper and/or session proposals to either Carol Robinson (Conference Chair) or to Elizabeth Williamsen (Conference Assistant Chair).&lt;br /&gt;&lt;br /&gt;Carol L. Robinson, Conference Chair&lt;br /&gt;International Conference on Medievalism&lt;br /&gt;Kent State University Trumbull 4314 Mahoning Avenue, NW Warren, Ohio 44483 EMAIL: clrobins@kent.edu FAX: 330-437-0490&lt;br /&gt;&lt;br /&gt;Elizabeth Williamsen, Conference Assist. Chair&lt;br /&gt;International Conference on Medievalism&lt;br /&gt;Kent State University Stark 6000 Frank Avenue, NW North Canton, Ohio 44720 EMAIL: ewilli46@kent.edu FAX: 330-437-0490&lt;br /&gt;&lt;br /&gt;For more information, please visit: &lt;a href="http://www.medievalism.net/"&gt;http://www.medievalism.net/&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2747001571371241149?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2747001571371241149/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2747001571371241149' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2747001571371241149'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2747001571371241149'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/27th-conference-on-medievalism.html' title='27th Conference on Medievalism @ Kent State'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1955873960607816933</id><published>2011-10-26T21:40:00.003-04:00</published><updated>2011-10-26T21:56:55.655-04:00</updated><title type='text'>Anglo-SaxonISM as preferred qualification</title><content type='html'>The Department of English at the U of New Mexico has just posted a position at the rank of (advanced) Assistant or Associate Professor. Of interest to those in medievalism is that the &lt;a href="http://www.higheredjobs.com/search/details.cfm?JobCode=175569668&amp;amp;Title=Open%20Rank%20%280813180%29"&gt;Job Ad&lt;/a&gt; also includes "Anglo-Saxonism, the appropriation of Anglo-Saxonliterature and ideas by later literary historical periods," as one of the preferred qualifications for the position. Congrats to the colleagues at UNM for this forward-looking position description!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1955873960607816933?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1955873960607816933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1955873960607816933' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1955873960607816933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1955873960607816933'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/anglo-saxonism-as-preferred.html' title='Anglo-SaxonISM as preferred qualification'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8849770598558724</id><published>2011-10-22T23:58:00.004-04:00</published><updated>2012-01-05T21:39:52.999-05:00</updated><title type='text'>26th Congress</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-HZsJx0Ebf38/TqOQMhC8x-I/AAAAAAAABtk/UI304mfO7SA/s1600/photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="108" src="http://1.bp.blogspot.com/-HZsJx0Ebf38/TqOQMhC8x-I/AAAAAAAABtk/UI304mfO7SA/s200/photo.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-JGmKvwtRVsY/TqOP4bTc2fI/AAAAAAAABtc/77F8lwNPVrE/s1600/photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="155" src="http://4.bp.blogspot.com/-JGmKvwtRVsY/TqOP4bTc2fI/AAAAAAAABtc/77F8lwNPVrE/s200/photo.jpg" width="200" /&gt;&lt;/a&gt;The 26th Annual International Congress on Medievalism took place this weekend at the University of New Mexico in Albuquerque, expertly organized by conference host, Dr. Anita Obermeier. The impressive &lt;a href="http://ims.unm.edu/sim/"&gt;PROGRAM&lt;/a&gt; focused on "Medievalism, Arthuriana,  and Landscapes of Enchantment" and included exciting plenaries (see pix) by Elizabeth Sklar (Wayne State University) on "King Arthur in Kentucke: Alternative Arthurian History" and Kevin Harty (La Salle University) on "Walt in Sherwood; or, The Sheriff of Disneyland." The event was sponsored by the &lt;a href="http://www.unm.edu/"&gt;University of New Mexico&lt;/a&gt;, the &lt;a href="http://ims.unm.edu/"&gt;UNM Institute for Medieval Studies&lt;/a&gt;, and the &lt;a href="http://www.medievalism.net/"&gt;International Society for the Study of Medievalism&lt;/a&gt;. Next year's conference will be hosted by Dr. Carol Robinson at Kent State University-Trumbull. &lt;br /&gt;&lt;table border="0" style="width: 118px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;           &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;           &lt;td class="leftlinkleftjust"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8849770598558724?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8849770598558724/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8849770598558724' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8849770598558724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8849770598558724'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/26th-international-congress-on.html' title='26th Congress'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-HZsJx0Ebf38/TqOQMhC8x-I/AAAAAAAABtk/UI304mfO7SA/s72-c/photo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1035966318828065559</id><published>2011-10-19T21:12:00.001-04:00</published><updated>2012-01-05T21:37:39.880-05:00</updated><title type='text'>Calin Reviews</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-eOP2dC8NbMA/Tp91WN-TxjI/AAAAAAAABtI/Ic08V36NO8M/s1600/books.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-eOP2dC8NbMA/Tp91WN-TxjI/AAAAAAAABtI/Ic08V36NO8M/s320/books.png" width="206" /&gt;&lt;/a&gt;&lt;/div&gt;See William Calin's recent review, in &lt;i&gt;Medievally Speaking&lt;/i&gt;, of Vincent Ferré, ed., &lt;i&gt;Médiévalisme. Modernité du Moyen Âge&lt;/i&gt; (2010).&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Vincent Ferré,"Introduction (I). Médiévalisme et théorie: pourquoi maintenant?":7-25.&amp;nbsp; This is the longest and mostimportant essay in the collection.&amp;nbsp; Ferréobserves pertinently that, although work – good work – on the presence of theMiddle Ages in the post-medieval cultures has been published in France, goingback to the Poitiers &lt;i style="mso-bidi-font-style: normal;"&gt;La Licorne&lt;/i&gt;collection of 1982, the term &lt;i style="mso-bidi-font-style: normal;"&gt;médiévalisme&lt;/i&gt;,employed in our sense of "medievalism," dates from 2007. Ferrémodestly avoids a personal plaudit; nevertheless, it would appear that heintroduced the neologism into French.&amp;nbsp; Heoffers a rich, five-page (21-5) bibliography of French medievalism –specifically the works cited in his essay.&amp;nbsp;Ferré is fully aware of the Anglo-American origins of the field... &lt;a href="http://medievallyspeaking.blogspot.com/2011/10/ferre-ed-medievalisme-modernite-du.html"&gt;READ the REST of the REVIEW HERE&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1035966318828065559?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1035966318828065559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1035966318828065559' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1035966318828065559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1035966318828065559'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/calin-reviews-ferre-ed-medievalisme.html' title='Calin Reviews'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-eOP2dC8NbMA/Tp91WN-TxjI/AAAAAAAABtI/Ic08V36NO8M/s72-c/books.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4686543547926912731</id><published>2011-10-13T20:49:00.002-04:00</published><updated>2011-10-13T20:49:17.473-04:00</updated><title type='text'>Coming to Terms with Medievalism</title><content type='html'>The following colleagues will participate in the roundtable we are sponsoring at the International Congress on Medieval Studies in 2012:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Coming to Terms with Medievalism&lt;/b&gt; &lt;br /&gt;Co-sponsored by &lt;i&gt;Studies in Medievalism&lt;/i&gt; &amp;amp; &lt;i&gt;Medievally Speaking&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Organizer and Chair&lt;/b&gt;:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Richard Utz, Western Michigan University&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;b&gt;Speakers&lt;/b&gt;:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;William Calin, University of Florida &lt;/li&gt;&lt;li&gt;Vincent Ferré, Université de Parix XIII&lt;/li&gt;&lt;li&gt;Mustafa Mirzeler, Western Michigan University&lt;/li&gt;&lt;li&gt;Carol Robinson, Kent State University-Trumbull&lt;/li&gt;&lt;li&gt;Kemal Silay, Indiana University &lt;/li&gt;&lt;li&gt;Kristin Skottki, Universität Rostock&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4686543547926912731?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4686543547926912731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4686543547926912731' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4686543547926912731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4686543547926912731'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/coming-to-terms-with-medievalism.html' title='Coming to Terms with Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1489121643541726210</id><published>2011-10-13T16:25:00.000-04:00</published><updated>2011-10-14T09:18:24.367-04:00</updated><title type='text'>Imagining the Crusades</title><content type='html'>Here is the line-up for the session we are organizing for Kalamazoo 2012:&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="font-weight: bold;"&gt;Imagining the Crusades in the Nineteenth Century&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: x-small;"&gt;Sponsors: &lt;i&gt;Studies in Medievalism&lt;/i&gt; &amp;amp; &lt;span style="font-style: italic;"&gt;Medievally Speaking&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Organizers:&lt;/div&gt;&lt;div class="MsoNormal"&gt;Megan Morris, University of Rochester&lt;/div&gt;&lt;div class="MsoNormal"&gt;Richard Utz, Western Michigan University&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Respondent: Megan Morris&lt;/div&gt;&lt;div class="MsoNormal"&gt;University of Rochester&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Paper 1: David Beasley: “The Undermining of the Crusader Myth and theAwakening of the Sexual Woman”&lt;/div&gt;&lt;div class="MsoNormal"&gt;Independent Scholar&lt;span class="Object" id="OBJ_PREFIX_DWT559"&gt;&lt;/span&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT560"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Paper 2: Michael R. Evans: “Crusaders and a Cross of Gold: theCrusades and Crusading imagery in nineteenth-century US progressive movements”&lt;/div&gt;&lt;div class="MsoNormal"&gt;Mid Michigan Community College &amp;amp; Central MichiganUniversity&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Paper 3: Christine Havens: “‘The Great Asian Mystery’: Disraeli, HisStrange Theology, and Images of the Crusades in &lt;i style="mso-bidi-font-style: normal;"&gt;Tancred Or, The New Crusade&lt;/i&gt;”&lt;/div&gt;&lt;div class="MsoNormal"&gt;Hawkeye Community College&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Paper 4: Teresa Rupp: “From Ivanhoe to Ironclad:&amp;nbsp; Changing Representations of Templars inFiction and Film”&lt;/div&gt;&lt;div class="MsoNormal"&gt;Mount St. Mary University&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Paper 5: Kristan Tetens: “Sack and Slaughter: The Crusades on theNineteenth-Century Stage”&lt;/div&gt;&lt;div class="MsoNormal"&gt;School of English, University of Leicester (UK)&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT564"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1489121643541726210?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1489121643541726210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1489121643541726210' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1489121643541726210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1489121643541726210'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/here-is-line-up-for-session-we-are.html' title='Imagining the Crusades'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8661854654431156637</id><published>2011-10-12T20:45:00.002-04:00</published><updated>2011-10-12T20:47:11.874-04:00</updated><title type='text'>It's official: Medievalism is Desirable!</title><content type='html'>Medievalism makes it into position description as "desirable" subspecialty:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-size: 12pt;"&gt;The U of Wisconsin-Whitewater is offering the following position: Assistant Professor in medieval literature,&lt;b&gt;&lt;span style="color: red;"&gt; a subspecialtyin medievalism desirable&lt;/span&gt;&lt;/b&gt;, including science fiction or fantasy literature, tobegin late August 2012.&amp;nbsp; Those interested should contact our friend, Dr. Elena Levy-Navarro, author of a fabulous essay on Andrew Marvell's medievalism in &lt;i&gt;Studies in Medievalism&lt;/i&gt; XIII. She chairs the search committee. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-size: 12pt;"&gt;Let's congratulate the folks at UW-Whitewater on their smart inclusion of medievalism.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8661854654431156637?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8661854654431156637/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8661854654431156637' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8661854654431156637'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8661854654431156637'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/10/medievalism-makes-it-into-position.html' title='It&apos;s official: Medievalism is Desirable!'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3741222350977847790</id><published>2011-09-27T13:04:00.003-04:00</published><updated>2012-01-05T21:39:03.792-05:00</updated><title type='text'>Post-Historical</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-5bf671bGkRk/ToICB6__FcI/AAAAAAAABsE/JYLfoX-yIXY/s1600/egpcoversmall.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-5bf671bGkRk/ToICB6__FcI/AAAAAAAABsE/JYLfoX-yIXY/s200/egpcoversmall.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;See my recent review in the &lt;i&gt;Journal of English and Germanic Philology&lt;/i&gt;, 110/4 (2011), 520-22, of: &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: inherit; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: red; font-family: inherit; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-style: italic;"&gt;The Post-Historical Middle Ages&lt;/span&gt;. Edited by Elizabeth Scala and Sylvia Federico. The New Middle Ages. New York: Palgrave Macmillan, 2009.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: inherit; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: inherit; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;The front cover of this essay collection gives equal space to a picture of Karl Marx and a medieval manuscript, but neither of them is at the center of what the editors and contributors really have in mind for their readers. In fact, George Edmondson’s essay on the “Naked Chaucer” in Brian Helgeland’s 2001 movie &lt;i&gt;A Knight’s Tale&lt;/i&gt; may serve to explain why Marx and manuscripts can only serve as backdrops to the scholarship presented in this volume....&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8nZY8PlxNHQ/ToIE_c8RGtI/AAAAAAAABsI/9M0FDeCbEV0/s1600/513iEdETDgL._SS500_.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-8nZY8PlxNHQ/ToIE_c8RGtI/AAAAAAAABsI/9M0FDeCbEV0/s320/513iEdETDgL._SS500_.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://muse.jhu.edu/journals/journal_of_english_and_germanic_philology/v110/110.4.utz.html"&gt;READ COMPLETE REVIEW HERE &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3741222350977847790?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3741222350977847790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3741222350977847790' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3741222350977847790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3741222350977847790'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/09/see-my-recent-review-in-journal-of.html' title='Post-Historical'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-5bf671bGkRk/ToICB6__FcI/AAAAAAAABsE/JYLfoX-yIXY/s72-c/egpcoversmall.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2402170095967295102</id><published>2011-09-05T19:03:00.004-04:00</published><updated>2011-09-05T19:06:14.339-04:00</updated><title type='text'>Makers of the Middle Ages now Online</title><content type='html'>Richard Utz and Elizabeth Emery, eds. &lt;i&gt;Cahier Calin. Makers of the Middle Ages. Essays in Honor of William Calin&lt;/i&gt;. Print: Kalamazoo, MI: Studies in Medievalism, 2011, is now available in electronic format. You can access a .pdf of the complete volume at: &lt;span class="Object" id="OBJ_PREFIX_DWT303"&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT304"&gt;&lt;a href="http://works.bepress.com/richard_utz/86/" target="_blank"&gt;http://works.bepress.com/richard_utz/86/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; (please be patient since it is a huge file).&lt;br /&gt;&lt;br /&gt;Here is the Table of Contents:&lt;br /&gt;&lt;br /&gt;Jesse G. Swan: Erasmus, Calin, Reading and Living -2 Alicia C. Montoya: Madame de Sévigné’s Aristocratic Medievalism -3 William Paden: Pound’s Troubadours -5 Roy Rosenstein: Helen Waddell at Columbia: Maker of Medievalists -6 M. Jane Toswell: Seamus Heaney and Beowulf -9 Tom Shippey: Rudyard Kipling -10 Gwendolyn Morgan: J.R.R. Tolkien: Medievalism and Middle Earth -12 Edward Risden: Shakespeare: Making Medieval Character -13 Barbara K. Altmann: Christine de Pizan as Maker of the Middle Ages -15 Nils Holger Petersen: B.S. Ingemann: Danish Medievalism of the Early Nineteenth Century -17 Veronica West-Harling: Errol le Cain’s Fairy Tales as Manuscript Illustration -18 Carol Robinson: Edna Edith Sayers (f.k.a. Lois Bragg) -20 Pam Clements: Margaret Atwood and Chaucer: Truth and Lies -21 Richard Utz: Bernhard ten Brink and German English Studies in Lotharingia -23 Gayle Zachmann: Marcel Schwob’s Archeologies and Medievalism -24 Elizabeth Emery: Albert Robida, Medieval Publicist -26 Gina Psaki: C.S. Lewis: More Maiorum -29 Kathleen Verduin: The Medievalism of Charles Eliot Norton -30 Karl Fugelso: Tom Phillips’ Dante -32 Caroline Jewers: Six Views of William Morris -33 List of Contributors -35.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2402170095967295102?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2402170095967295102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2402170095967295102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2402170095967295102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2402170095967295102'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/09/makers-of-middle-ages-now-online.html' title='Makers of the Middle Ages now Online'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9127963488953770925</id><published>2011-08-31T05:24:00.003-04:00</published><updated>2011-08-31T05:25:21.748-04:00</updated><title type='text'>New Age and Neopagan Medievalisms</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Call for Submissions&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;We  welcome contributions to a collection of essays that explores the  medieval in New Age and Neopagan movements. Scholars of Religious  Studies, Gender Studies, Art History, Music History, and Cultural  Studies, as well as historians and literary critics, are particularly  encouraged to contribute. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Current topics included in the volume:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpFirst" style="margin: 0in 0in 0pt 0.5in;"&gt;&lt;span style="font-family: Wingdings;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;-&lt;/span&gt;&lt;span style="font: 7pt 'Times New Roman';"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;New Age appropriations of Kabbalah&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="margin: 0in 0in 0pt 0.5in;"&gt;&lt;span style="font-family: Wingdings;"&gt;&lt;span style="font-size: small;"&gt;-&lt;/span&gt;&lt;span style="font: 7pt 'Times New Roman';"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;The medieval in New Age masculinities&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="margin: 0in 0in 0pt 0.5in;"&gt;&lt;span style="font-family: Wingdings;"&gt;&lt;span style="font-size: small;"&gt;-&lt;/span&gt;&lt;span style="font: 7pt 'Times New Roman';"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Hermeneutics and medieval-themed tarot decks&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpLast" style="margin: 0in 0in 0pt 0.5in;"&gt;&lt;span style="font-family: Wingdings;"&gt;&lt;span style="font-size: small;"&gt;-&lt;/span&gt;&lt;span style="font: 7pt 'Times New Roman';"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Hildegard in the New Age&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Abstracts of approximately 500 words and a brief academic bio should be sent to Dr. Karolyn Kinane at &lt;/span&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT773"&gt;&lt;a href="mailto:kkinane@plymouth.edu" target="_blank"&gt;&lt;span style="color: blue; font-family: Times New Roman; font-size: small;"&gt;kkinane@plymouth.edu&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt; by &lt;span class="Object" id="OBJ_PREFIX_DWT774"&gt;December 1, 2011&lt;/span&gt;.  Abstracts should clearly articulate how the article will advance  theoretical and cultural understandings of medievalism and/or New Age  and Neopagan movements. Acceptance of the abstract does not guarantee  inclusion in the volume. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;Upon preliminary acceptance, contributors will be asked to submit articles of approximately 7,000 words by &lt;span class="Object" id="OBJ_PREFIX_DWT775"&gt;August 1, 2012&lt;/span&gt;.  Editors reserve the right to reject articles that do not meet editorial  standards. We anticipate a Fall/Winter 2013 publication date. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9127963488953770925?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9127963488953770925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9127963488953770925' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9127963488953770925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9127963488953770925'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/08/new-age-and-neopagan-medievalisms.html' title='New Age and Neopagan Medievalisms'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3272274196447287238</id><published>2011-08-05T05:48:00.003-04:00</published><updated>2011-08-05T05:54:05.150-04:00</updated><title type='text'>recently published: coming to terms with medievalism</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KtE3NwuaKaU/Tju8dQtd_4I/AAAAAAAABrI/2WhjuREFGmo/s1600/neje20.v015.i02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-KtE3NwuaKaU/Tju8dQtd_4I/AAAAAAAABrI/2WhjuREFGmo/s1600/neje20.v015.i02.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Recently published in the &lt;i&gt;&lt;a href="http://www.tandfonline.com/doi/abs/10.1080/13825577.2011.566691"&gt;European Journal of English Studies&lt;/a&gt;&lt;/i&gt;, volume 15/2, 2011 (special issue on Medievalism, ed. Ute Berndt and Andrew James Johnston): "Coming to Terms With Medievalism," by Richard Utz.&lt;br /&gt;&lt;br /&gt;Abstract: "Medievalism, the continuing reception of medieval culture in post-medieval times, has existed as an amphibolous term since the mid-nineteenth century, when it was employed as a synonym for the medieval period. Following the foundational theoretical work by conceptual historian Reinhart Koselleck, this essay investigates the history of the concept, ‘medievalism,’ as a linguistic performance responding to particular pressures inside and outside the academy. The concept can be shown specifically to be the product of what Koselleck calls the process of ‘temporalization’ (Verzeitlichung) which marks the transition from early modern mentalities to modernity and the modern university. Rejected as the dilettante ‘Other’ of academic medieval studies in the late nineteenth century, the English term survived probably due to the unique continuity postmedieval British subjects have felt with their medieval past. ‘medievalism’ has since transmuted into a scholarly practice (‘medievalism studies’), spawned a subfield (‘Neomedievalism’), competed with coeval movements (‘New medievalism’), and become, most recently, the linguistic and epistemological weapon of scholars who would like to bridge the rigid alterity toward medieval culture with the assistance of presentist empathy, memory, subjectivity, resonance, affection, desire, passion, speculation, fiction, imagination, and positionality. Based on its historical priority and conceptual inclusiveness, ‘medievalism’ is apt to encompass and reconfigure the various ways in which we will continue to receive medieval culture inside and outside the academy."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3272274196447287238?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3272274196447287238/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3272274196447287238' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3272274196447287238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3272274196447287238'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/08/recently-published-coming-to-terms-with.html' title='recently published: coming to terms with medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KtE3NwuaKaU/Tju8dQtd_4I/AAAAAAAABrI/2WhjuREFGmo/s72-c/neje20.v015.i02.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-364245001233081016</id><published>2011-07-26T08:15:00.000-04:00</published><updated>2011-07-26T08:15:46.361-04:00</updated><title type='text'>The dark side of medievalism</title><content type='html'>Killer Breivik stylized himself as &lt;a href="http://http://www.newser.com/story/124289/crusading-knights-templar-model-for-new-violence-breivik.html"&gt;Knights Templar&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-364245001233081016?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/364245001233081016/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=364245001233081016' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/364245001233081016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/364245001233081016'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/07/dark-side-of-medievalism.html' title='The dark side of medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8677767711310069545</id><published>2011-07-22T04:43:00.001-04:00</published><updated>2011-07-22T04:43:36.008-04:00</updated><title type='text'>Sponsored Sessions at Kzoo 2012</title><content type='html'>&lt;i&gt;Studies in Medievalism&lt;/i&gt; and &lt;i&gt;Medievally Speaking&lt;/i&gt; are sponsoring three sessions at next year's Medieval Congress: 1) Imagining the Crusades in the Nineteenth Century; and 2) Coming to Terms with Medievalism; a third section, Medievalism and the Corporate, will be cosponsored and -organized with MEMO. Please consider participating.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8677767711310069545?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8677767711310069545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8677767711310069545' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8677767711310069545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8677767711310069545'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/07/sponsored-sessions-at-kzoo-2012.html' title='Sponsored Sessions at Kzoo 2012'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3852929102569578797</id><published>2011-06-15T10:25:00.005-04:00</published><updated>2011-06-15T10:35:08.181-04:00</updated><title type='text'>Salisbury and Schulman join Advisory Board of Medievally Speaking</title><content type='html'>Eve Salisbury and Jana Schulman, both medievalists at Western Michigan University, have recently joined the advisory board of &lt;a href="http://medievallyspeaking.blogspot.com/"&gt;&lt;i&gt;Medievally Speaking&lt;/i&gt;&lt;/a&gt;, the online review arm of &lt;i&gt;Studies in Medievalism&lt;/i&gt;, the leading publication investigating the ongoing reception of the Middle Ages in postmedieval times.&amp;nbsp; While &lt;i&gt;Medievally Speaking&lt;/i&gt; draws from a vast pool of international  scholars dedicated to the multilingual and interdisciplinary  negotiation of medievalia, it is also firmly anchored in the English Department at WMU, with Richard Utz as editor and Mustafa Mirzeler, Eve Salisbury, and Jana Schulman as members of the advisory board.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-TrP5wKwM10k/TfjArSJlXyI/AAAAAAAABqo/jSGG1MjaZEU/s1600/DSC02317_2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-TrP5wKwM10k/TfjArSJlXyI/AAAAAAAABqo/jSGG1MjaZEU/s200/DSC02317_2.JPG" width="166" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Eve Salisbury&lt;/b&gt; studied English literature and language at the  University of Rochester and the State University of New York at Geneseo  and has taught at Eastman School of Music and Rochester Institute of  Technology. At Western Michigan University, she teaches the works of  late medieval poets—Dante, Boccaccio, Chaucer, Gower, Christine de  Pizan, and Marie de France—Middle English and Arthurian literature,  Medieval Literary Theory, British Literature I, and Medieval Drama. She  has also taught a graduate seminar on medieval marriage at the Newberry  Library in Chicago.&lt;br /&gt;Her publications include  three volumes for the Middle English Text Series—&lt;i&gt;The Trials and Joys of  Marriage&lt;/i&gt;, &lt;i&gt;Four Romances of England&lt;/i&gt;, and &lt;i&gt;The Middle English Breton  Lays&lt;/i&gt;—an edited collection, &lt;i&gt;Domestic Violence in Medieval Texts&lt;/i&gt;, in which  her essay on Chaucer's 'wife' and the law appears, and essays in  journals such as &lt;i&gt;Medieval and Early Modern English Studies&lt;/i&gt;, &lt;i&gt;Studies in  the Age of Chaucer&lt;/i&gt;, a monograph series (&lt;i&gt;Speculum Sermonis&lt;/i&gt;), and special  collections on medieval violence. She has written book reviews for &lt;i&gt; Speculum&lt;/i&gt; and reviewed submissions for &lt;i&gt;PMLA&lt;/i&gt;, &lt;i&gt;The Journal of English and  Germanic Philology&lt;/i&gt;, &lt;i&gt;Chaucer Review&lt;/i&gt;, and Brepols. Her current research  focuses on domesticity and the concept of the child in Chaucer's work as  well as intersections of poetry, legal fiction, and historical  documentation. Salisbury has presented her work in over forty  conferences both in the U.S. and abroad. She has served as senior editor  of &lt;i&gt;Comparative Drama&lt;/i&gt; since 2003.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Zukaoen-ogE/TfjAwoPoMgI/AAAAAAAABqs/z8LslxpZr_c/s1600/Schulman_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="175" src="http://4.bp.blogspot.com/-Zukaoen-ogE/TfjAwoPoMgI/AAAAAAAABqs/z8LslxpZr_c/s200/Schulman_2.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Jana K. Schulman&lt;/b&gt; studied medieval English, German, and Scandinavian  languages and literatures at the University of Minnesota. At Western  Michigan University, she teaches Old English (Introduction and Seminar),  Old Norse (Introduction and Seminar), Medieval Literature, British  Literature I, and Western World Literature, and her scholarship centers  on law and literature in medieval Iceland and Anglo-Saxon England as  well as on women and epic. She is the editor of &lt;i&gt;The Rise of the Medieval  World&lt;/i&gt; (Greenwood, 2002), co-editor of &lt;i&gt;Women and Medieval Epic: Gender,  Genre, and the Limits of Epic Masculinity&lt;/i&gt; (Palgrave-Macmillan, 2007),  co-editor of &lt;i&gt;Beowulf at Kalamazoo: Essays in Translation and Performance&lt;/i&gt;  (MIP, Forthcoming), and editor and translator of &lt;i&gt;The Laws of Later  Iceland: Jónsbók&lt;/i&gt; (A-Q Verlag, 210). Her essays have appeared in  &lt;i&gt;Scandinavian Studies&lt;/i&gt; and the &lt;i&gt;Germanic Review&lt;/i&gt; as well as in essay  collections; she has reviewed publications for the &lt;i&gt;Journal of English  and Germanic Philology&lt;/i&gt; and &lt;i&gt;Speculum&lt;/i&gt;. Schulman has been the recipient of a  FRACASF grant from WMU (2003-2004), a National Endowment for the  Humanities Fellowship for College Teachers (2001), and several Fulbright  grants for research in Iceland.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3852929102569578797?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3852929102569578797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3852929102569578797' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3852929102569578797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3852929102569578797'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/06/salisbury-and-schulman-join-medievally.html' title='Salisbury and Schulman join Advisory Board of Medievally Speaking'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-TrP5wKwM10k/TfjArSJlXyI/AAAAAAAABqo/jSGG1MjaZEU/s72-c/DSC02317_2.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1737694001602248201</id><published>2011-06-14T10:40:00.003-04:00</published><updated>2012-01-05T21:41:01.357-05:00</updated><title type='text'>Mapping Medievalism</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-q45BBfaWWyo/TfdyoF2H70I/AAAAAAAABqc/zprdidugfxU/s1600/Mapping+Medieval...cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-q45BBfaWWyo/TfdyoF2H70I/AAAAAAAABqc/zprdidugfxU/s320/Mapping+Medieval...cover.jpg" width="246" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Kathryn Brush, ed., &lt;i&gt;Mapping Medievalism at the Canadian Frontier&lt;/i&gt;. London, ON: Museum London &amp;amp; McIntosh Gallery, 2010.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: red;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;In  2012 it will be 20 years that I attended my first Medievalism  conference at the University of South Florida in Tampa. Then, as a  European greenhorn who thought that growing up among the remnants of  medieval architecture automatically conferred authority on me to speak  of the Middle Ages, I voiced some glib doubts about the location for the  conference among palm trees and close to Busch Gardens. The conference  participants and their papers convinced me otherwise. In fact, ... &lt;a href="http://medievallyspeaking.blogspot.com/2011/06/bush-ed-mapping-medievalism.html"&gt;READ THE FULL REVIEW&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1737694001602248201?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1737694001602248201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1737694001602248201' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1737694001602248201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1737694001602248201'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/06/review-of-mapping-medievalism-on.html' title='Mapping Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-q45BBfaWWyo/TfdyoF2H70I/AAAAAAAABqc/zprdidugfxU/s72-c/Mapping+Medieval...cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3549399915854603373</id><published>2011-06-08T12:58:00.009-04:00</published><updated>2011-06-08T20:20:59.822-04:00</updated><title type='text'>Holy War Redux</title><content type='html'>The most recent issue of &lt;a href="http://www.mla.org/pmla"&gt;&lt;i&gt;PMLA&lt;/i&gt;&lt;/a&gt; (126.2 [2011]) contains Geraldine Heng's &lt;i&gt;essai&lt;/i&gt; on "Holy War Redux: The Crusades, Futures of the Past, and Strategic Logic in the 'Clash' of Religions" in the &lt;i&gt;Theories and Methodologies&lt;/i&gt; section. Highly recommended reading for those interested in medievalism/pre-modern studies and temporality. I have long had the suspicion that most critical theories from deconstruction to medievalism could, in the end, be turned against their own academic supporters, but this is the first article to provide me with the critical vocabulary and convincing examples to prove the point. I applaud Heng's call for "theory to be open to the potentiality of an intellectual crowdsourcing" to renegotiate "relations between the state of the field and the state of the world" (p. 428). For access to the uncorrected proofs of this quite brilliant article, see &lt;a href="http://utexas.academia.edu/GeraldineHeng/Papers/278828/Holy_War_Redux_The_Crusades_Futures_of_the_Past_and_Strategic_Logic_in_the_Clash_of_Religions"&gt;HERE&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3549399915854603373?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3549399915854603373/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3549399915854603373' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3549399915854603373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3549399915854603373'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/06/holy-war-redux.html' title='Holy War Redux'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1749977686393200927</id><published>2011-06-01T10:03:00.001-04:00</published><updated>2012-01-05T21:41:48.409-05:00</updated><title type='text'>German Griselda</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zUjIrTm4TtQ/TeZGn_wphVI/AAAAAAAABp4/w_ppmgnXAIE/s1600/9783110233124.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-zUjIrTm4TtQ/TeZGn_wphVI/AAAAAAAABp4/w_ppmgnXAIE/s1600/9783110233124.gif" /&gt;&lt;/a&gt;&lt;/div&gt;Achim Aurnhammer and Hans-Jochen Schiewer recently edited &lt;i&gt;Die deutsche Griselda. Transformationen einer literarischen Figuration von Boccaccio bis zur Moderne&lt;/i&gt; (Berlin: de Gruyter, 2010). As the publisher notes, "this volume documents the German reception of the last novella of Boccaccio's &lt;i&gt;Decameron&lt;/i&gt;.  It is about Griselda, a poor daughter of a peasant, whom the Marquis  Gualtieri marries and subsequently repudiates and humiliates in an  inhumane way. Finally, after being subjected to numerous trials which  she endures patiently, she is reinstated as wife and marchioness. The  book explores the German reception of the Griselda figuration as gender  paradigm from the Middle Ages up to the Modern Age in a European  context." I recommend this volume to all those interested in processes of cultural figuration and re-figuration. For a full critical evaluation, see &lt;a href="https://scholarworks.iu.edu/dspace/bitstream/handle/2022/13323/11.06.08.html?sequence=1"&gt;&lt;i&gt;The Medieval Review&lt;/i&gt;&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1749977686393200927?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1749977686393200927/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1749977686393200927' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1749977686393200927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1749977686393200927'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/06/volume-investigates-german-griselda.html' title='German Griselda'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-zUjIrTm4TtQ/TeZGn_wphVI/AAAAAAAABp4/w_ppmgnXAIE/s72-c/9783110233124.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-700959637178326372</id><published>2011-05-31T14:46:00.003-04:00</published><updated>2011-06-01T22:11:46.780-04:00</updated><title type='text'>Mapping Medievalism (in Canada)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-R8eX_FcejYU/TeU3yzsmVFI/AAAAAAAABps/B27_kD0uN9w/s1600/UWOtower.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-R8eX_FcejYU/TeU3yzsmVFI/AAAAAAAABps/B27_kD0uN9w/s200/UWOtower.jpg" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;See &lt;a href="http://www.mappingmedievalism.ca/"&gt;HERE&lt;/a&gt; for an exiting project at the University of Western Ontario on how the European Middle Ages expanded into the New World wilderness.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-700959637178326372?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/700959637178326372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=700959637178326372' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/700959637178326372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/700959637178326372'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/05/mapping-medievalism-in-canada.html' title='Mapping Medievalism (in Canada)'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-R8eX_FcejYU/TeU3yzsmVFI/AAAAAAAABps/B27_kD0uN9w/s72-c/UWOtower.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4354503698684832711</id><published>2011-05-28T23:42:00.001-04:00</published><updated>2011-05-28T23:43:52.177-04:00</updated><title type='text'>Review of Matthews, Ed., In Strange Countries. Middle English Literature and its Afterlife</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-MSMBa-KHYlI/TeAUuhZrX1I/AAAAAAAABpk/LFpmq2xL6-M/s1600/in+strange+countries.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-MSMBa-KHYlI/TeAUuhZrX1I/AAAAAAAABpk/LFpmq2xL6-M/s1600/in+strange+countries.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Richard Utz recently reviewed: David Matthews (ed.). &lt;i&gt;In Strange Countries: Middle English Literature and its Afterlife: Essays in Memory of JJ Anderson&lt;/i&gt;, for &lt;i&gt;The Review of English Studies&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;"With this Festschrift, colleagues and friends honour the memory of John Julian Anderson (1938–2007), an internationally known medievalist and co-founder (with Gail Ashton) of the Manchester Medieval Literature and Culture book series...." &lt;a href="http://res.oxfordjournals.org/content/early/2011/05/23/res.hgr044.extract"&gt;READ THE FULL REVIEW HERE.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4354503698684832711?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4354503698684832711/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4354503698684832711' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4354503698684832711'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4354503698684832711'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/05/review-of-matthews-ed-in-strange.html' title='Review of Matthews, Ed., In Strange Countries. Middle English Literature and its Afterlife'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-MSMBa-KHYlI/TeAUuhZrX1I/AAAAAAAABpk/LFpmq2xL6-M/s72-c/in+strange+countries.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8726407009838624302</id><published>2011-05-24T11:07:00.001-04:00</published><updated>2012-01-05T21:42:38.192-05:00</updated><title type='text'>PUMA</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-7sbbxkpJg1g/TdvJjJvFbvI/AAAAAAAABpc/az403tsuHBE/s1600/PUMAs+CFP+2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-7sbbxkpJg1g/TdvJjJvFbvI/AAAAAAAABpc/az403tsuHBE/s640/PUMAs+CFP+2012.jpg" width="452" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8726407009838624302?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8726407009838624302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8726407009838624302' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8726407009838624302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8726407009838624302'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/05/puma-to-organize-section-at-kzoo-and.html' title='PUMA'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-7sbbxkpJg1g/TdvJjJvFbvI/AAAAAAAABpc/az403tsuHBE/s72-c/PUMAs+CFP+2012.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4407841563634620138</id><published>2011-05-17T16:28:00.002-04:00</published><updated>2012-01-05T21:45:32.449-05:00</updated><title type='text'>Cahier Calin</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-4oqKhiJA2ek/TdLaUUC_HdI/AAAAAAAABpE/CjOu--f3twM/s1600/Photo+51.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-4oqKhiJA2ek/TdLaUUC_HdI/AAAAAAAABpE/CjOu--f3twM/s320/Photo+51.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Cahier Calin: Makers of the Middle Ages. Essays in Honour of William Calin&lt;/i&gt;, ed. Richard Utz and Elizabeth Emery, was presented to Bill Calin at the International Congress on Medieval Studies on Saturday. This bibliophile volume, which will also be published in a more affordable print version and with an electronic journal later this year, contains 20 essays about scholars, artists, writers, and thinkers who helped create various ideas of the medieval.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-3sfdehBhJY0/TdLyRXj-iuI/AAAAAAAABpY/0AFaahVbzeA/s1600/0001KG.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://3.bp.blogspot.com/-3sfdehBhJY0/TdLyRXj-iuI/AAAAAAAABpY/0AFaahVbzeA/s400/0001KG.jpeg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4407841563634620138?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4407841563634620138/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4407841563634620138' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4407841563634620138'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4407841563634620138'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/05/cahier-calin-published-and-presented-at.html' title='Cahier Calin'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-4oqKhiJA2ek/TdLaUUC_HdI/AAAAAAAABpE/CjOu--f3twM/s72-c/Photo+51.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3214409687230847729</id><published>2011-05-16T14:22:00.000-04:00</published><updated>2012-01-05T21:47:11.991-05:00</updated><title type='text'>Wheeler Fellowship</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mUy_oJg94K4/TdFrGKJNJ8I/AAAAAAAABpA/OWJ6WhbIEtc/s1600/photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="170" src="http://3.bp.blogspot.com/-mUy_oJg94K4/TdFrGKJNJ8I/AAAAAAAABpA/OWJ6WhbIEtc/s200/photo.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;At this year's Kalamazoo Congress, &lt;a href="http://www.class.uh.edu/english/faculty/stock_l.asp"&gt;Lorraine K. Stock&lt;/a&gt; (U of Houston) became the first recipient of the Bonnie Wheeler Fellowship. The Bonnie Wheeler Fellowship is an internationally focused private fund created by fellow medievalists and admirers of Dr. Wheeler and administered by the non-proﬁt The Dallas Foundation. More women scholars are needed at the top scholarly tier. Men and women are still not represented in equal numbers in the upper ranks of academia. This Fellowship will support women scholars from around the nation as they complete major research projects that will satisfy professional promotion requirements—and that will help them break through the “glass ceiling.” Your gift will enable future scholars to beneﬁt from the enormous generosity set in motion throughout Dr. Wheeler’s distinguished career. If you should like more information about the fellowship, please click &lt;a href="http://www.bonniewheelerfund.org/"&gt;HERE&lt;/a&gt;. The picture shows Bonnie Wheeler at the Kzoo Radisson, holding forth about the progress of the Fellowship.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3214409687230847729?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3214409687230847729/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3214409687230847729' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3214409687230847729'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3214409687230847729'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/05/1st-bonnie-wheeler-fellowship-awarded.html' title='Wheeler Fellowship'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-mUy_oJg94K4/TdFrGKJNJ8I/AAAAAAAABpA/OWJ6WhbIEtc/s72-c/photo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7806260558265091044</id><published>2011-04-11T15:29:00.000-04:00</published><updated>2011-04-11T15:29:58.284-04:00</updated><title type='text'>Fugelso reviews Koman</title><content type='html'>Karl Fugelso recently reviewed Alan J. Koman's &lt;i&gt;A Who's Who of Your Ancestral Saints&lt;/i&gt; for &lt;a href="http://medievallyspeaking.blogspot.com/2011/04/koman-whos-who-of-your-ancestral-saints.html"&gt;medievally speaking&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7806260558265091044?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7806260558265091044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7806260558265091044' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7806260558265091044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7806260558265091044'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/04/fugelso-reviews-koman.html' title='Fugelso reviews Koman'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2431446052026584500</id><published>2011-02-09T10:41:00.000-05:00</published><updated>2011-02-09T10:41:33.815-05:00</updated><title type='text'>Annual Intl Conference on Medievalism 2011</title><content type='html'>&lt;b&gt;&lt;i&gt;Medievalism, Arthuriana, and Landscapes of Enchantment&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="background-color: red; color: white;"&gt;Call for Papers&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;The  conference committee for Studies in Medievalism is pleased to invite  paper and session proposals for its 26th Annual International Conference  on Medievalism, to be held at the University of New Mexico,  Albuquerque, on &lt;span class="Object" id="OBJ_PREFIX_DWT4367"&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT4368"&gt;October 20&lt;/span&gt;&lt;/span&gt;–22, 2011.&lt;br /&gt;&lt;br /&gt;The  theme of this year's conference is “Medievalism, Arthuriana, and  Landscapes of Enchantment.” We therefore especially invite proposals  addressing any or all of these concepts. We will also welcome proposals  on any topic related to the invocation or representation of the Middle  Ages in post-medieval periods. As an interdisciplinary organization, we  also encourage proposals from all areas of the humanities, social  sciences, and beyond, particularly proposals that address  interdisciplinary themes or employ interdisciplinary theories and  methods. Post-medieval interest in Arthuriana has flourished unabatedly  since the 19th-century medieval revival and is, for instance, reflected  in the 2010 publication of Joerg O. Fichte’s From Camelot to Obamalot:  Essays on Medieval and Modern Arthurian Literature.&lt;br /&gt;&lt;br /&gt;Subthemes for the conference might include, but are not limited to:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Re-imaginings  of important Arthurian figures (King Arthur, Guinevere, Lancelot,  Gawain, Morgan le Fay, Perceval, Lady of the Lake, etc.)&lt;/li&gt;&lt;li&gt;Representations of Arthuriana in art&lt;/li&gt;&lt;li&gt;Women and questions of gender in Arthuriana&lt;/li&gt;&lt;li&gt;Arthurian themes in music&lt;/li&gt;&lt;li&gt;Roles of landscapes in modern Arthurian works&lt;/li&gt;&lt;li&gt;Arthuriana and enchantment in modern historical novels (including mysteries)&lt;/li&gt;&lt;li&gt;Connections between magical enchantments and landscapes&lt;/li&gt;&lt;li&gt;Arthuriana and enchantment on the contemporary stage&lt;/li&gt;&lt;li&gt;Arthuriana in Shakespeare&lt;/li&gt;&lt;li&gt;Tolkien, Arthuriana, and enchantment&lt;/li&gt;&lt;li&gt;Enchantment in contemporary Arthurian works&lt;/li&gt;&lt;li&gt;Arthuriana portrayed on film, television, and/or the radio&lt;/li&gt;&lt;li&gt;Arthuriana and enchantment on the Internet&lt;/li&gt;&lt;li&gt;Arthuriana and enchantment in electronic and/or non-electronic games&lt;/li&gt;&lt;/ul&gt;Publication Opportunities:&lt;br /&gt;&lt;br /&gt;Selected papers related to the conference theme will be published in The Year’s Work in Medievalism.&lt;br /&gt;&lt;br /&gt;Submission Deadline: &amp;nbsp;&lt;span class="Object" id="OBJ_PREFIX_DWT4369"&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT4370"&gt;April 18, 2011&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Please send 250-word abstracts for individual papers and session proposals as an email attachment in Word or pdf formats to:&lt;br /&gt;Anita Obermeier, Conference Chair&lt;br /&gt;International Conference on Medievalism&lt;br /&gt;Institute for Medieval Studies&lt;br /&gt;University of New Mexico&lt;br /&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT4371"&gt;AObermei@unm.edu&lt;/span&gt;&lt;br /&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT4372"&gt;&lt;a href="http://ims.unm.edu/sim" target="_blank"&gt;http://ims.unm.edu/sim&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The University of New Mexico is located in Albuquerque, in the Land of Enchantment.&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2431446052026584500?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2431446052026584500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2431446052026584500' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2431446052026584500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2431446052026584500'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/02/annual-intl-conference-on-medievalism.html' title='Annual Intl Conference on Medievalism 2011'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-393082690903866589</id><published>2011-01-28T16:54:00.000-05:00</published><updated>2011-01-28T16:54:16.681-05:00</updated><title type='text'>Fugelso reviews Chwast,</title><content type='html'>Karl Fugelso reviewed Seymour Chwast's &lt;i&gt;Dante's Divine Comedy: A Graphic Adaptation&lt;/i&gt;, for &lt;i&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2011/01/chwast-dantes-divine-comedy-graphic.html"&gt;medievally speaking&lt;/a&gt;&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-393082690903866589?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/393082690903866589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=393082690903866589' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/393082690903866589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/393082690903866589'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/01/fugelso-reviews-chwast.html' title='Fugelso reviews Chwast,'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2319578818521145991</id><published>2011-01-28T10:50:00.000-05:00</published><updated>2011-01-28T10:50:37.469-05:00</updated><title type='text'>Year's Work in Medievalism 25 (2010) published</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/TULlv7vCCpI/AAAAAAAABh4/BCpZcT3yv-I/s1600/Large.9781608999910.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/TULlv7vCCpI/AAAAAAAABh4/BCpZcT3yv-I/s200/Large.9781608999910.jpg" width="127" /&gt;&lt;/a&gt;&lt;/div&gt;Gwen Morgan recently edited &lt;i&gt;&lt;a href="http://wipfandstock.com/store/The_Years_Work_in_Medievalism_2010"&gt;The Year's Work in Medievalism&lt;/a&gt;&lt;/i&gt; for 2010. The volume includes the following contributions:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell&lt;/li&gt;&lt;li&gt;Martha Oberle, The Legacy of the Medieval Mendicant Orders&lt;/li&gt;&lt;li&gt;Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan&lt;/li&gt;&lt;li&gt;William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present&lt;/li&gt;&lt;li&gt;Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's &lt;i&gt;Eragon&lt;/i&gt;&lt;/li&gt;&lt;li&gt;Arthur  Russell, From English Stage to American Page: The Transatlantic  Dissemination of Leonard MacNally's &lt;i&gt;Robin Hood; or, Sherwood Forest&lt;/i&gt;&lt;/li&gt;&lt;li&gt;Gwendolyn Morgan, &lt;i&gt;The Battle of Maldon&lt;/i&gt; in Imitative Translation&lt;/li&gt;&lt;li&gt;Edward L. Risden, &lt;i&gt;The Battle of Maldon&lt;/i&gt;: A One-act Play for Readers' Theater&lt;/li&gt;&lt;li&gt;T.S. Miller, A Look at Some New Lays of &lt;i&gt;Beowulf&lt;/i&gt;: The Misunderstood Monsters of Contemporary Popular Music&lt;/li&gt;&lt;li&gt;Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day&lt;/li&gt;&lt;li&gt;Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction&lt;/li&gt;&lt;li&gt;Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems&lt;/li&gt;&lt;li&gt;Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's &lt;i&gt;Commedia&lt;/i&gt; Illustrations&amp;nbsp; &lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2319578818521145991?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2319578818521145991/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2319578818521145991' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2319578818521145991'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2319578818521145991'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2011/01/years-work-in-medievalism-25-2010.html' title='Year&apos;s Work in Medievalism 25 (2010) published'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/TULlv7vCCpI/AAAAAAAABh4/BCpZcT3yv-I/s72-c/Large.9781608999910.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-181719321900501253</id><published>2010-11-19T11:22:00.001-05:00</published><updated>2010-11-19T11:23:41.816-05:00</updated><title type='text'>medievally speaking moves to Google</title><content type='html'>Dear friends laboring (joyfully) in the vineyard of medievalism,&lt;br /&gt;&lt;br /&gt;I recently transferred all files from the original website for &lt;i&gt;medievally speaking&lt;/i&gt;  over to Google. This means that I can now upload files and make changes  from anywhere, including my iPhone. I will keep the old site running for  another two months or so and then delete it. &lt;span id="64b0c3dd-9997-4d3c-8cde-9877dde5db10"&gt;Thus, if you have created links to files on the old website, please update them asap.&lt;br /&gt;&lt;/span&gt;&lt;span id="64b0c3dd-9997-4d3c-8cde-9877dde5db10"&gt;Our new &lt;span class="Object" id="OBJ_PREFIX_DWT1650"&gt;&lt;a href="http://medievallyspeaking.blogspot.com/" target="_blank"&gt;site&lt;/a&gt;&lt;/span&gt;, &lt;/span&gt;&lt;span class="Object" id="OBJ_PREFIX_DWT1651"&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=873385641573126155&amp;amp;postID=181719321900501253" target="_blank"&gt;http://medievallyspeaking.blogspot.com/&lt;/a&gt;&lt;/span&gt;, &lt;span id="64b0c3dd-9997-4d3c-8cde-9877dde5db10"&gt;will  continue to provide reviews on all negotiations, academic and/or  popular, of medieval culture in postmedieval times. I am still working  on some design issues, but the basic site is up and running &lt;br /&gt;Please note that the new site contains two new reviews, by Lesley A. Coote, of Jerome de Groot's &lt;span class="Object" id="OBJ_PREFIX_DWT1652"&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2010/11/jerome-de-groot-historical-novel-london.html" style="font-style: italic;" target="_blank"&gt;The Historical Novel&lt;/a&gt;&lt;/span&gt;, and by Michael Evans, of Nickolas Haydock and E. L. Risden's &lt;span class="Object" id="OBJ_PREFIX_DWT1653"&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2010/11/evans-on-haydockrisden-eds-hollywood-in.html" style="font-style: italic;" target="_blank"&gt;Hollywood in the Holy Land&lt;/a&gt;&lt;/span&gt;.  Please continue to bring new publications to my attention and encourage  publishers, directors, artists, etc. to send in studies, art, music,  etc. for review.&lt;br /&gt;&lt;br /&gt;With collegial regards,&lt;br /&gt;Richard&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-181719321900501253?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/181719321900501253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=181719321900501253' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/181719321900501253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/181719321900501253'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/11/medievally-speaking-moves-to-google.html' title='medievally speaking moves to Google'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3393510835255642158</id><published>2010-11-19T11:05:00.002-05:00</published><updated>2010-11-19T11:08:13.211-05:00</updated><title type='text'>Burt on Medieval and Early Modern Film and Media</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/TOagy5ODt6I/AAAAAAAABfc/fDhfJDAx9KQ/s1600/Burt+medieval+paperback+front+nad+back+covers.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="287" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/TOagy5ODt6I/AAAAAAAABfc/fDhfJDAx9KQ/s400/Burt+medieval+paperback+front+nad+back+covers.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;From Palgrave/Macmillan: "Medieval and Early Modern Film and Media  contextualizes historical films in an innovative way--not only relating  them to the history of cinema, but also to premodern and early modern  media. This philological approach to the (pre)history of cinema engages  both old media such as scrolls, illuminated manuscripts, the Bayeux  Tapestry, and new digital media such as DVDs, HD DVDs, and computers.  Burt examines the uncanny repetitions that now fragment films into  successively released alternate cuts and extras (footnote tracks,  audiocommentaries, and documentaries) that (re)structure and reframe  historical films, thereby presenting new challenges to historicist  criticism and film theory. With a double focus on recursive narrative  frames and the cinematic paratexts of medieval and early modern film,  this book calls our attention to strange, sometimes opaque phenomena in  film and literary theory that have previously gone unrecognized."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3393510835255642158?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3393510835255642158/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3393510835255642158' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3393510835255642158'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3393510835255642158'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/11/burt-on-medieval-and-early-modern-film.html' title='Burt on Medieval and Early Modern Film and Media'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/TOagy5ODt6I/AAAAAAAABfc/fDhfJDAx9KQ/s72-c/Burt+medieval+paperback+front+nad+back+covers.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9017341659317559351</id><published>2010-10-29T09:27:00.001-04:00</published><updated>2012-01-05T21:46:16.866-05:00</updated><title type='text'>camelot to obamalot</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/TMrLi4Lj9EI/AAAAAAAABdg/nIiQURyxyQI/s1600/9783868212563_wvt.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/TMrLi4Lj9EI/AAAAAAAABdg/nIiQURyxyQI/s1600/9783868212563_wvt.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Wissenschaftlicher Verlag Trier announces the publication of a collection of 12 essays by Joerg Fichte, entitled &lt;i&gt;From Camelot to Obamalot: Essays on Medieval and Modern Arthurian Literature&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9017341659317559351?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9017341659317559351/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9017341659317559351' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9017341659317559351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9017341659317559351'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/10/fichte-from-camelot-to-obamalot.html' title='camelot to obamalot'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/TMrLi4Lj9EI/AAAAAAAABdg/nIiQURyxyQI/s72-c/9783868212563_wvt.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3963112679023516706</id><published>2010-10-28T11:54:00.001-04:00</published><updated>2010-10-28T11:57:05.363-04:00</updated><title type='text'>memesak conference on once and future romance</title><content type='html'>&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;This year's &lt;span style="line-height: 160%;"&gt;International Conference of the &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Medieval and Early Modern English Studies Association of Korea (MEMESAK) took place on October 23, 2010, at&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; Ewha Womans University in Seoul, South Korea. The topic of the conference was "The Once and Future Romance: The Transformation of Romance Tradition in the Middle Ages and Beyond." Please find full program information below:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;------------------------------------------------------------------ &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;&lt;/span&gt;&lt;span style="line-height: 160%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪ &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Opening Remarks: Duck-Ae Chung (President of MEMESAK, Ewha Womans Univ.)&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;MORNING SESSION &lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;10:30-12:00&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presider: Nicholas Koss&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Professor of Peking Univ. and Fu Jen Catholic Univ.; President &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;of the Taiwan Association of Classical, Medieval, and Renaissance Studies) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presenters&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪ &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Wen Ting Ting &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Providence Univ., Taichung, Taiwan)&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt 12pt; text-align: left; text-indent: 10pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;“&lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Imprisoned Heroes, (Un)Fulfilled Wishes&lt;span lang="KO"&gt;”&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt 12pt; text-align: left; text-indent: -12pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪ &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Dongill Lee &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Professor, Hankuk Univ. of Foreign Studies) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;"Implication of Weapon (Sword) in Heroic Poetry" &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Commenters: Hyonjin Kim&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Seoul National Univ.), Minwoo Yoon (Yonsei Univ.)&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;PLENARY SESSION &lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;13:30- 14:30 &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presider: Julie Choi &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Ewha Womans Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪ &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Speaker: Richard Utz &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Professor &amp;amp; Chair, Dept. of English, Western Michigan Univ.,:&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; "Medievalism and Medieval Romances"&lt;/span&gt;&lt;/div&gt;&lt;div class="hs1" style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left; text-indent: 25pt;"&gt; &lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;AFTERNOON SESSION I &lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;14:40-16:00&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presider:&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; Sonjae Ahn (Brother Anthony of Taize; Professor Emeritus, Sogang Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presenters&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪ &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Emma Lee &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Dayeh Univ., Changhua, Taiwan) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="hs1" style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;“'The token for chivalrous/ Men to know adventure': Chivalry as a Conflicting &lt;/span&gt;&lt;/div&gt;&lt;div class="hs1" style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left; text-indent: 30pt;"&gt;&lt;span style="font-size: small;"&gt;Concept in Sir Gawain and the Green Knight&lt;span lang="KO"&gt;”&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪&lt;/span&gt;&lt;span lang="KO" style="line-height: 160%;"&gt; &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Juok Yoon&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Yonsei Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;"Maternal Agency: Mother, Daughter, and Marriage in Sir Degrevant" &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Commenters: Gwanghyun Shynne&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Seoul National Univ.), Jisoo Kang (Inha Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;AFTERNOON SESSION II &lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;16:20-17:40&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presider&lt;/span&gt;&lt;span style="line-height: 160%;"&gt;: Jongsook Lee (Seoul National Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Presenters&lt;/span&gt;&lt;span style="line-height: 160%;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪&lt;/span&gt;&lt;span lang="KO" style="line-height: 160%;"&gt; &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Kyungjin Bae&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Inha Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;"Transformation of Courtly Love in Astrophil and Stella" &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="KO" style="line-height: 160%;"&gt;▪&lt;/span&gt;&lt;span lang="KO" style="line-height: 160%;"&gt; &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;Chung-in Im &lt;/span&gt;&lt;span style="line-height: 160%;"&gt;(Seoul National Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left; text-indent: 25pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;"The Appropriation of Chivalric Romance in The Island Princess" &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="color: #f3f3f3; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 160%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="line-height: 160%;"&gt;Commenters: Michael Foster&lt;/span&gt;&lt;span style="line-height: 160%;"&gt; (Korea Univ.), Tai-won Kim (Sogang Univ.) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3963112679023516706?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3963112679023516706/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3963112679023516706' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3963112679023516706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3963112679023516706'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/10/memesak-conference-on-once-and-future.html' title='memesak conference on once and future romance'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9132183776984867190</id><published>2010-09-22T09:34:00.000-04:00</published><updated>2010-09-22T09:34:56.368-04:00</updated><title type='text'>sponsored medievalism sections @ kzoo 2011</title><content type='html'>&lt;style&gt;@font-face {  font-family: "Arial";}@font-face {  font-family: "Cambria";}@font-face {  font-family: "Garamond";}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }span.object {  }div.Section1 { page: Section1; }&lt;/style&gt;     &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/TJoFYJoPoyI/AAAAAAAABco/n5dhWtEHvBY/s1600/tit.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="78" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/TJoFYJoPoyI/AAAAAAAABco/n5dhWtEHvBY/s200/tit.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Dear fellow workers in the vineyard of medievalism. Below please find an almost final listing of the three sections I am organizing for Kalamazoo 2011 on behalf of &lt;a href="http://www.medievalism.net/sim.html"&gt;&lt;i&gt;Studies in Medievalism&lt;/i&gt;&lt;/a&gt; and &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/medievally%20speaking.html"&gt;&lt;i&gt;medievally speaking&lt;/i&gt;&lt;/a&gt;:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;&lt;b&gt;Nineteenth-Century Medievalisms&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;&lt;/span&gt;Presider: Kathleen Verduin, Hope College&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Christine Havens, Hawkeye Community College: &lt;span class="object"&gt;“A Tale of Two Medievalisms: Muscular Christianity and the Tour de France”&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Robin Ward, Wilfied Laurier U&lt;/span&gt;: “Recovering a Not So Imaginary Past: Medievalism in Scott’s &lt;i&gt;Harold the Dauntless&lt;/i&gt;”&lt;/li&gt;&lt;li&gt;Clare A. Simmons, Ohio State U: “Ancient Mysteries: A Regency Printer Uncovers the Medieval”&lt;/li&gt;&lt;li&gt;Vicki Larsen, U of Michigan-Flint&lt;span&gt;&lt;/span&gt;&lt;span class="object"&gt;: “Transatlantic Medievalisms: Julian of Norwich’s XVI Revelations in the East End and Harvard in the ‘Hungry 40s’”&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;&lt;b&gt;Makers of the Middle Ages: Papers in Honor of William Calin&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;Presider: Clare A. Simmons, Ohio State U&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="object"&gt;Barbara K. Altmann, U of Oregon: &lt;/span&gt;&lt;span class="object"&gt;“Christine de Pizan as Maker of the Middle Ages”&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Kathleen Verduin, Hope College&lt;/span&gt;&lt;span class="object"&gt;&lt;/span&gt;: "That Grand Period: The Middle Ages of Charles Eliot Norton"&lt;/li&gt;&lt;li&gt;Nils Holger Petersen, U of Copenhagen: &lt;span class="object"&gt;“B.S. Ingemann, and the Danish Middle Ages”&lt;/span&gt;&amp;nbsp;&amp;nbsp;&lt;/li&gt;&lt;li&gt;Gina Psaki, U of Oregon: &lt;span class="object"&gt;“Calin, the Maker”&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;&lt;b&gt;Teaching Medievalisms: A Roundtable&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="object"&gt;Presider: Richard Utz, Western Michigan U&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="object"&gt;Albert Alhadeff, U of Colorado, Boulder: &lt;/span&gt;&lt;span class="object"&gt;“From Karlsruhe to Isenheim: Émile Verhaeren and Grünewald’s Crucifixions”&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Benjamin S. W. Barootes, McGill U &lt;/span&gt;&lt;span class="object"&gt;: “Prepackaged Medievalism in the Literary Annuals” &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Lesley A. Coote, U of Hull: &lt;/span&gt;&lt;span class="object"&gt;“Teaching Medievalisms”&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Kay Harris, U of Southern Mississippi&lt;/span&gt;&lt;span class="object"&gt;: “Teaching Medievalisms” &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="object"&gt;Ilan Mitchell-Smith, &lt;/span&gt;California State U Long Beach: “Teaching White Supremacist Medievalisms” &lt;/li&gt;&lt;li&gt;Megan L. Morris, U of Rochester: &lt;span class="object"&gt;“‘Recalled to Life’: Nineteenth-Century Historiography and the Body of the Past” &lt;/span&gt;&lt;/li&gt;&lt;li&gt;Lewis Pyenson, Western Michigan U&lt;span class="object"&gt;: “Assimiliating Other Medievalisms: Science in China and Islam, as Seen by Twentieth-Century Scholars”&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9132183776984867190?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9132183776984867190/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9132183776984867190' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9132183776984867190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9132183776984867190'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/09/sponsored-medievalism-sections-kzoo.html' title='sponsored medievalism sections @ kzoo 2011'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/TJoFYJoPoyI/AAAAAAAABco/n5dhWtEHvBY/s72-c/tit.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1675716502268183660</id><published>2010-08-23T22:27:00.003-04:00</published><updated>2010-08-23T22:29:28.486-04:00</updated><title type='text'>Amy Kaufman on Mass Market Medieval, ed. David Marshall</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/THMuAilkghI/AAAAAAAABcA/QyNnR8Zjp3I/s1600/images-1.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/THMuAilkghI/AAAAAAAABcA/QyNnR8Zjp3I/s320/images-1.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Amy Kaufman recently reviewed&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;David W. Marshall, ed., &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Mass Market Medieval: Essays on the Middle Ages in Popular Culture&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;, Jefferson, NC: McFarland, 2007, for &lt;/span&gt;&lt;/span&gt;&lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Marsh%2008-14-10.html"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: orange;"&gt;medievally speaking&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1675716502268183660?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1675716502268183660/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1675716502268183660' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1675716502268183660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1675716502268183660'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/08/amy-kaufman-on-mass-market-medieval-ed.html' title='Amy Kaufman on Mass Market Medieval, ed. David Marshall'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/THMuAilkghI/AAAAAAAABcA/QyNnR8Zjp3I/s72-c/images-1.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3007049774354152365</id><published>2010-08-23T17:08:00.001-04:00</published><updated>2010-08-23T17:10:20.805-04:00</updated><title type='text'>Janice Mann on Michael Camille's The Gargoyles of Notre Dame</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/THLjRzOvDNI/AAAAAAAABb4/cihomcKwOn8/s1600/9780226092454.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/THLjRzOvDNI/AAAAAAAABb4/cihomcKwOn8/s320/9780226092454.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="paragraph Body" style="line-height: 19px; padding-top: 0pt;"&gt;&lt;span style="color: #999999; font-family: ArialNarrow, 'Arial Narrow', Arial, sans-serif; font-size: 16px; line-height: 20.9px; opacity: 1;"&gt;Janice Mann recently reviewed Michael Camille,&lt;/span&gt;&lt;span style="color: #999999; font-family: ArialNarrow-Italic, 'Arial Narrow', Arial, sans-serif; font-size: 16px; font-style: italic; line-height: 20.9px; opacity: 1;"&gt;&amp;nbsp;The Gargoyles of Notre-Dame: Medievalism and the Monsters of Modernity,&lt;/span&gt;&lt;span style="color: #999999; font-family: ArialNarrow, 'Arial Narrow', Arial, sans-serif; font-size: 16px; line-height: 20.9px; opacity: 1;"&gt;&amp;nbsp;&amp;nbsp;Chicago: University of Chicago Press, 2009, for &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Camille%2008-23-10.html"&gt;&lt;i&gt;medievally speaking&lt;/i&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3007049774354152365?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3007049774354152365/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3007049774354152365' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3007049774354152365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3007049774354152365'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/08/janice-mann-reviews-michael-camille.html' title='Janice Mann on Michael Camille&apos;s The Gargoyles of Notre Dame'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/THLjRzOvDNI/AAAAAAAABb4/cihomcKwOn8/s72-c/9780226092454.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7155246300879005243</id><published>2010-08-12T15:45:00.003-04:00</published><updated>2010-08-23T22:29:57.465-04:00</updated><title type='text'>Mustafa Mirzeler on Medievalism in the Postcolonial World, ed. Davis/Altschul</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/TGRPO3_KnmI/AAAAAAAABbw/PhDAFFLu0Zw/s1600/9780801893209.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/TGRPO3_KnmI/AAAAAAAABbw/PhDAFFLu0Zw/s320/9780801893209.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Mustafa Mirzeler recently reviewed &lt;i&gt;Medievalism in the Postcolonial World: The Idea of “The Middle Ages” Outside Europe&lt;/i&gt;, edited by Kathleen Davis and Nadia Altschul, Baltimore: John Hopkins University Press, 2009, for &lt;i&gt;&lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/DavAlt%2008-12-10.html"&gt;medievally speaking&lt;/a&gt;&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7155246300879005243?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7155246300879005243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7155246300879005243' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7155246300879005243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7155246300879005243'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/08/mustafa-mirzeler-recently-reviewed.html' title='Mustafa Mirzeler on Medievalism in the Postcolonial World, ed. Davis/Altschul'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/TGRPO3_KnmI/AAAAAAAABbw/PhDAFFLu0Zw/s72-c/9780801893209.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7527600291255987060</id><published>2010-06-02T16:45:00.002-04:00</published><updated>2010-07-28T10:03:56.961-04:00</updated><title type='text'>sessions planned for kalamazoo 2011</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Dear colleagues,&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;I&amp;nbsp;am&amp;nbsp;organizing&amp;nbsp;the&lt;span style="font-size: small;"&gt; following three sessions for Kzoo 2011 on behalf of &lt;i&gt;Studies in Medievalism&lt;/i&gt; and &lt;i&gt;medievally speaking&lt;/i&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;link href="file://localhost/Users/richardutz/Library/Caches/TemporaryItems/msoclip/0/clip_filelist.xml" rel="File-List"&gt;&lt;/link&gt;  &lt;style&gt;&lt;!-- /* Font Definitions */@font-face	{font-family:Arial;	panose-1:2 11 6 4 2 2 2 2 2 4;	mso-font-charset:0;	mso-generic-font-family:auto;	mso-font-pitch:variable;	mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal	{mso-style-parent:"";	margin:0in;	margin-bottom:.0001pt;	mso-pagination:widow-orphan;	font-size:12.0pt;	font-family:"Times New Roman";	mso-fareast-font-family:"Times New Roman";	mso-bidi-font-family:"Times New Roman";}@page Section1	{size:8.5in 11.0in;	margin:1.0in 1.25in 1.0in 1.25in;	mso-header-margin:.5in;	mso-footer-margin:.5in;	mso-paper-source:0;}div.Section1	{page:Section1;}--&gt;&lt;/style&gt;     &lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Session 1: Nineteenth-Century Medievalisms &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;Session 2: Teaching Medievalisms (roundtable)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Session 3: Makers of the Middle Ages: Papers in Honor of William Calin&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', fantasy;"&gt;Please let me know if you are interested in participating asap.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7527600291255987060?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7527600291255987060/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7527600291255987060' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7527600291255987060'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7527600291255987060'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/06/sessions-planned-for-kalamazoo-2011.html' title='sessions planned for kalamazoo 2011'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1764280701507695695</id><published>2010-05-24T02:00:00.002-04:00</published><updated>2010-05-24T03:09:39.085-04:00</updated><title type='text'>Katie Lister Reviews Women Writers and Nineteenth-Century Medievalism</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_F26yu91HIe8/S_okn-_8GpI/AAAAAAAAABw/_HjG3ro7HWI/s1600/9780230607934.png"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 108px; height: 162px;" src="http://4.bp.blogspot.com/_F26yu91HIe8/S_okn-_8GpI/AAAAAAAAABw/_HjG3ro7HWI/s320/9780230607934.png" alt="" id="BLOGGER_PHOTO_ID_5474728566366935698" border="0" /&gt;&lt;/a&gt;A very fine review of Clare Broome Saunder's distinguished monograph, &lt;span style="font-style: italic;"&gt;Women Writers and Nineteenth-Century Medievalism&lt;/span&gt;, is now published, by &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/medievally%20speaking.html"&gt;&lt;span style="font-style: italic;"&gt;medievally speaking&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;To go directly to the review, click &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Saund%2005-15-10.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;input id="gwProxy" type="hidden"&gt;&lt;!--Session data--&gt;&lt;input onclick="jsCall();" id="jsProxy" type="hidden"&gt;&lt;div id="refHTML"&gt;&lt;/div&gt;&lt;input id="gwProxy" type="hidden"&gt;&lt;!--Session data--&gt;&lt;input onclick="jsCall();" id="jsProxy" type="hidden"&gt;&lt;div id="refHTML"&gt;&lt;/div&gt;&lt;input id="gwProxy" type="hidden"&gt;&lt;!--Session data--&gt;&lt;input onclick="jsCall();" id="jsProxy" type="hidden"&gt;&lt;div id="refHTML"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1764280701507695695?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1764280701507695695/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1764280701507695695' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1764280701507695695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1764280701507695695'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/05/clare-broome-saunders-reviews-women.html' title='Katie Lister Reviews Women Writers and Nineteenth-Century Medievalism'/><author><name>Jesse Swan</name><uri>http://www.blogger.com/profile/09151517158341070732</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_F26yu91HIe8/SfM09Iu8B5I/AAAAAAAAAA8/kdPPXKfLR4o/S220/jessepaul.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_F26yu91HIe8/S_okn-_8GpI/AAAAAAAAABw/_HjG3ro7HWI/s72-c/9780230607934.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3334170733968470030</id><published>2010-05-18T10:06:00.002-04:00</published><updated>2010-05-18T10:08:59.647-04:00</updated><title type='text'>new journal: postmedieval</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/S_Ker6cLdkI/AAAAAAAABZo/bEp9wni_qZc/s1600/pmed.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/S_Ker6cLdkI/AAAAAAAABZo/bEp9wni_qZc/s200/pmed.gif" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;The inaugural issue of &lt;a href="http://www.palgrave-journals.com/pmed/index.html"&gt;&lt;i&gt;postmedieval&lt;/i&gt;&lt;/a&gt; is now available in print and online. ‘When did we become post/human?’, a double, themed issue edited by Eileen A. Joy and Craig Dionne, features nearly 30 short essays from leading medieval scholars, with responses from Andy Mousley, Kate Soper and N. Katherine Hayles.&lt;br /&gt;&lt;b&gt;Palgrave Macmillan, the publisher, has this to say about the new publication: &lt;/b&gt;&lt;i&gt;"postmedieval: a journal of medieval cultural studies&lt;/i&gt; is a cross-disciplinary, peer-reviewed journal in medieval studies that aims to bring the medieval and modern into productive critical relation. The journal will work to develop a present-minded medieval studies in which contemporary events, issues, ideas, problems, objects, and texts serve as triggers for critical investigations of the Middle Ages. Further, we are concerned to illuminate the deep historical structures–mental, linguistic, social, cultural, aesthetic, religious, political, sexual, and the like–that underlie contemporary thought and life, and therefore, we are also interested in attending to the question of the relation of the medieval to the modern (and vice versa) in different times and places. We want to also demonstrate the important value of medieval studies and the longest possible historical perspectives to the ongoing development of contemporary critical and cultural theories that remain under-historicized. Finally, we will advocate for and support the continuing development, from any and all disciplinary directions, of historicist, materialist, comparatist, and theoretical approaches to the subjects of the Middle Ages."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3334170733968470030?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3334170733968470030/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3334170733968470030' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3334170733968470030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3334170733968470030'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/05/new-journal-postmedieval.html' title='new journal: postmedieval'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/S_Ker6cLdkI/AAAAAAAABZo/bEp9wni_qZc/s72-c/pmed.gif' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4526609801527173420</id><published>2010-05-17T09:49:00.001-04:00</published><updated>2010-05-17T09:50:19.989-04:00</updated><title type='text'>Hollywood in the Holy Land</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/S_FJet_JkXI/AAAAAAAABZg/ulYjimSjeFM/s1600/978-0-7864-4156-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/S_FJet_JkXI/AAAAAAAABZg/ulYjimSjeFM/s200/978-0-7864-4156-3.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Hollywood in the Holy Land: Essays on Film Depictions of the Crusades and Christian-Muslim Clashes&lt;/i&gt;, edited by Nickolas Haydock and E.L. Risden, has just come out from McFarland. Here is a description of the volume: This collection of essays analyzes film representations of the Crusades, other medieval East/West encounters, and the modern inheritance of encounters between orientalist fantasy and apocalyptic conspiracy. From studies of the filmic representations of popular figures such as El Cid, Roland, Richard I, and Saladin to examinations of such topics as Templar romance and the role of set design, location and landscape, the essays make significant contributions to our understanding of orientaist medievalism in film.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4526609801527173420?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4526609801527173420/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4526609801527173420' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4526609801527173420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4526609801527173420'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/05/hollywood-in-holy-land.html' title='Hollywood in the Holy Land'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/S_FJet_JkXI/AAAAAAAABZg/ulYjimSjeFM/s72-c/978-0-7864-4156-3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8515642475540044526</id><published>2010-05-16T20:48:00.000-04:00</published><updated>2012-01-05T21:36:53.824-05:00</updated><title type='text'>Modern Subjections</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/S_CSNfJUInI/AAAAAAAABZY/q7UtllqT6Ns/s1600/images.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/S_CSNfJUInI/AAAAAAAABZY/q7UtllqT6Ns/s320/images.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Times New Roman,Times,serif; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;Courtly  Seductions, Modern Subjections: Troubadour Literature and the Medieval  Construction of the Modern World&lt;/i&gt; &lt;/b&gt;   &lt;/span&gt;&lt;span style="font-size: small;"&gt;(Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2010).&lt;/span&gt;  &lt;span style="font-family: Times New Roman,Times,serif; font-size: small;"&gt;    Fidel Fajardo-Acosta (Creighton University) &lt;br /&gt;Publisher's description: A critical analysis of courtly love and medieval troubadour  literature, this book claims they were instrumental     in the constitution of the modern subject and its preparation for  life in the highly regulated societies of the modern world.     Relating troubadour texts to the rise of commerce, luxury  commodities, social differentiation, the centralization of authority,     and the crusades, the author proposes that western romantic love,  from its courtly beginnings, eroticized the forms and     values of the early European commercial economy and  nation-states—playing a key role in the subjection of medieval hearts,     minds and bodies to the disciplines of emerging modern powers. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8515642475540044526?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8515642475540044526/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8515642475540044526' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8515642475540044526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8515642475540044526'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/05/fajardo-acosta-modern-subjections.html' title='Modern Subjections'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/S_CSNfJUInI/AAAAAAAABZY/q7UtllqT6Ns/s72-c/images.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4105177454466868723</id><published>2010-05-16T17:22:00.001-04:00</published><updated>2010-05-16T17:23:24.661-04:00</updated><title type='text'>Oxford Dictionary of the Middle Ages contains entry on "Medievalism"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/S_BiIuFc5gI/AAAAAAAABZQ/ArqQ5g7FBZk/s1600/images.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/S_BiIuFc5gI/AAAAAAAABZQ/ArqQ5g7FBZk/s320/images.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;The new &lt;a href="http://www.oup.com/us/catalog/general/subject/Reference/?view=usa&amp;amp;ci=9780198662624#Author_Information"&gt;&lt;i&gt;Oxford  Dictionary of the Middle Ages&lt;/i&gt;&lt;/a&gt;, ed. Robert Bjork (Oxford: Oxford  UP, 2010) contains a 500 word entry on "Medievalism," written by Richard Utz, another indication of the coming of age of our academic field.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4105177454466868723?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4105177454466868723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4105177454466868723' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4105177454466868723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4105177454466868723'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/05/oxford-dictionary-of-middle-ages.html' title='Oxford Dictionary of the Middle Ages contains entry on &quot;Medievalism&quot;'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/S_BiIuFc5gI/AAAAAAAABZQ/ArqQ5g7FBZk/s72-c/images.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5843185530637893317</id><published>2010-04-14T09:56:00.000-04:00</published><updated>2010-04-14T09:56:40.774-04:00</updated><title type='text'>Middle-earth Minstrel</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/S8XJi8q8G1I/AAAAAAAABXY/l596b1vuixk/s1600/978-0-7864-4814-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/S8XJi8q8G1I/AAAAAAAABXY/l596b1vuixk/s200/978-0-7864-4814-2.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;McFarland recently published Bradford Lee Eden, ed., &lt;i&gt;&lt;span style="font-family: Times New Roman,Times; font-size: small;"&gt;Middle-earth Minstrel&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;         Essays on Music in Tolkien. &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;The publisher's description reads:&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;         &lt;!-- Book Subtitle --&gt;"&lt;/i&gt;The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien’s body of work. Of particular interest is Tolkien’s scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5843185530637893317?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5843185530637893317/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5843185530637893317' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5843185530637893317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5843185530637893317'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/04/middle-earth-minstrel.html' title='Middle-earth Minstrel'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/S8XJi8q8G1I/AAAAAAAABXY/l596b1vuixk/s72-c/978-0-7864-4814-2.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2884214067634465796</id><published>2010-03-08T19:01:00.000-05:00</published><updated>2010-03-08T19:01:12.915-05:00</updated><title type='text'></title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Mr55Ap8snCM/S5WPu5DxmdI/AAAAAAAABQ8/LFixU_1n-Gk/s1600-h/73_PetitPrince_COVER_altenglisch.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/S5WPu5DxmdI/AAAAAAAABQ8/LFixU_1n-Gk/s320/73_PetitPrince_COVER_altenglisch.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: 'verdana, arial, helvetica, sans-serif';"&gt;Please find Gwen Morgan's review of Antoine de Saint-Exupéry, &lt;i&gt;Be þam lytlan æþelinge&lt;/i&gt;. Trans. Fritz Kemmler, at _medievally speaking_: &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Kem%2003-05-10.html" target="l"&gt;http://web.mac.com/ricutz/iWeb/medievally%20speaking/Kem%2003-05-10.html&lt;/a&gt; .&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2884214067634465796?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2884214067634465796/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2884214067634465796' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2884214067634465796'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2884214067634465796'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/03/please-find-gwen-morgans-review-of.html' title=''/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/S5WPu5DxmdI/AAAAAAAABQ8/LFixU_1n-Gk/s72-c/73_PetitPrince_COVER_altenglisch.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3007358918587945349</id><published>2010-03-05T15:03:00.000-05:00</published><updated>2010-03-05T15:03:12.739-05:00</updated><title type='text'>call for papers: year's work in medievalism</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/S5FjYnys8VI/AAAAAAAABQs/Az3HlMGEW-Y/s1600-h/images.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/S5FjYnys8VI/AAAAAAAABQs/Az3HlMGEW-Y/s320/images.jpeg" /&gt;&lt;/a&gt;Gwen Morgan&lt;span style="font-family: 'verdana, arial, helvetica, sans-serif';"&gt; at Montana State is inviting submissions for this year's issue of &lt;i&gt;The Year's Work in Medievalism&lt;/i&gt;. Essays and notes on all matters regarding the critical and creative reception of the Middle Ages in postmedieval times are welcome. Please send electronic submissions asap to &lt;/span&gt;&lt;span style="font-family: 'verdana, arial, helvetica, sans-serif';"&gt;gmorgan@english.montana.edu.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'verdana, arial, helvetica, sans-serif';"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3007358918587945349?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3007358918587945349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3007358918587945349' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3007358918587945349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3007358918587945349'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/03/call-for-papers-years-work-in.html' title='call for papers: year&apos;s work in medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Mr55Ap8snCM/S5FjYnys8VI/AAAAAAAABQs/Az3HlMGEW-Y/s72-c/images.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3167232587937786097</id><published>2010-02-06T17:14:00.000-05:00</published><updated>2010-02-06T17:14:08.092-05:00</updated><title type='text'>Jesse Swan reviews Eisenbichler, Renaissance Medievalisms</title><content type='html'>&lt;span style="font-family: 'Lucida Grande'; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;&lt;span style="color: red;"&gt;&lt;i&gt;&lt;b&gt;medievally speaking&lt;/b&gt;&lt;/i&gt;&lt;/span&gt; published Jesse G. Swan's review of Konrad Eisenbichler, ed., &lt;i&gt;Renaissance Medievalisms&lt;/i&gt;. &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Eisen%2002-06-10.html"&gt;READ HERE&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3167232587937786097?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3167232587937786097/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3167232587937786097' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3167232587937786097'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3167232587937786097'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/02/jesse-swan-reviews-eisenbichler.html' title='Jesse Swan reviews Eisenbichler, Renaissance Medievalisms'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6076798112332664458</id><published>2010-02-03T19:43:00.000-05:00</published><updated>2010-02-03T19:43:34.842-05:00</updated><title type='text'>new entries on italian medievalism</title><content type='html'>Thanks to Tommaso di Carpegna Falconieri, University of Urbino, Italy, we now have better insight into Italian publications on Medievalism since 1973 on the "&lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/timeline.html"&gt;timeline&lt;/a&gt;" page of &lt;i&gt;medievally speaking&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-6076798112332664458?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6076798112332664458/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6076798112332664458' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6076798112332664458'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6076798112332664458'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/02/new-entries-on-italian-medievalism.html' title='new entries on italian medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9090634163295026863</id><published>2010-01-20T21:02:00.000-05:00</published><updated>2010-01-20T21:02:24.586-05:00</updated><title type='text'>Clare Broome Saunders, Women Writers and Nineteenth-Century Medievalism</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/S1e1odLXBJI/AAAAAAAABM0/X_xLxjsRkog/s1600-h/0230607934_l.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/S1e1odLXBJI/AAAAAAAABM0/X_xLxjsRkog/s200/0230607934_l.gif" width="132" /&gt;&lt;/a&gt;Publisher's description: In a thoughtful and detailed study, &lt;i&gt;Women Writers and Nineteenth-Century Medievalism&lt;/i&gt; considers the ways in which women poets, biographers, and historians used medieval motifs and settings to enable them to comment on controversial contemporary issues. Broome Saunders' illuminating discussion focuses on women working during the socio-political and religious upheaval of the nineteenth century and mines the poetry of Felicia Hemans, Letitia Landon, and Elizabeth Barrett Browning; portrayals of Joan of Arc and Guinevere in art and literature; and non-fiction sources such as women's letters and diaries during the Napoleonic and Crimean Wars.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9090634163295026863?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9090634163295026863/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9090634163295026863' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9090634163295026863'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9090634163295026863'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/01/clare-broome-saunders-women-writers-and.html' title='Clare Broome Saunders, Women Writers and Nineteenth-Century Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Mr55Ap8snCM/S1e1odLXBJI/AAAAAAAABM0/X_xLxjsRkog/s72-c/0230607934_l.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3984023643426166259</id><published>2010-01-20T20:51:00.001-05:00</published><updated>2010-01-20T20:52:29.175-05:00</updated><title type='text'>Medievalism in the Postcolonial World, ed. Davis &amp; Altschul</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/S1ezIgD7vmI/AAAAAAAABMs/NUr-jnnkCL0/s1600-h/9780801893209.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/S1ezIgD7vmI/AAAAAAAABMs/NUr-jnnkCL0/s200/9780801893209.jpg" width="132" /&gt;&lt;/a&gt;&lt;i&gt;Medievalisms in the Postcolonial World: The Idea of "the Middle Ages" Outside Europe&lt;/i&gt;&lt;br /&gt;edited by Kathleen Davis and Nadia Altschul&lt;br /&gt;Publisher's description: This fascinating study explores the intersection of postcolonial theory and medievalism. While the latter has traditionally been defined primarily in terms of European nationalism, the essays in this volume discuss medievalism in regions as wide—ranging as the United States, India, Latin America, and Africa. This innovative approach demonstrates the ways alternative conceptions of medieval and modern history can provide new insights into the idea of the Middle Ages and the origins and legacy of colonialism. Through diverse and thought—provoking essays, the contributors demonstrate that writing the Middle Ages has been key in colonial and postcolonial struggles over racial, ethnic, and territorial identity. They also argue that colonial medievalisms are crucial to understanding the history of entrenched temporal and political partitions, such as medieval/modern and East/West. The essays are divided into four sections that address a set of related questions raised by the literary and political intersections of medievalism and colonialism. Each section is followed by a response -- two are by postcolonial theorists and two by medievalists -- that carefully considers the essay's arguments and comments on its implications for the respondent's field of study. This volume is the first to bring medievalists and postcolonial scholars into conversation about the shared histories of their fields and the potential for mutual endeavor. Medievalisms in the Postcolonial World will both redirect scholarship in medievalism and inform approaches to temporality in postcolonial studies.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3984023643426166259?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3984023643426166259/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3984023643426166259' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3984023643426166259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3984023643426166259'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2010/01/medievalism-in-postcolonial-world-ed.html' title='Medievalism in the Postcolonial World, ed. Davis &amp; Altschul'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/S1ezIgD7vmI/AAAAAAAABMs/NUr-jnnkCL0/s72-c/9780801893209.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-173539715963247123</id><published>2009-12-30T17:31:00.000-05:00</published><updated>2009-12-30T17:31:10.959-05:00</updated><title type='text'>Ilse Schweitzer reviews Dinah Hazell, The Plants of Middle-Earth</title><content type='html'>&lt;span style="font-family: 'Lucida Grande'; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;As its inaugural review, &lt;span style="color: red;"&gt;&lt;i&gt;&lt;b&gt;medievally speaking&lt;/b&gt;&lt;/i&gt;&lt;/span&gt; published Ilse A. Schweitzer's review of Dinah Hazell's &lt;i&gt;The Plants of Middle Earth&lt;/i&gt;. &lt;a href="http://web.mac.com/ricutz/iWeb/medievally%20speaking/Hazell%2012-28-09.html"&gt;READ HERE&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-173539715963247123?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/173539715963247123/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=173539715963247123' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/173539715963247123'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/173539715963247123'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/12/ilse-schweitzer-reviews-dinah-hazell.html' title='Ilse Schweitzer reviews Dinah Hazell, The Plants of Middle-Earth'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-485793923794122380</id><published>2009-10-27T11:16:00.000-04:00</published><updated>2009-10-27T11:16:06.134-04:00</updated><title type='text'>fifth conference on the cultural heritage of medieval rituals</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/SucNUWkmXgI/AAAAAAAABJM/gi5J73avzbA/s1600-h/-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/SucNUWkmXgI/AAAAAAAABJM/gi5J73avzbA/s200/-1.jpg" /&gt;&lt;/a&gt;On October 25-26, the Centre for the Study of the Cultural Heritage of Medieval Rituals, a center funded by the Danish National Research Foundation, organized its &lt;a href="http://docs.google.com/gview?a=v&amp;amp;q=cache:OcCsakoUFYIJ:www.teol.ku.dk/foldere/ritual_folder_A5_low.pdf/+the+cultural+heritage+of+medieval+rituals+V&amp;amp;hl=en&amp;amp;pid=bl&amp;amp;srcid=ADGEESgbff2ldDEkHQc0RGi5O17lllCDappKRsP7whbUFHLpzqGLpk71cw2MVTOU6mPaPPt7Gvp9Ay4udX7wtqoBmCDfFUOVWdmVoC5CdiwWc7eUnHuypNrhYOMmtFKfg0J9n_hPuVMn&amp;amp;sig=AFQjCNHBkqZeOh5hCLOvw4acMTd_SmtRTQ"&gt;fifth conference&lt;/a&gt; at the Theological Faculty of Copenhagen University, Denmark. Papers were meant to contribute to the understanding of modern Western European culture by highlighting the resonance and resurfacing of medieval church rituals in the modern arts and culture. This conference marked the final stage of the almost eight year long project of the Centre. Participants included (among many others; from right to left) Mett Bruun (Copenhagen), Nils Holger Petersen (Copenhagen), Martin Wangsgaard Jürgensen (Copenhagen), Richard Utz (Western Michigan), Sieglind Bruhn (Michigan), and Magnar Breivik (Trondheim).&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/SucNcMhQ-zI/AAAAAAAABJU/z9ZBbbOPTJo/s1600-h/IMG_2313_2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/SucNcMhQ-zI/AAAAAAAABJU/z9ZBbbOPTJo/s320/IMG_2313_2.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-485793923794122380?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/485793923794122380/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=485793923794122380' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/485793923794122380'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/485793923794122380'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/10/fifth-conference-on-cultural-heritage.html' title='fifth conference on the cultural heritage of medieval rituals'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/SucNUWkmXgI/AAAAAAAABJM/gi5J73avzbA/s72-c/-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3289707155027032457</id><published>2009-10-10T22:51:00.001-04:00</published><updated>2009-10-10T23:22:30.861-04:00</updated><title type='text'>24th Intl. Conference on Medievalism at Siena College</title><content type='html'>Participants at work &amp;amp; a new &lt;i&gt;Everyman&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Mr55Ap8snCM/StFHMeN-eAI/AAAAAAAABI8/2igm7WA5xnE/s1600-h/IMG_2246.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/StFHMeN-eAI/AAAAAAAABI8/2igm7WA5xnE/s200/IMG_2246.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFHJXHtGlI/AAAAAAAABI0/TEq2fBiMrh8/s1600-h/IMG_2244.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFHJXHtGlI/AAAAAAAABI0/TEq2fBiMrh8/s200/IMG_2244.JPG" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFHC2NDssI/AAAAAAAABIk/_sZXjrndnd4/s1600-h/IMG_2235.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFHC2NDssI/AAAAAAAABIk/_sZXjrndnd4/s200/IMG_2235.JPG" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/StFHGHWVnuI/AAAAAAAABIs/EsK2g086zyE/s1600-h/IMG_2239.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/StFHGHWVnuI/AAAAAAAABIs/EsK2g086zyE/s200/IMG_2239.JPG" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/StFHAU3QPNI/AAAAAAAABIc/RcaPh1iT1zA/s1600-h/IMG_2228.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/StFHAU3QPNI/AAAAAAAABIc/RcaPh1iT1zA/s200/IMG_2228.JPG" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFG9cF96wI/AAAAAAAABIU/FuEQNJYLCkQ/s1600-h/IMG_2225.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/StFG9cF96wI/AAAAAAAABIU/FuEQNJYLCkQ/s200/IMG_2225.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3289707155027032457?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3289707155027032457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3289707155027032457' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3289707155027032457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3289707155027032457'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/10/24th-intl-conference-on-medievalism-at.html' title='24th Intl. Conference on Medievalism at Siena College'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/StFHMeN-eAI/AAAAAAAABI8/2igm7WA5xnE/s72-c/IMG_2246.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6420307881570871520</id><published>2009-09-29T22:40:00.000-04:00</published><updated>2009-09-29T22:41:34.758-04:00</updated><title type='text'>XXVe Conférence Internationale sur le Médiévalisme</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: trebuchet ms;"&gt;XXVe Conférence Internationale sur le Médiévalisme,&lt;/span&gt;&lt;span style="font-family: trebuchet ms;"&gt; organisée en partenariat avec Modernités médiévales&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;« Dialogues transatlantiques : Parler du Moyen Age »&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Université de Groningen (Pays-Bas), 8-10 juillet 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Appel à communications&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Studies in Medievalism, en collaboration avec Modernités médiévales, invite à envoyer des propositions d’ateliers et de communications en vue de son colloque pluridisciplinaire annuel, qui aura lieu du 8 au 10 juillet 2010 à l’université de Groningen (Pays-Bas). Les communications porteront sur le médiévalisme, dans ses versants recherche et enseignement ; et plus précisément sur le double thème de cette année : « Dialogues transatlantiques / Parler du Moyen Age ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt; Ce thème est inspire par le cadre européen du colloque, et l’héritage de Paul Zumthor, élu à Groningen en 1948, pour son premier poste universitaire. D’une part, son livre, Parler du Moyen Age (1980) est l’un des ouvrages de référence du médiévalisme. D’autre part, Zumthor est le symbole même du dialogue transatlantique qui fonde les études médiévalistes : d’origine suisse, il a exercé en Europe avant de partir en Amérique du Nord. Alors que le « Moyen Age » sert à designer une période de l’histoire européenne, ce sont en effet des chercheurs et des artistes d’Amérique du Nord, en particulier, qui ont élaboré de nouvelles manières d’envisager cette période, en littérature, en peinture, dans la musique, le cinéma et d’autres médias. Enfin, l’œuvre de Zumthor témoigne de l’importance que revêt la réflexion théorique sur les concepts du Moyen Age et du médiéval. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;      Conférences plénières par Joep Leerssen (université d’Amsterdam), Richard Utz (Western Michigan University) and Michèle Gally (université Aix-Marseille).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Les communications (en anglais ou en français) pourront envisager les questions et sujets suivants (sans en exclure d’autres, en relation avec la question du médiévalisme)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• De quel « Moyen Age » parle-t-on, lorsque l’on parle du Moyen Age ? Comment est défini ce qui est « médiéval » ?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Que peut apporter la « théorie européenne » aux chercheurs en médiévalisme d’Amérique du Nord ?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Comment le Moyen Age européen est-il repensé dans d’autres traditions ? (par ex. : dans le western, les dessins animés japonais) ?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Variations sur le Gothique américain (architecture, peinture, musique)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Echos médiévalistes du colonialisme : quelle théorie pour les médiévalismes (post)coloniaux ?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Médiévalismes d’Amérique du Sud, d’Amadis à Borges : miroirs et contrepoints de l’Europe ?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Appropriations du médiévalisme par les féministes américaines&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Médiévalisme et traductions (en particulier, français / anglais)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Rôle des médiateurs culturels entre l’Europe et l’Amérique &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;• Médiévalisme et voyages / tourisme transatlantiques &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Publication : &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Une sélection de communications paraîtra dans The Year’s Work in Medievalism et/ou Studies in Medievalism ainsi que dans un volume en français.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Date butoir : 15 novembre &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Merci d’envoyer une proposition d’environ 300 mots (20 à 30 lignes)  à Alicia C. Montoya et Vincent Ferré : A.C.Montoya@rug.nl / ferre@fabula.org &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-6420307881570871520?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6420307881570871520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6420307881570871520' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6420307881570871520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6420307881570871520'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/09/xxve-conference-internationale-sur-le.html' title='XXVe Conférence Internationale sur le Médiévalisme'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9183465624978973839</id><published>2009-09-16T17:12:00.000-04:00</published><updated>2009-09-16T17:13:04.151-04:00</updated><title type='text'>Eminent Chaucerians published</title><content type='html'>&lt;span style="font-family: arial; font-size: 100%;"&gt;Richard Utz and Peter Schneck are coeditors of &lt;a style="font-style: italic;" href="http://web.fu-berlin.de/phin/beiheft4/b4i.htm"&gt;Eminent Chaucerians? Early Women Scholars and the History of Reading Chaucer&lt;/a&gt;. The essay cluster appeared as a special issue (Supplement 4/2009) of &lt;span style="font-style: italic;"&gt;Philologie im Netz&lt;/span&gt;,&lt;/span&gt;&lt;span style="font-family: trebuchet ms; font-size: 100%;"&gt; a refereed quarterly specializing in linguistics, literary, and cultural              studies.&lt;br /&gt;&lt;br /&gt;Table of Content&lt;/span&gt;&lt;table style="font-family: trebuchet ms;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="TOP" width="150"&gt;&lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://web.fu-berlin.de/phin/beiheft4/b4t1.htm"&gt;Richard Utz&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;&lt;/td&gt;  &lt;td valign="TOP" width="450"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;Introduction&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;        &lt;table style="font-family: trebuchet ms;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="TOP" width="150"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://web.fu-berlin.de/phin/beiheft4/b4t2.htm"&gt; Margaret Connolly&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td valign="TOP" width="450"&gt;  &lt;p&gt;&lt;span style="font-size: 100%;"&gt;'Dr Furnival and Mother like the same old books': Mary Haweis and the Experience of Reading Chaucer in the Nineteenth Century&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;/tr&gt;  &lt;tr&gt;&lt;td valign="TOP" width="150"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://web.fu-berlin.de/phin/beiheft4/b4t3.htm"&gt; Louise D'Arcens&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td valign="TOP" width="450"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;"She ensample was by good techynge": Hermiene Ulrich and Chaucer under Capricorn&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;/tr&gt;  &lt;tr&gt;&lt;td valign="TOP" width="150"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://web.fu-berlin.de/phin/beiheft4/b4t4.htm"&gt; William Snell&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td valign="TOP" width="450"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;A Woman Medievalist Much Maligned:  A Note in Defense of Edith Rickert (1871–1938)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;/tr&gt;  &lt;tr&gt;&lt;td valign="TOP" width="150"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://web.fu-berlin.de/phin/beiheft4/b4t5.htm"&gt; Juliette Dor&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;  &lt;td valign="TOP" width="450"&gt; &lt;p&gt;&lt;span style="font-size: 100%;"&gt;Caroline Spurgeon (1869–1942) and the Institutionalisation of English Studies as a Scholarly Discipline&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9183465624978973839?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9183465624978973839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9183465624978973839' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9183465624978973839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9183465624978973839'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/09/eminent-chaucerians-published.html' title='Eminent Chaucerians published'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8103432552916655585</id><published>2009-09-10T12:57:00.009-04:00</published><updated>2009-09-29T10:18:57.115-04:00</updated><title type='text'>CFP 25th Conference on Medievalism</title><content type='html'>   &lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 2008"&gt; &lt;meta name="Originator" content="Microsoft Word 2008"&gt; &lt;link rel="File-List" href="file://localhost/Users/richardutz/Library/Caches/TemporaryItems/msoclip/0clip_filelist.xml"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal.dotm&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;491&lt;/o:Words&gt;   &lt;o:characters&gt;2801&lt;/o:Characters&gt;   &lt;o:company&gt;Western Michigan University&lt;/o:Company&gt;   &lt;o:lines&gt;23&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;5&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;3439&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;12.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves&gt;false&lt;/w:TrackMoves&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:drawinggridhorizontalspacing&gt;18 pt&lt;/w:DrawingGridHorizontalSpacing&gt;   &lt;w:drawinggridverticalspacing&gt;18 pt&lt;/w:DrawingGridVerticalSpacing&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:dontautofitconstrainedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;   &lt;/w:Compatibility&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" latentstylecount="276"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Courier New"; 	panose-1:2 7 3 9 2 2 5 2 4 4; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;} @font-face 	{font-family:Wingdings; 	panose-1:5 2 1 2 1 8 4 8 7 8; 	mso-font-charset:2; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:0 0 65536 0 -2147483648 0;} @font-face 	{font-family:"Palatino Linotype"; 	mso-font-alt:Palatino; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-536870009 1073741843 0 0 415 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Times New Roman"; 	mso-fareast-font-family:"Times New Roman"; 	mso-bidi-font-family:"Times New Roman";} a:link, span.MsoHyperlink 	{color:#FFFFCC; 	text-decoration:underline; 	text-underline:single;} a:visited, span.MsoHyperlinkFollowed 	{mso-style-noshow:yes; 	color:purple; 	text-decoration:underline; 	text-underline:single;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;}  /* List Definitions */ @list l0 	{mso-list-id:1599483786; 	mso-list-type:hybrid; 	mso-list-template-ids:-321345850 67698689 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;} @list l0:level1 	{mso-level-number-format:bullet; 	mso-level-text:; 	mso-level-tab-stop:.5in; 	mso-level-number-position:left; 	text-indent:-.25in; 	font-family:Symbol;} ol 	{margin-bottom:0in;} ul 	{margin-bottom:0in;} --&gt; &lt;/style&gt; &lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */ table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;25th International Conference on Medievalism, jointly organized with &lt;i style=""&gt;Modernités médiévales&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;Transatlantic Dialogues / Speaking of the Middle Ages&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;University of Groningen (The Netherlands), 8-10 July 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;"  lang="NL"&gt;Call for papers&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  lang="NL" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=";font-family:&amp;quot;;color:black;"  &gt;Studies in Medievalism, in collaboration with &lt;i style=""&gt;Modernités médiévales&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;, invites session and paper proposals for its annual interdisciplinary conference, July 8-10, 2010. We welcome papers that explore any topic related to the study and teaching of medievalism, and especially those that focus on this year's double theme of “Transatlantic Dialogues / Speaking of the Middle Ages.” The two conference languages will be English and French.&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;This year’s conference theme is inspired, on the one hand, by its European venue and, on the other, by the legacy of Paul Zumthor, who started his academic career at the University of Groningen in 1948 and whose book &lt;i style=""&gt;Parler du Moyen Age&lt;/i&gt; (&lt;i style=""&gt;Speaking of the Middle Ages&lt;/i&gt;) is one of the seminal works of academic medievalism. As a Swiss scholar who worked in Europe and later emigrated to North America, Zumthor represents an outstanding example of the transatlantic nature of medievalist studies. While the Middle Ages we refer to today are European, it is North American scholars (in particular) and artists, who have developed new ways of imagining this era in literature, film, music, painting and other media. At the same time, Zumthor’s work reminds us of the importance of theoretical reflection on the concept of the medieval.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;Key-note addresses will be given by Joep Leerssen (University of Amsterdam), Richard Utz (Western Michigan University) and Michèle Gally (Université Aix-Marseille).&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;Papers, in English or French, might address the following questions and topics (or any other topic relevant to the general theme of medievalism):&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt; what can European theory bring to      North American medievalist scholarship?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt; how are the European Middle Ages      reconceptualized in other national genres and traditions (e.g. American westerns,      Japanese anime)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; whose Middle Ages do we speak of      when speaking of the Middle Ages? who defines what is medieval? who “owns”      the medieval?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt; varieties of American Gothic      (architecture, painting, music)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; medievalist refractions of      colonial encounters / theorizing (post)colonial medievalisms&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; South American medievalisms, from      Amadis to Borges, as a reflection on/of Europe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; American feminist appropriations      of medievalism&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; medievalism and translation      studies (particularly French-English)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; the role of transatlantic cultural      mediators&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;; medievalism and transatlantic      travel and/or tourism&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;Selected papers related to the conference theme will be published in &lt;i&gt;The Year’s Work in Medievalism &lt;/i&gt;&lt;span style=""&gt;and/or &lt;i&gt;Studies in Medievalism&lt;/i&gt;, and in a separate French-language volume.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;span style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=";font-family:&amp;quot;;color:black;"  &gt;Deadline: November 15, 2009&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;Please send 300-word paper proposals to Alicia C. Montoya and Vincent Ferré: A.C.Montoya@rug.nl / ferre@fabula.org&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;!--EndFragment--&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8103432552916655585?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8103432552916655585/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8103432552916655585' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8103432552916655585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8103432552916655585'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/09/cfp-25th-conference-on-medievalism.html' title='CFP 25th Conference on Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3578960938722469615</id><published>2009-08-05T09:12:00.001-04:00</published><updated>2009-08-05T09:12:16.976-04:00</updated><title type='text'>Robinson and Swan speak to Medievalism seminar</title><content type='html'>&lt;a style="color: rgb(204, 204, 204);" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Mr55Ap8snCM/Sniccffq9MI/AAAAAAAABDU/62IvZLDurLM/s1600-h/BLOGTITLE.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 117px; height: 152px;" src="http://2.bp.blogspot.com/_Mr55Ap8snCM/Sniccffq9MI/AAAAAAAABDU/62IvZLDurLM/s200/BLOGTITLE.jpg" alt="" id="BLOGGER_PHOTO_ID_5366210969316553922" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;On July 30 and August 4, Drs. Carol Robinson and Jesse Swan addressed Richard Utz's graduate seminar on Studies in Medievalism via Skype. Robinson, who teaches at Kent State Trumbull, is one of the most widely known experts on the subject of Neomedievalism and founding member of &lt;a href="http://medievalelectronicmultimedia.org/index.html"&gt;MEMO&lt;/a&gt;, the Medieval Electronic Multimedia Organization. She is also editor of &lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span class="style2"&gt;the essay cluster on "Medievalism in Video Games" in &lt;a href="http://www.boydell.co.uk/43841568.HTM"&gt;&lt;span style="font-style: italic;"&gt;Studies in Medievalism XVI: Medievalism in Technology Old and New&lt;/span&gt;&lt;/a&gt;,&lt;/span&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt; Cambridge: D.S. Brewer, 2008.&lt;/span&gt;&lt;a style="color: rgb(204, 204, 204);" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Mr55Ap8snCM/SnidEFTt7DI/AAAAAAAABDc/uPAyHmNofyo/s1600-h/images.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 72px; height: 121px;" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/SnidEFTt7DI/AAAAAAAABDc/uPAyHmNofyo/s200/images.jpg" alt="" id="BLOGGER_PHOTO_ID_5366211649481862194" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;Swan, who teaches at the University of Northern Iowa, is coeditor, wit&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;h Richard Utz, of &lt;a href="http://www.boydell.co.uk/4384012X.HTM"&gt;&lt;span style="font-style: italic;"&gt;Studies in Medievalism XVI: Postmodern Medievalisms&lt;/span&gt;&lt;/a&gt;, Cambridge: D.S. &lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;Brewer, 2005, and of &lt;a href="https://wipfandstock.com/store/The_Years_Work_in_Medievalism_2002"&gt;&lt;span style="font-style: italic;"&gt;The Year's Work in Medievalism&lt;/span&gt;&lt;/a&gt; 2002, Eugene, OR: Wipf and St&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;ock,&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt; &lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;2003. He spoke to the seminar and guests (Drs. Beth Bradburn and Grace Tiffany) about &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(204, 204, 204);"&gt;"Medievalism, the Book, and Post-Counter-Reformation Anglo-Catholicism, Or, Another Way To Appreciate Elizabeth Cary."&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3578960938722469615?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3578960938722469615/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3578960938722469615' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3578960938722469615'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3578960938722469615'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/08/robinson-and-swan-speak-to-medievalism.html' title='Robinson and Swan speak to Medievalism seminar'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Mr55Ap8snCM/Sniccffq9MI/AAAAAAAABDU/62IvZLDurLM/s72-c/BLOGTITLE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4788046809547449764</id><published>2009-07-27T10:58:00.001-04:00</published><updated>2009-07-27T11:01:29.854-04:00</updated><title type='text'>CFP: MEMO sessions for 2010 Kzoo Congress</title><content type='html'>&lt;span style="font-family:'verdana, arial, helvetica, sans-serif';"&gt;The 45th International Congress on Medieval Studies (2010)&lt;br /&gt;&lt;br /&gt;MEMO is soliciting proposals for two sessions to take place at the 45th  (2010) International Congress on Medieval Studies. Please send abstracts of no more than 300 words and a completed Participant Information Form (available on the International Congress website at &lt;a href="http://www.wmich.edu/medieval/congress/submissions/index.html#Paper%29" target="l"&gt;http://www.wmich.edu/medieval/congress/submissions/index.html#Paper)&lt;/a&gt;, as well as any questions you may have, to:&lt;br /&gt;&lt;br /&gt;N. M. Heckel, 132 Penhurst St., Rochester NY 14619&lt;br /&gt;&lt;br /&gt;The deadline for proposals for both the paper session and the workshop is September 15th .&lt;br /&gt;&lt;br /&gt;*Sessions:*&lt;br /&gt;&lt;br /&gt;   * /*Paper Session:*/ *Time, Space, Place: Geographies and Cartographies in Neomedieval Electronic Media*&lt;br /&gt;This session is concerned not only the maps and virtual landscapes created for and used in neomedieval electronic media, but also with the "virtual landscape" of the internet, and the way that it&lt;br /&gt;     lends itself to the creation of neomedieval communities and connections vastly different from the real world in which participants live.&lt;br /&gt;&lt;br /&gt;   * */Workshop:/ Gaming Neomedievally: A Festive Video Game Workshop&lt;br /&gt;     and Poster Session*&lt;br /&gt;     The gaming workshop and poster session has grown since MEMO started it a few years ago, and once again we're looking for academic gamers who would be willing to share their favorite neo-medieval games with the rest of the medievalist community. Participants need to be able to provide the game and the system to run it (whether a laptop or game console); other A/V equipment such as televisions can be reserved through Congress channels. In addition to bringing the game, participants are asked to provide an informational "poster" that explores some aspect(s) of the game's neo-medievalism. Posters can be in hard copy format or in Powerpoint; if the latter, please also bring or request on your A/V sheet a laptop on which to run the presentation.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4788046809547449764?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4788046809547449764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4788046809547449764' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4788046809547449764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4788046809547449764'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/memo-session-cfp-for-45th-kzoo-congress.html' title='CFP: MEMO sessions for 2010 Kzoo Congress'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8799349530286394067</id><published>2009-07-18T20:44:00.002-04:00</published><updated>2009-07-18T20:49:17.118-04:00</updated><title type='text'>Lewis Pyenson speaks to Medievalism Class</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Mr55Ap8snCM/SmJssB6YtXI/AAAAAAAABBo/Lby-lsxnYRg/s1600-h/pyenson.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 112px; height: 120px;" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/SmJssB6YtXI/AAAAAAAABBo/Lby-lsxnYRg/s200/pyenson.jpg" alt="" id="BLOGGER_PHOTO_ID_5359966010207679858" border="0" /&gt;&lt;/a&gt;On Thursday, July 16, Dr. Lewis Pyenson, Dean of the WMU Graduate College, presented a visiting lecture to the participants in Richard Utz's Graduate Seminar on &lt;span style="color: rgb(255, 0, 0); font-weight: bold;"&gt;Studies in Medievalism&lt;/span&gt;. Pyenson sketched a panoramic picture of the changing views on medieval culture from the Enlightenment, Romanticism, and Modernism through Postmodernism, focusing on the history of ideas and the medievalism of several seminal modernist scholars, e.g., Henri Pirenne, Lucien Febvre, Marc Bloch, Henri de Man, and George Sarton.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8799349530286394067?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8799349530286394067/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8799349530286394067' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8799349530286394067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8799349530286394067'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/lewis-pyenson-speaks-to-medievalism.html' title='Lewis Pyenson speaks to Medievalism Class'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/SmJssB6YtXI/AAAAAAAABBo/Lby-lsxnYRg/s72-c/pyenson.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6335464954080005029</id><published>2009-07-15T09:34:00.003-04:00</published><updated>2009-07-17T10:16:19.649-04:00</updated><title type='text'>Queer Movie Medievalism</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Mr55Ap8snCM/Sl3cH-OA50I/AAAAAAAABA4/HOo9xR74NkE/s1600-h/51iQNmwwDML._SL160_.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 107px; height: 160px;" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/Sl3cH-OA50I/AAAAAAAABA4/HOo9xR74NkE/s200/51iQNmwwDML._SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5358681161159731010" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span&gt;About to be published with Ashgate: Kathleen Coyne Kennedy and Tison Pugh, eds., &lt;span style="font-style: italic;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Queer Movie Medievalism&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Here is the publisher's description: How is history even possible, since it involves recapturing a past already lost? It is through this urge to understand, feel and experience, that films based on medieval history are made. They attempt to re-create the past, but can only do so through a queer re-visioning that inevitably replicates modernity. In these mediations between past and present, history becomes misty, and so, too, do constructions of gender and sexuality leading to the impossibility of heterosexuality, or of any sexuality, predicated upon cinematic medievalism. "Queer Movie Medievalisms" is the first book of its kind to grapple with the ways in which mediations between past and present, as registered on the silver screen, queerly undercut assumptions about sexuality throughout time. It will be of great interest to scholars of Gender and Sexuality, Cultural and Media Studies, Film Studies and Medieval History.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong style="font-family: trebuchet ms;"&gt;Contents: &lt;/strong&gt;&lt;span style="font-family:trebuchet ms;"&gt; Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh; The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Béatrice, Lisa Manter; Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer; 'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935), Lorraine Kochanske Stock; 'In the company of orcs': Peter Jackson's queer Tolkein, Jane Chance; The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska; 'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein; Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward; Sean Connery's star persona and the queer Middle Ages, Tison Pugh; Will Rogers' pink spot: A Connecticut Yankee (1931), Kathleen Coyne Kelly; Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless; Mourning and sexual difference in Hans-Jürgen Syberbergs's Parsifal, Michelle Bolduc; Superficial medievalism and the queer futures of film, Cary Howie; Afterword, Glenn Burger and Steven F. Kruger&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-6335464954080005029?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6335464954080005029/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6335464954080005029' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6335464954080005029'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6335464954080005029'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/queer-movie-medievalism.html' title='Queer Movie Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/Sl3cH-OA50I/AAAAAAAABA4/HOo9xR74NkE/s72-c/51iQNmwwDML._SL160_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-553891156371008191</id><published>2009-07-12T13:55:00.004-04:00</published><updated>2011-06-08T13:32:44.795-04:00</updated><title type='text'>Scala and Federico's Posthistorical Middle Ages</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_Mr55Ap8snCM/SlojuylFhHI/AAAAAAAABAQ/GuBLAwLzZ2o/s1600-h/9780230607873.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5357633993468904562" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/SlojuylFhHI/AAAAAAAABAQ/GuBLAwLzZ2o/s200/9780230607873.jpg" style="cursor: pointer; float: left; height: 200px; margin: 0pt 10px 10px 0pt; width: 133px;" /&gt;&lt;/a&gt;Liz Scala and Sylvia Federico have recently published an essay collection of great interest to scholars of medievalism, &lt;span style="color: red; font-style: italic; font-weight: bold;"&gt;The Post-Historical Middle Ages &lt;/span&gt;(Palgrave Macmillan, 2009). The publisher's summary reads: "This collection of original essays repositions medieval literary studies after an era of historicism. Analyzing the legacy of Marxist and materialist theory on medieval literary criticism, the collection offers new ways of reading texts historically. Drawing upon aesthetic, ethical, and cultural vantage points and methods, these essays demonstrate that a variety of approaches and theories are “historical” and can change what it means to historicize medieval literature. By defining our post-historical moment in medieval English literary studies in terms of new possibilities, this collection will have broad appeal to those interested in the English Middle Ages, history, culture, and reading itself."&lt;br /&gt;Table of Contents: Introduction--Sylvia Federico and Elizabeth Scala * Amorous Dispossessions: Knowledge, Desire, and the Poet’s Dead Body--Patricia Clare Ingham * Time Out of Memory--Jeffrey J. Cohen * Historicism after Historicism--Maura Nolan * (Dis)Continuity: The History of Dreaming--Aranye Fradenburg * Recovering the Middle Ages?--Thomas Prendergast and Stephanie Trigg * Naked Chaucer--George Edmondson * Biography After Historicism--Daniel Birkholz * The Gender of Historicism--Elizabeth Scala * From Clio to JHMuse©: Literacy and the Muse Of Digitalia--R. Allen Shoaf&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-553891156371008191?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/553891156371008191/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=553891156371008191' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/553891156371008191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/553891156371008191'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/scalas-posthistorical-middle-ages.html' title='Scala and Federico&apos;s Posthistorical Middle Ages'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/SlojuylFhHI/AAAAAAAABAQ/GuBLAwLzZ2o/s72-c/9780230607873.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3769829941924661095</id><published>2009-07-09T22:32:00.006-04:00</published><updated>2009-07-12T13:42:15.043-04:00</updated><title type='text'>Verduin speaks to wmu medievalism class</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Mr55Ap8snCM/Slao7wwwrpI/AAAAAAAABAI/AdBpnxFu898/s1600-h/verduinphoto2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 71px; height: 92px;" src="http://4.bp.blogspot.com/_Mr55Ap8snCM/Slao7wwwrpI/AAAAAAAABAI/AdBpnxFu898/s200/verduinphoto2.jpg" alt="" id="BLOGGER_PHOTO_ID_5356654551458950802" border="0" /&gt;&lt;/a&gt;Kathleen Verduin, one of the most experienced practitioners of medievalism, Associate Editor of &lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt; from 1982 to 1998 and Professor of American Literature at Hope College, recently led a workshop on Medievalism and the American Renaissance at the graduate seminar on "Studies in Medievalism" at Western Michigan University. Participants were able to learn about the genesis of medievalism as an academic specialty area and discuss the views on medieval culture expressed by famous Americans from William Bradford through Walt Whitman.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3769829941924661095?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3769829941924661095/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3769829941924661095' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3769829941924661095'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3769829941924661095'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/verduin-speaks-at-wmu-medievalism-class.html' title='Verduin speaks to wmu medievalism class'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Mr55Ap8snCM/Slao7wwwrpI/AAAAAAAABAI/AdBpnxFu898/s72-c/verduinphoto2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8974746995808593830</id><published>2009-07-07T16:10:00.001-04:00</published><updated>2009-07-07T16:11:56.876-04:00</updated><title type='text'>SIM conference deadline extended</title><content type='html'>&lt;span style="font-family: trebuchet ms;font-family:'verdana, arial, helvetica, sans-serif';" &gt;The deadline for the fall Studies in Medievalism conference has been extended to August 1rst.  The CFP and other information for the conference can be found at the &lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt; web site.  Once again, the dates are October 8-10, at Siena College near Albany, New York, and this year's theme is "Medievalism and Religion."&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8974746995808593830?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8974746995808593830/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8974746995808593830' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8974746995808593830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8974746995808593830'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/07/sim-conference-deadline-extended_07.html' title='SIM conference deadline extended'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-303834207613597210</id><published>2009-06-27T21:44:00.003-04:00</published><updated>2009-06-30T22:07:38.772-04:00</updated><title type='text'>Michael Camille on Medievalism</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Mr55Ap8snCM/SkbL014jtXI/AAAAAAAAA_I/eHslAgA6U98/s1600-h/b.jpeg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 150px; height: 163px;" src="http://3.bp.blogspot.com/_Mr55Ap8snCM/SkbL014jtXI/AAAAAAAAA_I/eHslAgA6U98/s200/b.jpeg" alt="" id="BLOGGER_PHOTO_ID_5352189315854349682" border="0" /&gt;&lt;/a&gt;Check out a wonderful volume the U of Chicago Press just published, Michael Camille's &lt;span style="color: rgb(255, 0, 0); font-style: italic;"&gt;The Gargoyles of Notre Dame. Medievalism and the Monsters of Modernity&lt;/span&gt;. The publisher's synopsis reads: "Most of the seven million people who visit the cathedral of Notre Dame in Paris each year probably do not realize that the legendary gargoyles adorning this medieval masterpiece were not constructed until the nineteenth century. The first comprehensive history of these world-famous monsters, The Gargoyles of Notre-Dame argues that they transformed the iconic thirteenth-century cathedral into a modern monument. Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc’s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed, sculpted by the little-known Victor Pyanet, and installed. These gargoyles, Camille contends, were not mere avatars of the Middle Ages, but rather fresh creations—symbolizing an imagined past—whose modernity lay precisely in their nostalgia. He goes on to map the critical reception and many-layered afterlives of these chimeras, notably in the works of such artists and writers as Charles Méryon, Victor Hugo, and photographer Henri Le Secq. Tracing their eventual evolution into icons of high kitsch, Camille ultimately locates the gargoyles’ place in the twentieth-century imagination, exploring interpretations by everyone from Winslow Homer to the Walt Disney Company. Lavishly illustrated with more than three hundred images of its monumental yet whimsical subjects, The Gargoyles of Notre-Dame is a must-read for historians of art and architecture and anyone whose imagination has been sparked by the lovable monsters gazing out over Paris from one of the world’s most renowned vantage points."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-303834207613597210?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/303834207613597210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=303834207613597210' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/303834207613597210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/303834207613597210'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/06/michael-camille-on-medievalism.html' title='Michael Camille on Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Mr55Ap8snCM/SkbL014jtXI/AAAAAAAAA_I/eHslAgA6U98/s72-c/b.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5783734759048652045</id><published>2009-06-26T21:56:00.006-04:00</published><updated>2009-06-26T22:03:18.342-04:00</updated><title type='text'>Renaissance Medievalisms Published</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Mr55Ap8snCM/SkV9fvULoSI/AAAAAAAAA_A/BR954zh8xmc/s1600-h/a.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/SkV9fvULoSI/AAAAAAAAA_A/BR954zh8xmc/s200/a.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5351821716430233890" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="  ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Just published: &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Renaissance Medievalisms&lt;/span&gt;, ed. by Konrad Eisenbichler (Toronto: Center for Reformation and Renaissance Studies, 2009). Publisher's description: "In the wake of the extensive debates over terminology that have occupied historians of the "Renaissance" over the last few decades, there seems to be some movement towards a compromise that postulates both a rebirth and a multifaceted continuum. Such a solution allows for the awareness of a "rebirth" clearly evident in intellectuals and artists of the Renaissance, for the reformulation of that awareness as a historical construct by nineteenth- and twentieth-century scholars, and also for the idea of a slowly developing continuum in European society leading up to the "modernity" that is us. The articles in this collection seek to contribute to the ongoing debate on the Renaissance and further our understanding of this brilliant period in European history and culture. The collection's premise is that there obviously was some continuity from the Middle Ages to the Renaissance, but also that the world did change dramatically and that this change is evident, in part, in the manner the "Renaissance: used, adapted, and manipulated its "medieval" inheritance." &lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Table of contents:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style=" ;font-family:Arial;font-size:12px;"&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Paul F. Grendler , "Continuity and Change in Italian Universities Between the Middle Ages and the Renaissance "&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Alexander Nagel and Christopher S. Wood, "What Counted as an 'Antiquity' in the Renaissance?"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;James Nelson Novoa, "Leone Ebreo's Appropriation of Bocaccio's &lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;De genealogia deorum gentilium&lt;/span&gt;&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Donald Beecher, "&lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Fables of Bidpai&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; from the Middle Ages to the Renaissance"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Gary Waller, "Shakespeare's Reformed Virgin"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;E. Natalie Rothman, "Self-Fashioning in the Mediterranean Contact Zone: Giovanni Battista Salvago and his&lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; Africa Overo Barbaria&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; (1625)"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Lidia Radi, "Joan of Arc and the Crusade: Memorising Medieval Examples to Improve a Renaissance King"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Brian Gourley, "Carnivalising Apocalyptic History in John Bale's &lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;King John&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; and&lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Three Laws&lt;/span&gt;&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Philippa Sheppard, "The Puzzle of Pucelle or Pussel: Shakespeare's Joan of Arc Compared With Two Antecedents"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Linda Vecchi, "A Vale of Tears: Early Modern Women's Writing and the Lamentory Style"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Michael Edwards, "Medieval Philosophy in the Late Renaissance: The Case of Internal and External Time in Scotist Metaphysics"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Richard Raiswell, "Medieval Geography in the Age of Exploration: &lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Fardle of Factions&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; in its English Context"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Hans Peter Broedel, "Now I will believe that there are unicorns": The Existence of Fabulous Beasts in Renaissance &lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Historiae Naturales&lt;/span&gt;&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Gabrielle Sugar, "Medieval Universes and Early Modern Worlds: Conceptions of the Cosmos in Johannes Kepler's Somnium"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Vittoria Feola, "Elias Ashmole's &lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Theatrum Chemicum Britannicum&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; (1652): The Relation Between Antiquarianism and Science in Seventeenth-Century England"&lt;/span&gt;&lt;/li&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5783734759048652045?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5783734759048652045/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5783734759048652045' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5783734759048652045'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5783734759048652045'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/06/renaissance-medievalisms-published.html' title='Renaissance Medievalisms Published'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/SkV9fvULoSI/AAAAAAAAA_A/BR954zh8xmc/s72-c/a.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2169930602944334304</id><published>2009-06-23T15:18:00.001-04:00</published><updated>2009-06-23T15:21:01.564-04:00</updated><title type='text'>SIM sessions at 2010 Congress</title><content type='html'>&lt;span style="font-style: italic; font-family: verdana;"&gt;Studies in Medievalism&lt;/span&gt;&lt;span style="font-family: verdana;"&gt; is sponsoring two sessions at the 2010 Medieval Congress,  I. Remembering the Middle Ages: Medievalism and Memory; and II. Medievalism in Music and the Fine Arts. If interested, please contact:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Richard Utz &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Western Michigan Univ. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Dept. of English &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;1903 W. Michigan Ave. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Kalamazoo, MI  49008 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Phone: 269-387-2571 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;Fax: 269-387-2562 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;richard.utz@wmich.edu &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;www.medievalism.net&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2169930602944334304?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2169930602944334304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2169930602944334304' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2169930602944334304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2169930602944334304'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/06/sim-sessions-at-2010-congress.html' title='SIM sessions at 2010 Congress'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4615721020199497452</id><published>2009-06-23T15:12:00.002-04:00</published><updated>2009-06-23T15:15:30.675-04:00</updated><title type='text'>Congress sessions honoring K. H. Göller</title><content type='html'>Some weeks ago, Karl Heinz Göller (1924-2009), former plenary speaker at the Kalamazoo Congress, founding Dean of the College of Languages and Literatures at the University of Regensburg, and founder and Honorary President of the German Mediävistenverband (German Medieval Academy), passed away. Several of his collaborators, students, and friends are organizing two sessions (one on Arthuriana, one on Medievalia in general) at the 2010 Congress to honor his memory. If you are interested, please contact me asap (richard.utz@wmich.edu)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4615721020199497452?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4615721020199497452/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4615721020199497452' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4615721020199497452'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4615721020199497452'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/06/congress-sessions-honoring-k-h-goller.html' title='Congress sessions honoring K. H. Göller'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5952107140949825758</id><published>2009-04-14T21:07:00.004-04:00</published><updated>2009-06-23T14:31:50.855-04:00</updated><title type='text'>Graduate Summer Seminar on Medievalism at WMU</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Mr55Ap8snCM/SeU0VvWviqI/AAAAAAAAA0w/bbQoKKDRx2k/s1600-h/DSC02405.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="http://1.bp.blogspot.com/_Mr55Ap8snCM/SeU0VvWviqI/AAAAAAAAA0w/bbQoKKDRx2k/s200/DSC02405.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5324719682529233570" /&gt;&lt;/a&gt; English 6100: Studies in Medievalism, Western Michigan University, Tuesdays and Thursdays, 9:00 am-11:30 am; Brown 2048 -- Dr. Richard Utz&lt;br /&gt;&lt;br /&gt;Medievalism might be defined as the ongoing reception, academic and popular, of medieval culture in post-medieval times. As a phenomenon, at least from a Eurocentric perspective, it could be said to commence with Renaissance humanists’ invention of their own era as rebirthing the glory of Ciceronian Rome or Periclean Athens and their concomitant debasement of the period in between Early Modernity and Classical Antiquity as a mere medium aevum, a Middle Age. Medievalism ends, but then it never really does, with your muffler repair at Merlin’s, your drive by the Neogothic Water Tower, or your annual pilgrimage to the International Medieval Congress. In this interdisciplinary graduate seminar we will explore how various ideas and functions of the ‘medieval’ have evolved through the centuries and why the ‘Middle Age’ as a cultural signifier has been able to encompass these various, often mutually exclusive ideas and functions. Areas of inquiry may include textuality, authority, periodicity, pastism, presentism, reception, nationalism, memorialization,  musealization, sedimentization, and other concepts yet to be boldly neologized. Several experienced practitioners of medievalism from around the world will hopefully join us as ‘real’ and ‘virtual’ guests.&lt;br /&gt;This class should be valuable to students of medieval studies as well as those interested in the early modern, modern, and postmodern readings of medieval culture. Participants interested in the seminar will be ready to engage with different modes of critical inquiry from Francis Petrarch through Umberto Eco, to participate actively in intellectually challenging seminar style discussion, and to research and write a substantial, original, and expertly edited research paper of publishable quality. For a first impression of the definition and scope of medievalism, please visit: web.mac.com/ricutz/iWeb/site/Medievalism.htm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5952107140949825758?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5952107140949825758/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5952107140949825758' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5952107140949825758'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5952107140949825758'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/04/summer-course-on-medievalism-at-western.html' title='Graduate Summer Seminar on Medievalism at WMU'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Mr55Ap8snCM/SeU0VvWviqI/AAAAAAAAA0w/bbQoKKDRx2k/s72-c/DSC02405.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7114246195823379768</id><published>2009-03-28T11:14:00.001-04:00</published><updated>2009-03-28T11:14:51.459-04:00</updated><title type='text'>CFP Annual Conference on Medievalism</title><content type='html'>&lt;span style="font-style:italic;"&gt;Studies in Medievalism&lt;/span&gt; invites session and paper proposals for its annual interdisciplinary conference, October 8-11, 2009.   We welcome papers that explore any topic related to the study and teaching of Medievalism, and especially those that focus on this year's theme of “Medievalism and Religion.” &lt;br /&gt;&lt;br /&gt;This interdisciplinary conference seeks to bring together aspects of the Middle Ages with the ways artists and scholars since medieval times have imagined these eras in literature,  film, music, painting, sculpture and other media, as well as in other (non-humanities) institutions.   One does not have to look far to find connections between medievalism and religion.  For example, in her book's Epilogue, Karen Armstrong writes, "Crusading is not a lost medieval tradition: it has survived in different forms in both Europe and the United States and we must accept that our own views are as likely to be blinkered and prejudiced as either the Arabs' or the Jews'.  It is probably impossible for us to change these old crusading attitudes overnight." Points of focus might include (but are not limited to):&lt;br /&gt;&lt;br /&gt;Counter cultural medievalists beliefs&lt;br /&gt;Misrepresentations of medieval religion in contemporary society&lt;br /&gt;(including Neopaganism)&lt;br /&gt;Medievalism, religion, war and other contemporary crusades&lt;br /&gt;Medievalist contemporary religious music&lt;br /&gt;The “gothic” architecture of American churches&lt;br /&gt;Re-imaginings of important religious figures &lt;br /&gt;(Cuthbert, Saladin, Catherine of Siena, Maimonides, Margery Kempe) &lt;br /&gt;Travel and/or pilgrimage literature (early or modern)&lt;br /&gt;Modern historical novels (including mysteries)&lt;br /&gt;Medievalist religious works on the contemporary stage&lt;br /&gt;Shakespeare and medievalist beliefs&lt;br /&gt;Tolkien and Religion&lt;br /&gt;Religion in contemporary Arthurian works&lt;br /&gt;Medievalist religion portrayed on film, television and/or the radio&lt;br /&gt;Medievalist religion and the Internet&lt;br /&gt;Medievalist religion in electronic and/or non-electronic games&lt;br /&gt;Gender identity and sexuality, medievalism and religion&lt;br /&gt;Publication Opportunities:&lt;br /&gt;&lt;br /&gt;Selected papers related to the conference theme will be published in The Year’s Work in Medievalism.&lt;br /&gt;&lt;br /&gt;Deadline: July 1, 2009&lt;br /&gt;&lt;br /&gt;Please send session proposals to Pam Clements, along with the technology request form (available at the website). Email submissions are welcome:  clements@siena.edu.&lt;br /&gt;&lt;br /&gt;Siena College is located near Albany in beautiful upstate New York, 2  hours north of  New York City, with easy access via Albany International Airport (ALB) and by Amtrak train and auto. October is prime leaf-peeping season with an average temperature of 65 degrees. Siena College, a contemporary institution that is yet also firmly grounded in the traditions of Franciscan Catholicism, is the perfect setting for our exploration of medievalism and religion.&lt;br /&gt;&lt;br /&gt;Pam Clements, Ph.D., Conference Chair &lt;br /&gt;CLEMENTS@siena.edu&lt;br /&gt;International Conference on Medievalism&lt;br /&gt;Siena College&lt;br /&gt;515 Loudon Rd. &lt;br /&gt;Loudonville, NY 12211-1462&lt;br /&gt;518-783-2359 &lt;br /&gt;Fax 518-783-6548&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7114246195823379768?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7114246195823379768/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7114246195823379768' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7114246195823379768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7114246195823379768'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/03/cfp-annual-conference-on-medievalism.html' title='CFP Annual Conference on Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7856969673845216039</id><published>2009-03-26T13:45:00.003-04:00</published><updated>2009-03-26T13:48:22.652-04:00</updated><title type='text'>New SIM Site</title><content type='html'>Thanks to the wonderful work by Carol Robinson (Kent State Trumbull), we now have an updated Studies in Medievalism site at: &lt;a href="http://www.medievalism.net/"&gt;http://www.medievalism.net/&lt;/a&gt; Please also watch for forthcoming information about SIM's Annual Conference, this year organized by Pam Clements at Siena College, NY.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-7856969673845216039?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7856969673845216039/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7856969673845216039' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7856969673845216039'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7856969673845216039'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2009/03/new-sim-site.html' title='New SIM Site'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-359711994716512927</id><published>2008-10-01T13:56:00.002-04:00</published><updated>2008-10-01T14:08:28.528-04:00</updated><title type='text'>Medievalism Sessions at Kalamazoo 2009</title><content type='html'>Pending final approval from Congress organizers, Studies in Medievalism will be sponsoring the following panel and sessions at the International Medieval Congress in 2009:&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Panel Discussion: "What, in the World, is Medievalism? Global Reinventions of the Middle Ages."&lt;/span&gt;&lt;br /&gt;Organizer: Richard Utz, Western Michigan University, USA&lt;br /&gt;Chair: Richard Utz&lt;br /&gt;&lt;br /&gt;- Tommaso di Carpegna Falconieri, University of Urbino, Italy&lt;br /&gt;- Florin Curta, University of Florida, USA&lt;br /&gt;- Louise D’Arcens, University of Wollongong, Australia&lt;br /&gt;- Mustafa Kemal Mirzeler, Western Michigan University, USA&lt;br /&gt;- William Snell, Keio University, Japan&lt;br /&gt;- Sandy Straubhaar, University of Texas at Austin, USA&lt;br /&gt;- Piotr Toczynski, Polish Academy of Sciences, Poland&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Paper Session: "Expatriate Medievalisms"&lt;/span&gt;&lt;br /&gt;Organizer: Richard Utz, Western Michigan University, USA&lt;br /&gt;Chair: Karl Fugelso, Towson University, USA&lt;br /&gt;&lt;br /&gt;- Chris Jones, St. Andrews University, UK, and Louise D’Arcens, University of Wollongong, Australia: “Fossil and Root: Anglo-Saxonism Beyond Britain”&lt;br /&gt;- Richard Utz, Western Michigan University, USA: “On the Wings of Philology: Ewald Flügel in the Wild West”&lt;br /&gt;- Kathleen Verduin, Hope College, USA: “True Brit: Leslie J. Workman and the Founding of Medievalism”&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;3) Paper Session: "Religious Medievalisms"&lt;/span&gt;&lt;br /&gt;Organizer: Richard Utz, Western Michigan University, USA&lt;br /&gt;Chair: Richard Utz&lt;br /&gt;&lt;br /&gt;- Agshin Jafarof, Western Theological Seminary: “Recapturing the Medieval Notions of Love in Said Kurban’s Novel, &lt;span style="font-style: italic;"&gt;Ali and Nino&lt;/span&gt;”&lt;br /&gt;- William Calin, University of Florida, USA: “The Christian Middle Ages: A Scholars' Myth”&lt;br /&gt;- Martha Oberle, Frederick Community College, USA: “Medieval Monk to Modern Man: A Lasting, Adaptable Path”&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-359711994716512927?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/359711994716512927/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=359711994716512927' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/359711994716512927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/359711994716512927'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/10/medievalism-sessions-at-kalamazoo-2009.html' title='Medievalism Sessions at Kalamazoo 2009'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2622766331350423804</id><published>2008-08-28T13:41:00.006-04:00</published><updated>2008-08-28T13:49:04.764-04:00</updated><title type='text'>Jarbel Rodriguez to teach Imagining the Middle Ages</title><content type='html'>&lt;span style=";font-family:'verdana, arial, helvetica, sans-serif';font-size:100%;"  &gt;&lt;span style=""&gt;This semester, Dr. Jarbel Rodriguez, History Department, San Francisco State University, offers a course on "Imagining the Middle Ages." He has kindly agreed to share information on his class with all of those laboring in the vineyard of Medievalism:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bss.sfsu.edu/jrodriguez/courses/720/720home.htm" target="1"&gt;http://bss.sfsu.edu/jrodriguez/courses/720/720home.htm&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2622766331350423804?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2622766331350423804/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2622766331350423804' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2622766331350423804'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2622766331350423804'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/08/jarbel-rodriguez-to-teach-imagining.html' title='Jarbel Rodriguez to teach Imagining the Middle Ages'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5931839320763682212</id><published>2008-07-18T09:05:00.003-04:00</published><updated>2008-07-21T10:51:45.864-04:00</updated><title type='text'>Call for Papers: Medievalism at the Kzoo</title><content type='html'>&lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt; is sponsoring three sections for next year's International Medieval Congress. If you are interested, please contact Richard Utz (richard.utz@wmich.edu).&lt;br /&gt;&lt;br /&gt;1) "What, in the World, is Medievalism? Global Reinventions of the Middle Ages."&lt;br /&gt;For next year's congress, Studies in Medievalism is sponsoring a roundtable discussion which, as the punctuation in the session title attempts to indicate, would like to extend existing discussions of Medievalisms in the postmedieval west to non-western, westernized, or only marginally western regions, nations, and cultures. Specifically, we intend to include five to eight scholars from the areas of political science, anthropology, economics, cultural history, literary and language study, music, and the fine arts to discuss notions of the "medieval" in Turkey, Russia, Bulgaria, China, Japan, Korea, South America, India, and Australia/New Zealand (to name but a few) to present a panoramic view of global receptions. The main goal of the round table is to provide a forum for congress participants to encounter the rich, but often less well-known notions of the "medieval" in countries and cultures which negotiate prevalent western ideas of the past with their traditional cultural paradigmata.&lt;br /&gt;&lt;br /&gt;2) "Expatriate Medievalisms." This paper session wants to investigate the experience of western voyagers, expatriates, and emigrés who, displaced from their countries and cultures of origin, brought with them and often transmuted ideas of the "medieval" to their new "homes." The "extraterritorial" experience, as George Steiner called it, provides for often original insights into definitions of the Middle Ages, as new architectures, landscapes, climates, literary genres, languages, and theories lead to a veritable "Babel" of identities among political exiles, sentimental travelers on the grand tour or "going west," from soldiers on foreign shores to scholars and artists on their year(s) "abroad." Contributions to this topic might include personal biographical accounts of current medievalist expatriates.&lt;br /&gt;&lt;br /&gt;3) "Religious Medievalisms." This paper session intends to provide a forum for the discussion of how various religious traditions have viewed the Middle Ages or how images and stereotypes of, for example, the Catholic or Christian Middle Ages have dominated the popular and scholarly reception since the Renaissance. Specifically, the session is meant to seek answers as to diverse reconfigurations of the "medieval" by the Reformation, Counterreformation, Enlightenment, Modernism, and Postmodernism, Vatican II; by writers, artists, musicians, etc. with missionary intentions; and by scholars who recognized the central role of Medieval religion for their cultural theories. Finally, the organizers would welcome scholarship on how specific religious organizations and communities have redefined their own medieval roots through the centuries.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5931839320763682212?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5931839320763682212/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5931839320763682212' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5931839320763682212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5931839320763682212'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/07/call-for-papers-medievalism-at-kzoo.html' title='Call for Papers: Medievalism at the Kzoo'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2023145565199477112</id><published>2008-04-17T11:41:00.002-04:00</published><updated>2008-07-10T08:37:58.896-04:00</updated><title type='text'>Regional Medievalisms</title><content type='html'>&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Regional Medievalisms website has been updated with a conference program and information about travel, hotels, and registration: http://moria.wesleyancollege.edu/faculty/akaufman/regionalmedievalisms&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2023145565199477112?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2023145565199477112/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2023145565199477112' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2023145565199477112'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2023145565199477112'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/04/update-regional-medievalisms-deadline.html' title='Regional Medievalisms'/><author><name>DrK</name><uri>http://www.blogger.com/profile/01466189266136287754</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3713735403886284640</id><published>2008-04-09T12:03:00.002-04:00</published><updated>2008-04-09T12:05:40.602-04:00</updated><title type='text'>Mass Market Medieval</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_Mr55Ap8snCM/R_zpT63SGoI/AAAAAAAAAIk/XC33xYaxE84/s1600-h/Mass.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_Mr55Ap8snCM/R_zpT63SGoI/AAAAAAAAAIk/XC33xYaxE84/s200/Mass.jpg" alt="" id="BLOGGER_PHOTO_ID_5187277399251884674" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Mass Market Medieval. Essays on the Middle Ages in Popular Culture&lt;/span&gt;. Edited by David W. Marshall (215 pages; Publisher: McFarland &amp;amp; Company, Inc., Publishers, 2007). The 13 essays in this book explore the medieval invasion of today's media and consider the various ways--from film and print to websites and video games--that the Middle Ages have been packaged for consumption. Essays encompass diverse theoretical perspectives and are grouped loosely around distinct functions of medievalism, including the exposure of recent social concerns; the use of medieval images in modern political contexts; and the medieval's influence on products of today's popular culture. The legitimization of the study of medievalism and the effect of medievalism on the more traditional subject of medieval studies are also discussed.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-3713735403886284640?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3713735403886284640/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3713735403886284640' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3713735403886284640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3713735403886284640'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/04/mass-market-medieval.html' title='Mass Market Medieval'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_Mr55Ap8snCM/R_zpT63SGoI/AAAAAAAAAIk/XC33xYaxE84/s72-c/Mass.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1160377426824066918</id><published>2008-04-08T13:55:00.000-04:00</published><updated>2008-04-08T13:56:31.801-04:00</updated><title type='text'>CREATIVE FANTASY IN RELIGIOUS IMAGINATION</title><content type='html'>&lt;span style="font-family:'verdana, arial, helvetica, sans-serif';"&gt;CALL FOR PAPERS&lt;br /&gt;The Sydney Society for Literature and Aesthetics and&lt;br /&gt;The Society for Studies in Religion, Literature and the Arts&lt;br /&gt;&lt;br /&gt;Invite submissions for papers on&lt;br /&gt;&lt;br /&gt;CREATIVE FANTASY IN RELIGIOUS IMAGINATION&lt;br /&gt;for the Conference organized at the University of Sydney on&lt;br /&gt;Friday-Saturday, September 26-27, 2008.&lt;br /&gt;&lt;br /&gt;The 20th century has witnessed a renewed expression of religious&lt;br /&gt;imagination&lt;br /&gt;through modern literary, artistic and philosophical forms.&lt;br /&gt;The conference invites papers discussing the new religious creativity as&lt;br /&gt;found in the works of C.S. Lewis, J.R.R. Tolkien, Philip K. Dick, Philip&lt;br /&gt;Pullman and others beyond any religious or cultural boundaries.&lt;br /&gt;Special emphasis is given to new forms of religious imagination through the&lt;br /&gt;internet, cinematic transformations and new movements both in East and&lt;br /&gt;West.&lt;br /&gt;The Conference would like to address issues of both traditional and&lt;br /&gt;contemporary post-modern spirituality&lt;br /&gt;as expressed through the mytho-poetics of fantasy and imagination.&lt;br /&gt;&lt;br /&gt;Date for submission of abstracts: 29 June 2008&lt;br /&gt;&lt;br /&gt;Abstracts to 300 words sent&lt;br /&gt;To be emailed to&lt;br /&gt;The conveners&lt;br /&gt;Vras Karalis: Vrasidas.Karalis@usyd.edu.au&lt;br /&gt;Chris Hartney: chris.hartney@usyd.edu.au&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1160377426824066918?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1160377426824066918/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1160377426824066918' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1160377426824066918'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1160377426824066918'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/04/creative-fantasy-in-religious.html' title='CREATIVE FANTASY IN RELIGIOUS IMAGINATION'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-876934462659486791</id><published>2008-01-17T09:16:00.000-05:00</published><updated>2008-01-17T09:55:41.238-05:00</updated><title type='text'>Call for Papers: Regional Medievalisms</title><content type='html'>I am happy to announce:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;REGIONAL MEDIEVALISMS&lt;/strong&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;The 23rd Annual Conference on Medievalism&lt;br /&gt;International Society for Studies in Medievalism&lt;br /&gt;October 9th -11th, 2008&lt;br /&gt;Wesleyan College: Macon, Georgia&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://moria.wesleyancollege.edu/faculty/akaufman/regionalmedievalisms"&gt;&lt;span style="font-size:78%;"&gt;http://moria.wesleyancollege.edu/faculty/akaufman/regionalmedievalisms&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;Papers will be welcome on all aspects of medievalism, but we are especially interested in submissions that focus on the medievalism of a particular time and place. The 19th Century American South, World War II Germany, and contemporary Japan, for instance, all 'get medieval' differently. At this conference we hope to explore how and why the medieval is put to to work to create culturally specific meaning. &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;br /&gt;The deadline for abstracts is &lt;strong&gt;April 15, 2008&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;The full CFP and additional information about the conference can be found at our website, linked above. I will be updating the site with information about registration, travel, and accomodations in the coming months, and I will also post important updates and reminders here.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;If you have any questions or you would like any additional information, please contact me at &lt;a href="mailto:akaufman@wesleyancollege.edu"&gt;akaufman@wesleyancollege.edu&lt;/a&gt;. &lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;I hope to see you in October! &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-876934462659486791?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/876934462659486791/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=876934462659486791' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/876934462659486791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/876934462659486791'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2008/01/call-for-papers-regional-medievalisms.html' title='Call for Papers: Regional Medievalisms'/><author><name>DrK</name><uri>http://www.blogger.com/profile/01466189266136287754</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8551543375948132431</id><published>2007-12-21T10:48:00.000-05:00</published><updated>2007-12-21T11:12:24.672-05:00</updated><title type='text'>Constructing Nations, Reconstructing Myth: Essays in Honour of T. A. Shippey</title><content type='html'>This collection of essays, edited by Andrew Wawn with Graham Johnson and John Walter, examines the 'Grimmian Revolution', the paradigm shift in the humanities that came with the publication of Jacob Grimm’s Deutsche Grammatik. In doing so, they honour T.A. Shippey, who has been a leading figure in reconsidering the contributions of the Old Philology and its impact on the humanities, particularly the rediscovery of the ancient languages and literatures of Northern Europe; the role this has played in the creation of national and regional identities; the attempts to extend the methods of comparative philology to comparative mythology; and the collection of folktales, folk-ballads, and the development of folkloristics. The sixteen essays in this collection focus on the impact made by nineteenth- and early-twentieth-century philology in the fields of medieval studies and language studies, and in the construction of Northern European national identities, mythologies, and folklore.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-8551543375948132431?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8551543375948132431/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8551543375948132431' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8551543375948132431'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8551543375948132431'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/12/constructing-nations-reconstructing.html' title='Constructing Nations, Reconstructing Myth: Essays in Honour of T. A. Shippey'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6187476580294858886</id><published>2007-12-21T10:44:00.000-05:00</published><updated>2007-12-21T10:47:51.568-05:00</updated><title type='text'>Translating the Sagas</title><content type='html'>&lt;a href="http://bp3.blogger.com/_Mr55Ap8snCM/R2vgIsugKmI/AAAAAAAAAHI/5yWSpgKU5mw/s1600-h/24920798.JPG.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_Mr55Ap8snCM/R2vgIsugKmI/AAAAAAAAAHI/5yWSpgKU5mw/s200/24920798.JPG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5146453439250704994" /&gt;&lt;/a&gt;&lt;br /&gt;Brepols Publishers' "Making the Middle Ages" series recently published John Kennedy's Translating the Sagas. Two Hundred Years of Challenge and Response. Saga translations have played a major role in shaping attitudes towards Viking-age Scandinavia in Britain, the British Commonwealth, and the United States. This is the first examination in a socio-historical framework of the development of Icelandic saga translation into English from the late 18th century to the present day.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-6187476580294858886?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6187476580294858886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6187476580294858886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6187476580294858886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6187476580294858886'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/12/translating-sagas.html' title='Translating the Sagas'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_Mr55Ap8snCM/R2vgIsugKmI/AAAAAAAAAHI/5yWSpgKU5mw/s72-c/24920798.JPG.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4317808972549302876</id><published>2007-10-21T11:15:00.000-04:00</published><updated>2007-10-22T18:56:05.073-04:00</updated><title type='text'>Michael Wood on Dark Ages</title><content type='html'>&lt;a href="http://bp1.blogger.com/_Mr55Ap8snCM/RxtviBO4UfI/AAAAAAAAAGk/APCjaNGZ8y4/s1600-h/M.Wood.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp1.blogger.com/_Mr55Ap8snCM/RxtviBO4UfI/AAAAAAAAAGk/APCjaNGZ8y4/s200/M.Wood.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5123811631301153266" /&gt;&lt;/a&gt; BBC books has just republished Michael Woods' 1987 volume, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;In Search of the Dark Ages&lt;/span&gt;, in a new paperback edition. Based on the well-known BBC television series of the same title, the text focuses on the centuries following the breakdown of the Roman empire. Like many popularizations of historical research, Wood has chosen what some would regard as the pivotal moments in the history of early medieval England, including Queen Bodicea's resistance against the Romans, the legendary figure of King Arthur, the discovery of Sutton Hoo, and the Battle of Hastings.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4317808972549302876?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4317808972549302876/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4317808972549302876' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4317808972549302876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4317808972549302876'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/michael-wood-on-dark-ages.html' title='Michael Wood on Dark Ages'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_Mr55Ap8snCM/RxtviBO4UfI/AAAAAAAAAGk/APCjaNGZ8y4/s72-c/M.Wood.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2773216985340476309</id><published>2007-10-14T13:10:00.000-04:00</published><updated>2007-10-14T13:58:25.164-04:00</updated><title type='text'>Terry Jones &amp; SIM in the Press</title><content type='html'>For news releases on Terry Jones' plenary at the 22nd International Conference on Medievalism, U of Western Ontario, October 2-6, 2007, click:&lt;div&gt;&lt;a href="http://lfpress.ca/newsstand/Today/Entertainment/2007/10/03/4545381-sun.html" style="text-decoration: none;"&gt;&lt;span class="Apple-style-span" style="text-decoration: underline; font-style: italic;"&gt;London Free Press&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;a href="http://communications.uwo.ca/com/media_newsroom/media_newsroom_stories/monty_python%92s_terry_jones_addresses_medievalism_conference_20071001440305/"&gt;Western News&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-2773216985340476309?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2773216985340476309/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2773216985340476309' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2773216985340476309'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2773216985340476309'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/terry-jones-sim-in-press.html' title='Terry Jones &amp; SIM in the Press'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9150849208017694000</id><published>2007-10-13T16:25:00.000-04:00</published><updated>2007-10-13T17:11:09.377-04:00</updated><title type='text'>Reviews of Postmodern Medievalisms</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_Mr55Ap8snCM/RxEtoBO4UXI/AAAAAAAAAFg/WQNDMCK70lc/s1600-h/4384012X.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp3.blogger.com/_Mr55Ap8snCM/RxEtoBO4UXI/AAAAAAAAAFg/WQNDMCK70lc/s200/4384012X.jpg" alt="" id="BLOGGER_PHOTO_ID_5120924416845828466" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Please find below recent reviews of &lt;a href="http://www.boydell.co.uk/4384012X.HTM"&gt;&lt;span style="font-style: italic;"&gt;Postmodern Medievalisms&lt;/span&gt;&lt;/a&gt; (&lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt;, XIII), ed. Richard Utz and Jesse Swan, with the assistance of Paul Plisiewicz (Woodbridge, UK: D.S. Brewer, 2005):&lt;br /&gt;&lt;br /&gt;Angela Jane Weisl, in &lt;a style="font-style: italic;" href="http://name.umdl.umich.edu/baj9928.0608.008"&gt;The Medieval Review&lt;/a&gt; (2006).&lt;br /&gt;E.C. Evershed, &lt;span style="font-style: italic;"&gt;Medium Aevum&lt;/span&gt; (2007), 370.&lt;br /&gt;K.J. Harty, &lt;span style="font-style: italic;"&gt;Arthuriana&lt;/span&gt; 16/4 (2006), 113-14.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-9150849208017694000?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9150849208017694000/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9150849208017694000' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9150849208017694000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9150849208017694000'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/reviews-of-postmodern-medievalisms.html' title='Reviews of Postmodern Medievalisms'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_Mr55Ap8snCM/RxEtoBO4UXI/AAAAAAAAAFg/WQNDMCK70lc/s72-c/4384012X.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1126376446754264201</id><published>2007-10-13T12:03:00.000-04:00</published><updated>2007-10-13T12:04:54.401-04:00</updated><title type='text'>Recently Published</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_Mr55Ap8snCM/RxDsnBO4UWI/AAAAAAAAAFY/t6DQiG57izY/s1600-h/51cg22bz1AL._AA240_.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_Mr55Ap8snCM/RxDsnBO4UWI/AAAAAAAAAFY/t6DQiG57izY/s200/51cg22bz1AL._AA240_.jpg" alt="" id="BLOGGER_PHOTO_ID_5120852931410153826" border="0" /&gt;&lt;/a&gt;Michael Alexander, &lt;span style="font-style: italic;"&gt;Medievalism: The Middle Ages in Modern England&lt;/span&gt; (Yale UP, 2007)&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;Publisher's summary: The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day.&lt;/div&gt;&lt;div&gt;The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as the national style. But medieval imitation manifests itself wherever one cares to look: in literature, architecture, the applied arts, religion, politics, and even Hollywood. In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1126376446754264201?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1126376446754264201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1126376446754264201' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1126376446754264201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1126376446754264201'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/recently-published.html' title='Recently Published'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_Mr55Ap8snCM/RxDsnBO4UWI/AAAAAAAAAFY/t6DQiG57izY/s72-c/51cg22bz1AL._AA240_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-4646029066307494827</id><published>2007-10-11T18:11:00.001-04:00</published><updated>2007-10-13T17:12:54.802-04:00</updated><title type='text'>22nd International Conference at Western Ontario</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_Mr55Ap8snCM/Rw6kqxO4UVI/AAAAAAAAAFQ/Td59BjkvMr0/s1600-h/tower75.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_Mr55Ap8snCM/Rw6kqxO4UVI/AAAAAAAAAFQ/Td59BjkvMr0/s200/tower75.gif" alt="" id="BLOGGER_PHOTO_ID_5120210881044042066" border="0" /&gt;&lt;/a&gt;The 22nd International Conference on Medievalism took place on the campus of the University of Western Ontario, London, ON, Canada, October 4-6. Expertly organized and hosted by M. Jane Toswell, speakers from Canada, the United States, Britain, Denmark, France, and Switzerland met to discuss issues regarding Neomedievalism and various other forms of the reception of medieval culture in postmedieval times.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0); font-weight: bold;font-size:130%;" &gt;Conference Program:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thursday, 4 October, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Plenary Session&lt;br /&gt;Chair: M.J. Toswell, Western&lt;br /&gt;Welcome: F.J. Longstaffe, Provost, University of Western Ontario&lt;br /&gt;Introduction: Carol Robinson (Kent State)&lt;br /&gt;Terry Jones (UK), ‘Was Richard II a Tyrant?”&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Friday, 5 October 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Session 1: Tolkien&lt;br /&gt;(Chair: Megan Cavell, Toronto)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Gwen Morgan (Montana State University) “Medievalism and Miscegenation: An Alternate Reading of Tolkien's Races and ‘Racism'”&lt;/li&gt;&lt;li&gt;Edward L. Risden (SNC), “What Tolkien really says about Beowulf and Sir Gawain and the Green Knight ”&lt;/li&gt;&lt;li&gt;Breeman Ainsworth (Montana State University), “Tom Bombadil and Wyrd ”&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Session 2: Neo in the Matrix of the Medieval I: Chaucer's Trauma, Postcolonialism, and Embodiment&lt;br /&gt;(Chair: Richard Moll, Western)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Pam Clements (Siena College), “Neomedieval Trauma: Chaucer as Film”&lt;/li&gt;&lt;li&gt;N.M. Heckel, (Rochester) “Postcolonial Medievalism: Warcraft and the Settlement of the New World”&lt;/li&gt;&lt;li&gt;Lauryn S. Mayer (Washington and Jefferson College), “Graphic Bots and Textual Bodies in Online Medieval Communities”&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Session 3: Redrawing the Medieval World&lt;br /&gt;(Chair: Laurence deLooze, Western)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Amy S. Kaufman (Wesleyan), “Jesus Built My Hot-Rod: Masculinity, Medievalism, and the American Romance with God”&lt;/li&gt;&lt;li&gt;Pamela Bastante (Queen's University), “The Mexican Calavera : A Neomedieval Representation of Death”&lt;/li&gt;&lt;li&gt;Tom Shippey (St Louis University), “Turning sagas into novels: unexpected problems”&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Session 4: Beowulf and the Modern Era?&lt;br /&gt;(Chair: Heather Desserud, Western)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;K.A. Laity (College of Saint Rose), “ Heofen rece swealg : Neomedievalism and Spectacle in Grendel: Transcendence of The Great Big Bad ”&lt;/li&gt;&lt;li&gt;Alexandra Krakus (Western), “Hwæt Hollywood! Beowulf and the Contemporary, North American, Film Industry”&lt;/li&gt;&lt;li&gt;Karen Borresen Walsh (Montana State University), “The ‘LOST' World: Different Ocean, Same Island”&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Session 5: Neo in the Matrix of the Medieval II: Consumption and Cost&lt;br /&gt;(Chair: Nick Dyer-Witheford, Western)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;KellyAnn Fitzpatrick (State University of New York at Albany), "Shopping in/for the Middle Ages: Consumptive Practices in 'Medieval' Video Games"&lt;/li&gt;&lt;li&gt;Scott P. Randby (University of Akron), "The Battle for Wesnoth: A Free Software Medieval Video Game"&lt;/li&gt;&lt;li&gt;Carol L. Robinson (Kent State University), "'Millions of Players. One Game to Rule Them All' - The Last Laugh in Wash and Wear Sorcery"&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Session 6: Reconstructing the Middle Ages: Scholars and Medievalism&lt;br /&gt;(Chair: Marjorie Ratcliffe, Western)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Siân Evans (Western), "Mythologizing Meyer: Medieval, Modern, and Postmodern in Meyer Schapiro"&lt;/li&gt;&lt;li&gt;Nils Holger Petersen (University of Copenhagen), "Medievalism and Medieval Reception: A Technological Question"&lt;/li&gt;&lt;li&gt;Marian Bleeke (SUNY Fredonia), "Prosper Merimee's Venus d'Ille and the Power of the Past"&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Plenary Session&lt;br /&gt;(Chair: William Calin)&lt;br /&gt;Welcome: Trish Fulton (Dean, Huron University College)&lt;br /&gt;Alain Corbellari (Université de Lausanne), "Le médiévalisme est-il réactionaire? Du &lt;&lt;progrès&gt;&gt; de notre vision du Moyen Age."&lt;br /&gt;&lt;br /&gt;Film Screening: "The Meaning of Life"&lt;br /&gt;&lt;br /&gt;Videogame Workshop (Room A1). Organized by Carol Robinson and Scott Ranby.&lt;br /&gt;&lt;br /&gt;Session 7: Finding the "other"&lt;br /&gt;(Chair: Karis Shearer, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Jonathan Rollins (Ryerson University), "On the Threshold: The Liminal Self in the 12th and 20th Centuries"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Suha Kudsieh (Trent University), "Neo-Medieval Adaptations of the Myth of Saladin: The Case of Sir Walter Scott's Talisman (1825) and Ridley Scott's Kingdom of Heaven (2005)"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;William Calin (University of Florida), "Is Orientalism Medievalism? Or, Edward Said, Are You a Saracen?"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 8: Finding the "self"&lt;br /&gt;(Chair: Russell Poole, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Michael R. Kightley (Western), "Hereward the Viking and the English, but not the Saxon: Kingsley's Racial Medievalism"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Catherine Parayre (Brock University), "Last speakers of Occitan and the medieval past: a summer festival"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Janice Liedl (Laurentian University), "'That Indomitable Race': Victorians, Nationalism, and the Norse Discoverers"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 9: Italian Medievalism&lt;br /&gt;(Chair: Elias Polizoes, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Kathleen Verduin (Hope College), "Haste that Mars All Grace of Action: Longfellow's Genteel Dante"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Karl Fugelso (Towson University), "Neomedievalism as Revised Medievalism in Commedia Illustrations"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Matthew O'Donnell (University of Georgia), "The Cult of Mary Magdalene: The Problem of Neomedieval Heresy in Eco's 'Ten Little Middle Ages'"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 10: Knights, Soldiers, and Poets&lt;br /&gt;(Chair: Margaret McGlynn, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Megan Stein (UC-Riverside), "Black Knights: Masculinity and the American Medieval Imaginary"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Elizabeth K. Harris (USM), "Reputation as Evidence: Good Soldiers and Good Knights"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Denis Hüe (Université de Rennes), "Une appropriation du Moyen Age: Villon chez Rimbaud"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Film Screening of a Selection of Neomedieval Films (Audience choice of 5-6 films)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Saturday,&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;6 October 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Session 11: Disease in the medieval film&lt;br /&gt;(Chair: Mary Catherine Davidson, York)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Christine Neufeld (Eastern Michigan University), "Courting the Leper King: The Masked Other in The Kingdom of Heaven"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Martin Schichtman (Eastern Michigan University), "A Plague on All Our Houses: Vincent Ward's The Navigator"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Laurie Finke (Kenyon College), "Re-imagining Plague: Ingmar Bergman's The Seventh Seal"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 12: Women as Saints and Rulers&lt;br /&gt;(Chair: Sean Henry, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Michael R. Evans (University of Reading), "A 'remarkable woman'?: Eleanor of Aquitaine in context"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Kathy Garay (McMaster), "Manufacturing Majesty: Elizabeth of Hungary, Diana of England and the Construction of Royal Saints, 1207-2007."&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 13: Arthurian Worlds&lt;br /&gt;(Chair: Richard Moll, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Tamara F. O'Callaghan (Northern Kentucky University), "Back to the Future: Neomedievalism and The Dark Age of Camelot"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Dominick Grace (Brescia University College), "Arthur and Dilbert"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Joanna Luft (University of Windsor), "Skirting the Wyrale: Sir Gawain and the Green Knight meets Alice Munro's 'Wenlock Edge'"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 14: Pre-Raphaelites I&lt;br /&gt;(Chair: Corinne Davies, Huron)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Suzanne Clark (Western), "The Sights and Sounds of the Body and Soul in William Morris's 'The Defence of Guenevere and Other Poems'"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;David Latham (York), "Cultural Origination and the Pre-Raphaelite Tongue"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Christine Bolus-Reichert (University of Toronto), "A Thing to Dream of Not to Build: John Ruskin, Walter Scott, and the Ethics of Neomedievalism"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 15: Opera and Spectacle&lt;br /&gt;(Chair: Norma Coates, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Ed Haymes (CSU-Ohio), "'Eurotrash' Productions of Wagner's Ring: Anti-Medievalism or Neo-Medievalism"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Robert Clark (Kansas State), " Massenet's Thaïs: Orientalism, Medievalism, and 'Couleur antique' at the Opéra"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Plenary Session&lt;br /&gt;Chair: Dominick Grace (Brescia)&lt;br /&gt;Richard F. Green (OSU), "Sir Eglamour and Sir Lionel"&lt;br /&gt;&lt;br /&gt;Session 16: Pre-Raphaelites II&lt;br /&gt;(Chair: Crystal Taylor, Western)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;D.M.R. Bentley (Western), "'The World of Our Fathers with Its 4 Charackteristicts, Religion, Art, Chivalry &amp;amp; Love': Dante Gabriel Rossetti's 'The Staff and Scrip' and Related Paintings"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Alison Syme (University of Toronto) "The Nature of Abstraction: from the Roman de la Rose to Tales of Pistils and Stamens"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Clare Simmons (OSU), "New Golden Legends: Neo-Saints of the Nineteenth Century"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 17: Fourteenth Century Passions &amp;amp; Protests Revisited&lt;br /&gt;(Chair: Keith Russo, WMU)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Kara Cahill (University of Missouri-Columbia), "Pilgrimage, Passion, and Pasolini: Neo-Tales of Canterbury on Film"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Richard Moll (Western), "The Wife of Eatonville's Tale: Zora Neale Hurston on Chaucer"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Peter G. Christensen (Cardinal Stritch), "The Jacquerie of 1358 in Three Novels of the 1960s"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;Session 18: Contemporary Fantasy&lt;br /&gt;(Chair: J. Weldon, Wilfred Laurier)&lt;br /&gt;&lt;/progrès&gt;&lt;ul&gt;&lt;li&gt;&lt;progrès&gt;Ruth Wehlau (Queen's), "The Harrowing of Hell in Contemporary Fantasy Fiction"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Christine Havens (University of Northern Iowa), "A World That Dies Within: Stephen King's All-World as an Alternate Reality Mappa Mundi"&lt;/progrès&gt;&lt;/li&gt;&lt;li&gt;&lt;progrès&gt;Jana K. Schulman (Western Michigan), "Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon"&lt;/progrès&gt;&lt;/li&gt;&lt;/ul&gt;&lt;progrès&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/progrès&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-4646029066307494827?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/4646029066307494827/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=4646029066307494827' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4646029066307494827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/4646029066307494827'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/22nd-international-conference-on_11.html' title='22nd International Conference at Western Ontario'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_Mr55Ap8snCM/Rw6kqxO4UVI/AAAAAAAAAFQ/Td59BjkvMr0/s72-c/tower75.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5755364644975647714</id><published>2007-10-09T18:58:00.001-04:00</published><updated>2007-10-11T06:06:54.861-04:00</updated><title type='text'>Memory and Medievalism</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_Mr55Ap8snCM/Rw31jhO4USI/AAAAAAAAAE0/euSZg4KypA8/s1600-h/43841150.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_Mr55Ap8snCM/Rw31jhO4USI/AAAAAAAAAE0/euSZg4KypA8/s200/43841150.jpg" alt="" id="BLOGGER_PHOTO_ID_5120018341955129634" border="0" /&gt;&lt;/a&gt;Volume XV of &lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt;, expertly edited by Karl Fugelso, centers on the topic of &lt;span style="font-style: italic;"&gt;Memory and Medievalism&lt;/span&gt;. It contains the following contributions:&lt;br /&gt;&lt;span style="font-size:85%;"&gt; From Cabaret to Lecture Hall: Medieval Song as Cultural Memory in the Performances of Yvette Guilbert&lt;i&gt; - Elizabeth Emery&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;i&gt;Hic iacet Arthurus&lt;/i&gt;? Situating the Medieval King in English Renaissance Memory&lt;i&gt; - Richard J. Utz&lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Remembering our Saxon Forefathers: Linguistic Nationalism in &lt;i&gt;Ivanhoe&lt;/i&gt;&lt;i&gt; - Mary Catherine Davidson&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Civilizing the Savage Ancestor: Representations of the Anglo-Saxons in the Art of Nineteenth-Century Britain&lt;i&gt; - Chris Bishop&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; "It's prolly fulla dirty stories": Masturbatory Allegory and Queer         Medievalism in John Kennedey Toole's &lt;i&gt;A Confederacy of Dunces&lt;/i&gt;                                                                                   &lt;i&gt;- Tison Pugh&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Heaney's &lt;i&gt;Sweeney Astray&lt;/i&gt;: Acts of Omission, Translation, and a New Medievalism&lt;i&gt; - Lahney Preston-Matto&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt; Dante and Wendell Berry's Modern Book of Memory&lt;i&gt; - Dominic Manganiello&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Creating Scottish Nationalism: English Translations of the Fourteenth-     Century &lt;i&gt;Declaration of Arbroath&lt;/i&gt;                                                                                                                &lt;i&gt;- Mark P. Bruce&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt; Juggling the Middle Ages: The Reception of &lt;i&gt;Our Lady's Tumbler&lt;/i&gt; and    &lt;i&gt;Le Jongleur de Notre-Dame&lt;/i&gt;                                                                                                                     &lt;i&gt;- Jan Ziolkowski&lt;/i&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-5755364644975647714?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5755364644975647714/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5755364644975647714' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5755364644975647714'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5755364644975647714'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/memory-and-medievalism_09.html' title='Memory and Medievalism'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_Mr55Ap8snCM/Rw31jhO4USI/AAAAAAAAAE0/euSZg4KypA8/s72-c/43841150.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1744792353189003976</id><published>2007-10-08T21:37:00.000-04:00</published><updated>2007-10-09T18:58:28.045-04:00</updated><title type='text'>Welcome</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_Mr55Ap8snCM/RwreQBO4T-I/AAAAAAAAAB8/8cVHT34u4GU/s1600-h/4384012X.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_Mr55Ap8snCM/RwreQBO4T-I/AAAAAAAAAB8/8cVHT34u4GU/s320/4384012X.jpg" alt="" id="BLOGGER_PHOTO_ID_5119148293250109410" border="0" /&gt;&lt;/a&gt;Welcome to MEDIEVALISM!&lt;br /&gt;&lt;br /&gt;This blog will serve as a forum for communicating about all aspects regarding the reception of medieval culture in postmedieval times, usually referred to as "medievalism," from active production or recreation of medieval music, art, literature, etc. to the academic study of such phenomena. While the blog may be read by anyone interested in medievalism, contributions to the blog may only be made by a number of active practitioners, mostly those involved in the &lt;span style="color: rgb(0, 51, 51);"&gt;Studies in Medievalism&lt;/span&gt; movement founded by Leslie J. Workman. This group of scholars and writers, who organize an annual conf&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_Mr55Ap8snCM/RwuMUhO4UAI/AAAAAAAAACY/Nj4xtzjrq2I/s1600-h/Large.1592443818.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp3.blogger.com/_Mr55Ap8snCM/RwuMUhO4UAI/AAAAAAAAACY/Nj4xtzjrq2I/s320/Large.1592443818.jpg" alt="" id="BLOGGER_PHOTO_ID_5119339685582753794" border="0" /&gt;&lt;/a&gt;erence, edit and publish two journals (&lt;a href="http://www.boydell.co.uk/STUSM.HTM"&gt;&lt;span style="font-style: italic;"&gt;Studies in Medievalism&lt;/span&gt;&lt;/a&gt;; &lt;span style="font-style: italic;"&gt;The Year's Work in Medievalism&lt;/span&gt;), and regularly review and write on the subject, includes interdisciplinary specialists from all over the world. I hope that their postings will contribute to an increased understanding of the manifold medievalist practices in societies and by individuals from the Renaissance through the present.&lt;br /&gt;&lt;br /&gt;With collegial regards,&lt;br /&gt;Richard Utz&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/873385641573126155-1744792353189003976?l=studiesinmedievalism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1744792353189003976/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1744792353189003976' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1744792353189003976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1744792353189003976'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2007/10/welcome.html' title='Welcome'/><author><name>Richard Utz</name><uri>https://profiles.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAABu0/YyuO-M2H59E/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_Mr55Ap8snCM/RwreQBO4T-I/AAAAAAAAAB8/8cVHT34u4GU/s72-c/4384012X.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
