<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-873385641573126155</id><updated>2013-05-21T22:56:24.801-04:00</updated><title type='text'>medievalism-medievalismo-mediävalismus-médiévalisme</title><subtitle type='html'>a public blog discussing manifestations of the middle ages in postmedieval times</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default?start-index=26&amp;max-results=25'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>127</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3998642420810382831</id><published>2013-05-21T22:54:00.000-04:00</published><updated>2013-05-21T22:56:24.808-04:00</updated><title type='text'>Medievally Speaking reviews TV ad and publishes interview</title><content type='html'>&lt;h1 class="title" style="background-color: black; color: #990000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 50px; font-weight: normal; margin: 0px 0px 10px; position: relative; text-shadow: rgb(0, 0, 0) 0px 0px -1px;"&gt;Medievally Speaking&lt;/h1&gt;&lt;span style="background-color: white;"&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;Two new publications on &lt;i&gt;Medievally Speaking&lt;/i&gt;, our first review of a TV Commercial:&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;Claudiu Mesaroș's take on Tarsem Singh, dir.,&lt;/span&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;&lt;/i&gt;&lt;/span&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2013/05/tarsem-singh-dir-medieval-fighting-for.html" style="color: darkblue; cursor: pointer; font-family: 'times new roman', 'new york', times, serif; font-size: 12pt; text-decoration: none;" target="_blank"&gt;Medieval Fighting for Pepsi&lt;/a&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;and our first interview:&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;"I see medievalism as a pretty promiscuous thing":&lt;/span&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2013/05/interview-with-associate-professor.html" style="color: darkblue; cursor: pointer; font-family: 'times new roman', 'new york', times, serif; font-size: 12pt; text-decoration: none;" target="_blank"&gt;an Interview with Louise D'Arcens&lt;/a&gt;&lt;span style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"&gt;, by Helen Young.&lt;/span&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3998642420810382831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3998642420810382831' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3998642420810382831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3998642420810382831'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/05/two-new-publications-on-medievally.html' title='Medievally Speaking reviews TV ad and publishes interview'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5766877351591492515</id><published>2013-04-30T23:19:00.002-04:00</published><updated>2013-04-30T23:19:29.080-04:00</updated><title type='text'>Kevin Harty Reviews Pippin, dir. Diane Paulus</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-G1B1UZxJK4A/UYCJn4M3LzI/AAAAAAAADrA/k9uoxSHwGGU/s1600/Pippin-Broadway-Musical-Tickets-176-030413.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-G1B1UZxJK4A/UYCJn4M3LzI/AAAAAAAADrA/k9uoxSHwGGU/s200/Pippin-Broadway-Musical-Tickets-176-030413.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Another "first" for &lt;i&gt;Medievally Speaking&lt;/i&gt; this year, our first review of a live performance, here Kevin Harty's review of Pippin, directed for the American Repertory Theater by Diane Paulus:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Pippin&lt;/i&gt; comes to Broadway by way of Cambridge, Mass., where the production was  first developed for the American Repertory Theater and ran from December  5, 2012, to January 20, 2013.&amp;nbsp; The Broadway production opened on April  25 at The Music Box on West 45th Street.&amp;nbsp; Both the Cambridge and New  York productions were directed by Diane Paulus, known for her previous  Broadway revivals of &lt;i&gt;Hair&lt;/i&gt; (originally for the Public Theatre in Central Park) and &lt;i&gt;The Gershwins’ Porgy and Bess&lt;/i&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;The original Broadway production of &lt;i&gt;Pippin&lt;/i&gt;,  directed by Bob Fosse (who also choreographed and contributed to the  libretto) with music and lyrics by Stephen Schwartz and book by Roger O.  Hirson, ran for almost 2000 performances from 1972 to 1977 and spawned a  several-year long road tour. &lt;a href="http://medievallyspeaking.blogspot.com/2013/04/diane-paulus-dir-pippin.html" target="_blank"&gt;READ THE FULL REVIEW HERE&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5766877351591492515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5766877351591492515' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5766877351591492515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5766877351591492515'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/04/kevin-harty-reviews-pippin-dir-diane.html' title='Kevin Harty Reviews Pippin, dir. Diane Paulus'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-G1B1UZxJK4A/UYCJn4M3LzI/AAAAAAAADrA/k9uoxSHwGGU/s72-c/Pippin-Broadway-Musical-Tickets-176-030413.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1126053631386805769</id><published>2013-04-28T22:53:00.003-04:00</published><updated>2013-04-28T22:53:46.764-04:00</updated><title type='text'>Leah Haught Reviews Armitage, The Death of King Arthur</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nuDNILOxIwk/UX3gkgPz8YI/AAAAAAAADpM/_Hi4T1QKm0s/s1600/Armitage.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-nuDNILOxIwk/UX3gkgPz8YI/AAAAAAAADpM/_Hi4T1QKm0s/s1600/Armitage.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Simon Armitage, trans. &lt;i&gt;The Death of King Arthur&lt;/i&gt;. New York: Norton, 2012.&lt;br /&gt;&lt;br /&gt;&amp;nbsp;Reviewed by Leah Haught (leah.haught@lmc.gatech.edu)&lt;br /&gt;&lt;br /&gt;Originally released as a hardcover edition in December 2011, Norton’s December 2012 publication of Simon Armitage’s verse translation of the Alliterative Morte Arthure (The Death of King Arthur) as a paperback will undoubtedly cause this edition of the poem, which aims to make the late fourteenth or early fifteenth-century poem accessible to modern audiences “in unflinching and gory detail,” to be more broadly circulated among scholars and poetry aficionados alike [1]. Presented as a facing-page translation alongside Larry D. Benson’s 1974 transcription of the Middle English text, Armitage’s rendition is a handsome addition to the relatively short list of texts that place their translations of the Alliterative Morte in continuous dialogue with the language and style of the original poem. Of equal if not more interest for scholars of medievalism, the edition also sheds light on the processes through which modern poets engage with and represent the medieval past in their work. &lt;a href="http://medievallyspeaking.blogspot.com/2013/04/armitage-death-of-king-arthur.html" target="_blank"&gt;READ FULL REVIEW HERE&lt;/a&gt;.&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1126053631386805769/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1126053631386805769' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1126053631386805769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1126053631386805769'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/04/leah-haught-reviews-armitage-death-of.html' title='Leah Haught Reviews Armitage, The Death of King Arthur'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-nuDNILOxIwk/UX3gkgPz8YI/AAAAAAAADpM/_Hi4T1QKm0s/s72-c/Armitage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5648379069285572908</id><published>2013-04-18T10:23:00.004-04:00</published><updated>2013-04-18T10:23:40.884-04:00</updated><title type='text'>Tracey-Anne Cooper Reviews Lavelle, Alfred's Wars</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gM2h-ypu3hE/UXAByE-xsAI/AAAAAAAADhc/adHGGmsq-2g/s1600/alfs+wars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-gM2h-ypu3hE/UXAByE-xsAI/AAAAAAAADhc/adHGGmsq-2g/s320/alfs+wars.jpg" width="215" /&gt;&lt;/a&gt;&lt;/div&gt;Ryan Lavelle, &lt;i&gt;Alfred’s Wars: Sources and Interpretations of Anglo-Saxon Warfare in the Viking Age&lt;/i&gt;. Woodbridge and Rochester, N.Y.: Boydell Press, 2010.&lt;br /&gt;&lt;br /&gt;Reviewed by Tracey-Anne Cooper (coopert@stjohns.edu)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Ryan Lavelle’s splendid treatment of the significance and consequences of warfare and its organization for the late Anglo-Saxon state exceeds in scope the somewhat limited expectations set up by the title. This is not a book only concerned with warfare in King Alfred’s time, but about the consequences of that king’s policies from the ninth to the eleventh centuries, as they were shaped by, and responded to, Viking assaults, settlement, renewed assaults and then conquests, as well as warfare with neighboring Celtic and British polities. Lavelle’s book will surely become a go-to-guide for those seeking to represent “authentic” medieval warfare of the period in all its facets, as well as those who want to authoritatively critique such depictions.&lt;/i&gt; &lt;a href="http://medievallyspeaking.blogspot.com/2013/04/lavelle-alfreds-wars.html" target="_blank"&gt;READ ON AT MEDIEVALLY SPEAKING&lt;/a&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5648379069285572908/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5648379069285572908' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5648379069285572908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5648379069285572908'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/04/tracey-anne-cooper-reviews-lavelle.html' title='Tracey-Anne Cooper Reviews Lavelle, Alfred&apos;s Wars'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-gM2h-ypu3hE/UXAByE-xsAI/AAAAAAAADhc/adHGGmsq-2g/s72-c/alfs+wars.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-1338581078486248858</id><published>2013-03-21T10:10:00.000-04:00</published><updated>2013-03-21T10:10:17.648-04:00</updated><title type='text'>Kellie Meyer reviews Castles: An Anthology</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ogbtLSweyjA/UUsUwOVoDgI/AAAAAAAADcc/FMjrsGEemnE/s1600/6a00d8345293e069e2017744209f1d970d-800wi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-ogbtLSweyjA/UUsUwOVoDgI/AAAAAAAADcc/FMjrsGEemnE/s320/6a00d8345293e069e2017744209f1d970d-800wi.jpg" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;Kellie S. Meyer recently reviewed the British Library's Castles: An Anthology for Medievally Speaking:&lt;br /&gt;&lt;br /&gt;&lt;i&gt;While Dicken’s Dombey and Son is not one of the books included in Castles: an Anthology, Mrs’ Skewton’s medievalist rhapsody may well have been the guiding principle behind the selection of the 160 items included in this online collection from the British Library, which includes archaeological treatises, antiquarian histories, images, Gothic romances and pseudo-histories featuring picturesque dungeons, sieges, knights and fair maidens. With three exceptions from the 18th-century and one from the 17th-century (Dryden’s King Arthur, 1691), all of the items in the Castles Anthology are digitized 19th-century primary sources. &amp;nbsp;The reader is therefore introduced not only to histories, images and fiction associated with medieval castles, but experiences these sources through the lens of Victorian culture and taste. &amp;nbsp;Hence the result is a fascinating glimpse of Victorian medievalisms, viewed through a 21st century interface.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;You can find the full text of the review &lt;a href="http://medievallyspeaking.blogspot.com/2013/03/castles-anthology.html" target="_blank"&gt;HERE&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/1338581078486248858/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=1338581078486248858' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1338581078486248858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/1338581078486248858'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/03/kellie-meyer-reviews-castles-anthology.html' title='Kellie Meyer reviews Castles: An Anthology'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ogbtLSweyjA/UUsUwOVoDgI/AAAAAAAADcc/FMjrsGEemnE/s72-c/6a00d8345293e069e2017744209f1d970d-800wi.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8937332128716376597</id><published>2013-03-12T17:30:00.000-04:00</published><updated>2013-03-12T17:30:02.023-04:00</updated><title type='text'>Fugelso on Continuity and Medievalism Studies</title><content type='html'>          &lt;br /&gt;&lt;div class="column"&gt;   &lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-WDDFXHyACTg/UT-eN0zcVrI/AAAAAAAADas/PhDaw_D0KUg/s1600/ude-logo.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-WDDFXHyACTg/UT-eN0zcVrI/AAAAAAAADas/PhDaw_D0KUg/s1600/ude-logo.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;As can be seen in almost any field of academia, continuity and its antitheses are deceptively difficult to define. Mathematicians have long struggled to pin down a real-number continuum that can do the work required by limit theory. Literary critics continue to grapple with the relationship between narrative flow and the changes that lend it momentum. And scholars from many areas of the humanities and social sciences have attempted to clarify the blurred distinctions between historical continuity and discontinuity.&amp;nbsp;This elusiveness is particularly problematic for medievalism studies, whose subjects are often described as post-medieval responses to the Middle Ages.&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;So begins Karl Fugelso's recent essay in &lt;i&gt;&lt;a href="http://www.uni-due.de/imperia/md/content/perspicuitas/fugelso_continuity.pdf" target="_blank"&gt;Perspicuitas&lt;/a&gt;&lt;/i&gt; (U of Essen-Duisburg, Germany),&amp;nbsp;"Problems with Continuity: Defining the Middle Ages for Medievalism Studies." Together with David Matthews' recent essays, "From Mediaeval to Mediaevalism: A New Semantic History," &lt;i&gt;Review of English Studies&lt;/i&gt; 62 (2011): 695-715, &amp;nbsp;and "'Chaucer's American Accent'," &lt;i&gt;American Literary History&lt;/i&gt; 22.4 (2010): 1-15, and Richard Utz's "Coming to Terms with Medievalism," &lt;i&gt;European Journal of English Studies&lt;/i&gt; 15.2 (2011): 1-13, Karl's essay provides a critical perspective on the salient issues of temporality and periodization in Medievalism Studies.&lt;/span&gt;&lt;br /&gt;   &lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8937332128716376597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8937332128716376597' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8937332128716376597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8937332128716376597'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/03/fugelso-on-continuity-and-medievalism.html' title='Fugelso on Continuity and Medievalism Studies'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-WDDFXHyACTg/UT-eN0zcVrI/AAAAAAAADas/PhDaw_D0KUg/s72-c/ude-logo.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-880075709118143028</id><published>2013-03-11T21:32:00.004-04:00</published><updated>2013-03-11T21:32:55.457-04:00</updated><title type='text'>Alan Lupack reviews George Tyson, The Never King</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-fKBkjyVMU2I/UT6FaL5tMWI/AAAAAAAADaM/afN3PkRxDWs/s1600/Never+King.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-fKBkjyVMU2I/UT6FaL5tMWI/AAAAAAAADaM/afN3PkRxDWs/s200/Never+King.jpg" width="124" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Medievally Speaking&lt;/i&gt; just published Alan Lupack's review of George Tyson, &lt;i&gt;The Never King&lt;/i&gt; (2013):&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Never King&lt;/i&gt; by George Tyson opens with an iconic scene from the Arthurian legends: the pulling of the sword from the stone. But rather than taking place in early Britain or in some undefined time in the Middle Ages of romance, it occurs at a time in the near future at a carnival in Cornwall. In this case, the sword—which has been cut off and super-glued to a stone—is part of a rigged carny game. But a man named Arthur wins the game when he mysteriously pulls not the truncated sword of the trick but a complete sword from the stone. &lt;a href="http://medievallyspeaking.blogspot.com/2013/03/tyson-never-king.html" target="_blank"&gt;READ the FULL REVIEW&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/880075709118143028/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=880075709118143028' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/880075709118143028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/880075709118143028'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/03/alan-lupack-reviews-george-tyson-never.html' title='Alan Lupack reviews George Tyson, The Never King'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-fKBkjyVMU2I/UT6FaL5tMWI/AAAAAAAADaM/afN3PkRxDWs/s72-c/Never+King.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6551504514346389319</id><published>2013-03-04T17:33:00.000-05:00</published><updated>2013-03-04T17:33:01.918-05:00</updated><title type='text'>Kevin and Brent Moberly Review Simony, by Ian Bogost</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-e3Wn7Vyki5k/UTUhCiKnwLI/AAAAAAAADY8/C3lDk2Xp58U/s1600/simony.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-e3Wn7Vyki5k/UTUhCiKnwLI/AAAAAAAADY8/C3lDk2Xp58U/s200/simony.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;Brent and Kevin Moberly recently reviewed Ian Bogost's &lt;i&gt;Simony&lt;/i&gt;. To read the review, click &lt;a href="http://medievallyspeaking.blogspot.com/2013/03/bogost-simony.html" target="_blank"&gt;HERE&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6551504514346389319/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6551504514346389319' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6551504514346389319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6551504514346389319'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/03/kevin-and-brent-moberly-review-simony.html' title='Kevin and Brent Moberly Review Simony, by Ian Bogost'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-e3Wn7Vyki5k/UTUhCiKnwLI/AAAAAAAADY8/C3lDk2Xp58U/s72-c/simony.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8948022493241633919</id><published>2013-02-15T20:55:00.004-05:00</published><updated>2013-02-16T21:02:45.401-05:00</updated><title type='text'>Tech Gets Medieval Fall 2012 Symposium now Viewable</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-mcLd4Gi-he0/UR7nG_jtfCI/AAAAAAAADPs/-X2BnIJdcoY/s1600/TechGetsMedieval1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-mcLd4Gi-he0/UR7nG_jtfCI/AAAAAAAADPs/-X2BnIJdcoY/s320/TechGetsMedieval1.jpg" width="247" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;In the fall semester of 2012, Brittain fellow Dr. Kellie Meyer and colleagues from different areas of specialty at Georgia Tech organized a symposium, Tech Gets Medieval: How Medieval Technology Can Teach the Past.&lt;/span&gt;&lt;br /&gt;&lt;br style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;" /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;The complete symposium is now available at Georgia Tech's SmarTech repository:&amp;nbsp;&lt;/span&gt;&lt;a href="https://smartech.gatech.edu/handle/1853/46004/browse?type=title" style="-webkit-transition: color 0.3s; background-color: #fafafa; color: #b38f00; display: inline; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; outline: none; text-align: justify; text-decoration: none;"&gt;https://smartech.gatech.edu/handle/1853/46004/browse?type=title&lt;/a&gt;&lt;br /&gt;&lt;br style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;" /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Here is a list of the presenters and their paper titles:&lt;/span&gt;&lt;br /&gt;&lt;br style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;" /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Opening Remarks:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Burnett, Rebecca; &amp;nbsp;Meyer, Kellie; &amp;nbsp;Utz, Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;The Afterlives of Gawain: Illustration as Annotation in the Cotton Nero Ax Manuscript:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Haught, Leah&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Biology and Germ Warfare:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Spencer, Chrissy&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Blacksmithing and Timber-Framed Houses: Pedagogy of Risk:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Crawford, T. Hugh&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Medieval Construction – Foundation of Today's Industry:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Bowen, Brian&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Neo-Medieval Fantasy in Video Games:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Pearce, Celia&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Tried and True Methods:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Madej, Krystina&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Your Mission is to Rescue Lorenzo di Medici: A Demonstration of the Pedagogical Potentials of Using Assassin's Creed II for Teaching the Italian Renaissance:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; text-align: justify;"&gt;Madden, Amanda&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8948022493241633919/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8948022493241633919' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8948022493241633919'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8948022493241633919'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/02/tech-gets-medieval-fall-2012-symposium.html' title='Tech Gets Medieval Fall 2012 Symposium now Viewable'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-mcLd4Gi-he0/UR7nG_jtfCI/AAAAAAAADPs/-X2BnIJdcoY/s72-c/TechGetsMedieval1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6065247656511975313</id><published>2013-02-11T17:09:00.001-05:00</published><updated>2013-02-11T17:09:43.908-05:00</updated><title type='text'>Fugelso reviews Resonances: Historical Essays on Continuity and Change</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Gq5227rz78Y/URlr3rlAj4I/AAAAAAAADM8/2uPa9Fe_-0E/s1600/Resonances-Bucker-Andreas-9782503534930.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-Gq5227rz78Y/URlr3rlAj4I/AAAAAAAADM8/2uPa9Fe_-0E/s200/Resonances-Bucker-Andreas-9782503534930.jpg" width="131" /&gt;&lt;/a&gt;&lt;/div&gt;Karl Fugelso, editor of Studies in Medievalism, recently reviewed&amp;nbsp;&lt;i&gt;Resonances: &amp;nbsp;Historical Essays on Continuity and Change&lt;/i&gt;, ed. Nils Holger Petersen, Eyolf Østrem, and Andreas Bücker (Turnhout: &amp;nbsp;Brepols, 2011), for &lt;a href="http://medievallyspeaking.blogspot.com/2013/02/resonances-ed-petersen-strem-and-bucker.html" target="_blank"&gt;Medievally Speaking&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6065247656511975313/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6065247656511975313' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6065247656511975313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6065247656511975313'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/02/fugelso-reviews-resonances-historical.html' title='Fugelso reviews Resonances: Historical Essays on Continuity and Change'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Gq5227rz78Y/URlr3rlAj4I/AAAAAAAADM8/2uPa9Fe_-0E/s72-c/Resonances-Bucker-Andreas-9782503534930.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3759487924327307723</id><published>2013-02-06T08:52:00.000-05:00</published><updated>2013-02-06T08:52:05.907-05:00</updated><title type='text'>Murdoch Purchases Richard III's Bones</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cgGSwv1nNco/URJf6TvWoNI/AAAAAAAADLQ/A1eZw7HyWLc/s1600/OB-WF432_2richa_D_20130204042001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://4.bp.blogspot.com/-cgGSwv1nNco/URJf6TvWoNI/AAAAAAAADLQ/A1eZw7HyWLc/s200/OB-WF432_2richa_D_20130204042001.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif; font-size: 15px; text-align: left;"&gt;Will &lt;i&gt;Jurassic Park&lt;/i&gt; and &lt;i&gt;Timeline&lt;/i&gt; become one? Wherever there is money, there is a way:&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif; font-size: 15px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif; font-size: 15px; text-align: left;"&gt;LONDON (&lt;/span&gt;&lt;a href="http://www.newyorker.com/online/blogs/borowitzreport" style="color: black; font-family: 'Times New Roman', serif; font-size: 15px; outline: 0px; text-align: left; text-decoration: none;" target="_blank"&gt;The Borowitz Report&lt;/a&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif; font-size: 15px; text-align: left;"&gt;)—The media mogul Rupert Murdoch stunned the world of British antiquities today by purchasing the newly discovered remains of Richard III for a hundred million dollars. &lt;a href="http://www.newyorker.com/online/blogs/borowitzreport/2013/02/rupert-murdoch-emerges-as-winning-bidder-for-richard-iiis-bones.html#ixzz2K7vHt3Pn" target="_blank"&gt;READ MORE&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 15px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3759487924327307723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3759487924327307723' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3759487924327307723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3759487924327307723'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/02/murdoch-purchases-richard-iiis-bones.html' title='Murdoch Purchases Richard III&apos;s Bones'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-cgGSwv1nNco/URJf6TvWoNI/AAAAAAAADLQ/A1eZw7HyWLc/s72-c/OB-WF432_2richa_D_20130204042001.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-9180241111489692975</id><published>2013-01-17T19:11:00.002-05:00</published><updated>2013-01-17T19:11:21.084-05:00</updated><title type='text'>Icons of Irishness published</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-9pxJfqLfkuA/UPiTCREWBqI/AAAAAAAADFI/OOj_TREhXa0/s1600/9780230103207.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-9pxJfqLfkuA/UPiTCREWBqI/AAAAAAAADFI/OOj_TREhXa0/s1600/9780230103207.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Maggie M. Williams' &lt;i&gt;Icons of Irishness from the Middle Ages to the Present&lt;/i&gt; was recently published in Palgrave's New Middle Ages series.&lt;br /&gt;&lt;br /&gt;The publisher's description:&amp;nbsp;From majestic 'Celtic' crosses to elaborate knotwork designs, visual symbols of Irish identity abound in contemporary culture. In jewelry, souvenirs, tattoos, and even graphic novels and massive public murals, Irishness is depicted in its most medieval garb. Looking back to a mythical past, such images conjure up ancient realms of mystical druids, warrior Celts, and pious Christian monks. Icons of Irishness offers a commentary on the blending of pasts and presents that finds permanent visualization in these contemporary signs of Irish cultural identity. Williams considers both scholarly and popular perspectives, exploring the spaces where Irish modernity meets its 'Celtic' past.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/9180241111489692975/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=9180241111489692975' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9180241111489692975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/9180241111489692975'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/01/icons-of-irishness-published.html' title='Icons of Irishness published'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-9pxJfqLfkuA/UPiTCREWBqI/AAAAAAAADFI/OOj_TREhXa0/s72-c/9780230103207.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8118407077115835185</id><published>2013-01-16T20:48:00.001-05:00</published><updated>2013-01-16T20:48:50.424-05:00</updated><title type='text'>Making the Past in the Present</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-CFIy-Ltim7Q/UPdYbD8xNpI/AAAAAAAADE4/LrjyEGCl-II/s1600/9780415617277.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-CFIy-Ltim7Q/UPdYbD8xNpI/AAAAAAAADE4/LrjyEGCl-II/s200/9780415617277.jpg" width="133" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: inherit;"&gt;Recently published:&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;Medievalisms: Making the Past in the Present&lt;/i&gt;, by Tison Pugh and Angela Jane Weisl (Routledge, 2012). Publisher's description:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. website&lt;br /&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8118407077115835185/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8118407077115835185' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8118407077115835185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8118407077115835185'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2013/01/making-past-in-present.html' title='Making the Past in the Present'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-CFIy-Ltim7Q/UPdYbD8xNpI/AAAAAAAADE4/LrjyEGCl-II/s72-c/9780415617277.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7121958790075491183</id><published>2012-12-31T16:28:00.002-05:00</published><updated>2012-12-31T16:28:52.590-05:00</updated><title type='text'>Happy SIM Year 2013</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Js0jQ-vljaI/UOIDh2MBsbI/AAAAAAAAC7k/JTNxJUkSPG0/s1600/SIM+New+Year.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="550" src="http://3.bp.blogspot.com/-Js0jQ-vljaI/UOIDh2MBsbI/AAAAAAAAC7k/JTNxJUkSPG0/s640/SIM+New+Year.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7121958790075491183/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7121958790075491183' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7121958790075491183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7121958790075491183'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/happy-sim-year-2013.html' title='Happy SIM Year 2013'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Js0jQ-vljaI/UOIDh2MBsbI/AAAAAAAAC7k/JTNxJUkSPG0/s72-c/SIM+New+Year.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6004462558959733922</id><published>2012-12-30T15:38:00.000-05:00</published><updated>2012-12-30T15:38:11.151-05:00</updated><title type='text'>Ganim translated into Arabic</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vPPCt-9IgO0/UOCmDJsrMfI/AAAAAAAAC60/NZG-bc-YE4g/s1600/5821a1620ae0462b38d7e8cedff41989.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-vPPCt-9IgO0/UOCmDJsrMfI/AAAAAAAAC60/NZG-bc-YE4g/s200/5821a1620ae0462b38d7e8cedff41989.jpg" width="130" /&gt;&lt;/a&gt;&lt;/div&gt;Good news: John Ganim's &lt;i&gt;&lt;a href="http://www.alapn.com/en/news.php?cat=1&amp;amp;id=4449" target="_blank"&gt;Medievalism and Orientalism&lt;/a&gt;&lt;/i&gt; is out in Arabic, translated by Abla Aouda.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6004462558959733922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6004462558959733922' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6004462558959733922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6004462558959733922'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/ganim-translated-into-arabic.html' title='Ganim translated into Arabic'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vPPCt-9IgO0/UOCmDJsrMfI/AAAAAAAAC60/NZG-bc-YE4g/s72-c/5821a1620ae0462b38d7e8cedff41989.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8214695176730057875</id><published>2012-12-20T08:50:00.002-05:00</published><updated>2012-12-20T08:50:21.414-05:00</updated><title type='text'>Call for Papers: Ethics and Medievalism</title><content type='html'>&lt;span style="font-family: inherit;"&gt;&lt;i style="font-size: 15px;"&gt;Studies in Medievalism&lt;/i&gt;&lt;span style="font-size: 15px;"&gt;, a peer-reviewed print and on-line publication, seeks 3,000-word essays discussing ethics in medievalism.&amp;nbsp; What role do ethics play in post-medieval responses to the Middle Ages?&amp;nbsp;&amp;nbsp; In interpretations of those responses?&amp;nbsp; How is moral behavior portrayed (or not)?&amp;nbsp; How is the audience treated?&amp;nbsp; Who is the audience?&amp;nbsp;&amp;nbsp;&lt;i&gt;SIM&lt;/i&gt;’s audience is wide-ranging, and potential contributors should anticipate that their readers will include not only specialists but also generalists, including non-academics.&amp;nbsp; Submissions should be sent in English in Word as an e-mail attachment on or before June 1, 2013 to the editor, Karl Fugelso (&lt;a href="mailto:kfugelso@towson.edu" style="color: purple;" target="_blank"&gt;kfugelso@towson.edu&lt;/a&gt;).&amp;nbsp; For a style sheet, please visit the website&amp;nbsp;&lt;a href="http://www.medievalism.net/sim.html" style="color: purple;" target="_blank"&gt;http://www.medievalism.net/sim.html&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8214695176730057875/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8214695176730057875' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8214695176730057875'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8214695176730057875'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/call-for-papers-ethics-and-medievalism.html' title='Call for Papers: Ethics and Medievalism'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7117410214497281413</id><published>2012-12-18T10:22:00.002-05:00</published><updated>2012-12-18T10:22:54.591-05:00</updated><title type='text'>Six colleagues join Medievally Speaking as asst. editors</title><content type='html'>&lt;br /&gt;Dear Medievally Speaking colleagues,&lt;br /&gt;&lt;br /&gt;It is with great pleasure that I would like to announce some excellent news for the future of &lt;a href="http://medievallyspeaking.blogspot.com/" target="_blank"&gt;Medievally Speaking&lt;/a&gt;, our review journal organized under the auspices of the &lt;a href="http://www.medievalism.net/" target="_blank"&gt;International Society for the Study of Medievalism&lt;/a&gt;. For about two years, MS has been contributing to the study of medievalism with sporadic reviews of some of the numerous annual publications related to the reception of medieval culture in postmedieval times. The steadily increasing interest in medievalism has me convinced that we should step up our activities, expand linguistically, culturally, and include fiction, games, performances, exhibits, and film among the 'texts' we review. Following a competitive international application process, the following colleagues will be joining us as assistant editors to help me reach these goals:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Teodora Artimon&lt;/b&gt; is a Ph.D. student in Medieval Studies at Central European University in Budapest, Hungary. Her dissertation deals with the reception of a 15th-century Romanian myth (that of voivode Stephen the Great) in the 16th century. She is interested in medieval myth creation, medieval imaginary and otherness, and today's perception of the Middle Ages.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Michael Evans&lt;/b&gt; holds a Ph.D. from the University of Nottingham (1997). He is the author of The Death of Kings (Continuum, 2003) and his research interest includes the crusades and medieval king- and queenship. He currently works as an instructor and advisor at Mid Michigan Community College. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Leah Haught&lt;/b&gt; holds a Ph.D. from the University of Rochester (2011). &amp;nbsp;Her research interests include Arthurian romance and historiography, medieval and early-modern conceptions of authorship, and literary representations of gendered behavior. She is currently a Marion L. Brittain Postdoctoral Fellow in the Georgia Institute of Technology’s School of Literature, Media, and Communication.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Bram Mathew&lt;/b&gt; is a Ph.D. student in modern history at the University of Aberdeen, where he is exploring perceptions of the Vikings in 19th-century newspapers from Britain and Ireland. &amp;nbsp;His other research interests include Vikingism, Viking history and antiquarianism.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Ilse Schweitzer VanDonkelaar&lt;/b&gt; is a Ph.D. student in English at Western Michigan University, where she focuses on environmental readings of Anglo-Saxon and Old Norse literatures and cultures. Her other research interests include landscape studies, world mythologies, and Anglo-Saxon manuscript art and sculpture. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Helen Young&lt;/b&gt; is a Postdoctoral Fellow in the English Department at the University of Sydney, Australia. She is currently working on a three year project exploring discourses around race and diversity in contemporary popular fantasy which draw strongly on medievalism. Her other interests include postcolonialism in Middle English literature.&lt;br /&gt;&lt;br /&gt;Please welcome our new colleagues and support them in their future work. In January, I will send out more news, including a call for titles/events for review.&lt;br /&gt;&lt;br /&gt;I hope you have a happy and relaxing holiday,&lt;br /&gt;Richard&lt;br /&gt;&lt;br /&gt;PS: Our 28th International Conference on Medievalism will be hosted by Ed Risden at St. Norbert College, in De Pere, WI, on October 17-19, 2013, and its topic will be "&lt;a href="http://www.medievalism.net/conferences.html" target="_blank"&gt;Medievalism: Its Centers and Margins&lt;/a&gt;."</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7117410214497281413/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7117410214497281413' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7117410214497281413'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7117410214497281413'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/six-colleagues-join-medievally-speaking.html' title='Six colleagues join Medievally Speaking as asst. editors'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-7150655738316103102</id><published>2012-12-16T13:53:00.002-05:00</published><updated>2012-12-16T13:53:30.972-05:00</updated><title type='text'>Women Religious, Then and Now</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-BTPQqGqKFjo/UM4YjShXF0I/AAAAAAAAC3Q/w20G8F857Og/s1600/Unknown-1.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-BTPQqGqKFjo/UM4YjShXF0I/AAAAAAAAC3Q/w20G8F857Og/s200/Unknown-1.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="background-color: #fafafa; color: #333333; line-height: 19px; text-align: justify;"&gt;Richard Utz recently reviewed Director Mary Fishman's documentary,&amp;nbsp;&lt;/span&gt;&lt;i style="background-color: #fafafa; color: #333333; line-height: 19px; text-align: justify;"&gt;Band of Sisters&lt;/i&gt;&lt;span style="background-color: #fafafa; color: #333333; line-height: 19px; text-align: justify;"&gt;, from the perspective of medievalism. The 2012 film surveys the path of U.S. women religious, focusing specifically on their reaction to Vatican II. Read the review&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://medievallyspeaking.blogspot.com/2012/12/band-of-sisters.html" style="-webkit-transition: color 0.3s; background-color: #fafafa; color: #b38f00; display: inline; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 19px; outline: none; text-align: justify; text-decoration: none;" target="_blank"&gt;HERE&lt;/a&gt;&lt;span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 19px; text-align: justify;"&gt;.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/7150655738316103102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=7150655738316103102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7150655738316103102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/7150655738316103102'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/women-religious-then-and-now.html' title='Women Religious, Then and Now'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BTPQqGqKFjo/UM4YjShXF0I/AAAAAAAAC3Q/w20G8F857Og/s72-c/Unknown-1.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3282896934341352317</id><published>2012-12-13T16:09:00.001-05:00</published><updated>2012-12-13T16:09:31.173-05:00</updated><title type='text'>Vincent Ferré on Tolkien, The Hobbit, and more</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-pXHQG_X3kB4/UMpD-1B_v3I/AAAAAAAAC1o/psdgWPhQZnE/s1600/41768_100000639546064_5785_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-pXHQG_X3kB4/UMpD-1B_v3I/AAAAAAAAC1o/psdgWPhQZnE/s1600/41768_100000639546064_5785_n.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Medievally Speaking&lt;/i&gt;'s Vincent Ferré on Tolkien,&lt;i&gt; The Hobbit&lt;/i&gt;, and more, on &lt;a href="http://www.france5.fr/emissions/entree-libre/diffusions/11-12-2012_17163" target="_blank"&gt;France5&lt;/a&gt;&amp;nbsp;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3282896934341352317/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3282896934341352317' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3282896934341352317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3282896934341352317'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/vincent-ferre-on-tolkien-hobbit-and-more.html' title='Vincent Ferré on Tolkien, The Hobbit, and more'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pXHQG_X3kB4/UMpD-1B_v3I/AAAAAAAAC1o/psdgWPhQZnE/s72-c/41768_100000639546064_5785_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-6251407241696590370</id><published>2012-12-11T12:49:00.001-05:00</published><updated>2012-12-11T12:49:02.257-05:00</updated><title type='text'>Medieval Afterlives in Popular Culture</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yDtyyjTKZ8o/UMdx_lFjWqI/AAAAAAAACzo/zjfLepsgDU8/s1600/9780230337343.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-yDtyyjTKZ8o/UMdx_lFjWqI/AAAAAAAACzo/zjfLepsgDU8/s1600/9780230337343.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Medieval Afterlives in Popular Culture&lt;/i&gt;, expertly edited by Gail Ashton and Daniel T. Kline, has now been published in Palgrave's The New Middle Ages Series.&amp;nbsp;Drawing from an eclectic mix of scholars from the US, UK, and Australia,&amp;nbsp;&lt;i&gt;Medieval Afterlives in Popular Culture&lt;/i&gt;&amp;nbsp;examines the persistence of medieval themes, characters, and situations in a variety of media from reality television to Virginia Woolf, Arthurian film to Disney animation, Shrek to historical fantasy. Each essay demonstrates that the Middle Ages are not relegated to a static past but continue to fashion a vital presence in contemporary popular culture, changing our assumptions about the flow of history and the creation of the present. See&amp;nbsp;&lt;b&gt;&lt;a href="http://us.macmillan.com/medievalafterlivesinpopularculture/GailAshton" target="_blank"&gt;HERE&lt;/a&gt;&lt;/b&gt;&amp;nbsp;for more information.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/6251407241696590370/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=6251407241696590370' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6251407241696590370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/6251407241696590370'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/12/medieval-afterlives-in-popular-culture.html' title='Medieval Afterlives in Popular Culture'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-yDtyyjTKZ8o/UMdx_lFjWqI/AAAAAAAACzo/zjfLepsgDU8/s72-c/9780230337343.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-2844859311000892671</id><published>2012-11-28T10:01:00.002-05:00</published><updated>2012-11-28T10:01:52.474-05:00</updated><title type='text'>Medievalism in Popular Culture @ PCA</title><content type='html'>PCA has extended its official deadline for submissions to December 7, 2012 , so you have a little extra time on those abstracts. I'll include the medievalism panel information below. Please note that if you have submitted since my last reminder, I may not be able to accept your proposal until all of the abstracts are in so that I know how many panels are filling. You will hear back from me no later than December 11th.&lt;br /&gt;&lt;br /&gt;You may upload your proposals to http://ncp.pcaaca.org. Please select the "Medievalism in Popular Culture" area and remember to include the name of the session or round table to which you are submitting on your abstract. As always, feel free to email me with any questions.&lt;br /&gt;&lt;br /&gt;I hope to see you in D.C.!&lt;br /&gt;&lt;br /&gt;Best Wishes,&lt;br /&gt;&lt;br /&gt;Amy&lt;br /&gt;&lt;br /&gt;Amy S. Kaufman, Ph.D.&lt;br /&gt;Assistant Professor of English&lt;br /&gt;Middle Tennessee State University&lt;br /&gt;341 Peck Hall; MTSU Box 0070&lt;br /&gt;1301 East Main Street&lt;br /&gt;Murfreesboro, TN &amp;nbsp;37132&lt;br /&gt;http://works.bepress.com/amy_kaufman</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/2844859311000892671/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=2844859311000892671' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2844859311000892671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/2844859311000892671'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/11/medievalism-in-popular-culture-pca.html' title='Medievalism in Popular Culture @ PCA'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5742936638844416217</id><published>2012-11-20T22:30:00.002-05:00</published><updated>2012-11-22T14:22:35.000-05:00</updated><title type='text'>Zrinka Stahuljak, Pornographic Archaeology</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-o5VxezIHrkA/UKxK0_pJhBI/AAAAAAAACqs/OLngSfsarX4/s1600/15046.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-o5VxezIHrkA/UKxK0_pJhBI/AAAAAAAACqs/OLngSfsarX4/s320/15046.jpg" width="211" /&gt;&lt;/a&gt;&lt;/div&gt;Zrinka Stahuljak just published &lt;i&gt;Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation (&lt;/i&gt;University of Pennsylvania Press, 2012); 368 pp.&lt;a href="http://www.upenn.edu/pennpress/book/15046.html"&gt;http://www.upenn.edu/pennpress/book/15046.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The publisher's description: In &lt;i&gt;Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation&lt;/i&gt;, Zrinka Stahuljak explores the connections and fissures between the history of sexuality, nineteenth-century views of the Middle Ages, and the conceptualization of modern France. This cultural history uncovers the determinant role that the sexuality of the Middle Ages played in nineteenth-century French identity.&lt;br /&gt;Stahuljak's provocative study of sex, blood, race, and love in nineteenth- and early twentieth-century medical and historical literature demonstrates how French medicine's obsession with the medieval past helped to define European sexuality, race, public health policy, marriage, family, and the conceptualization of the Middle Ages. Stahuljak reveals the connections between the medieval military order of the Templars and the 1830 colonization of Algeria, between a fifteenth-century French marshal and the development of Richard von Krafft-Ebing's theory of sadism, between courtly love and the 1884 law on divorce. Although the developing discipline of medieval studies eventually rejected the influence of these medical philologists, the convergence of medievalism and medicine shaped modern capitalist French society and established a vision of the Middle Ages that survives today.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5742936638844416217/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5742936638844416217' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5742936638844416217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5742936638844416217'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/11/zrinka-stahuljak-just-published.html' title='Zrinka Stahuljak, Pornographic Archaeology'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-o5VxezIHrkA/UKxK0_pJhBI/AAAAAAAACqs/OLngSfsarX4/s72-c/15046.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-8645095446620033781</id><published>2012-11-19T20:57:00.002-05:00</published><updated>2012-11-19T20:57:04.526-05:00</updated><title type='text'>Medievally Speaking seeks Assistant Editors</title><content type='html'>&lt;span class="Apple-style-span" style="border-collapse: separate; border-spacing: 0px; font-family: Helvetica;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;i style="font-family: Garamond; font-size: large;"&gt;Medievally Speaking&lt;/i&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;, an online journal operating under the auspices of the&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.medievalism.net/" style="font-family: Garamond; font-size: large;"&gt;International Society for the Study of Medievalism&lt;/a&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;and dedicated to reviewing all academic and creative reinventions and reimaginations of medieval culture in postmedieval times, seeks two enthusiastic scholars to serve as its Assistant Editors, beginning ASAP and ending May 1, 2014. In collaboration with the Editor, the Assistant Editors will manage the&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://medievallyspeaking.blogspot.com/" style="font-family: Garamond; font-size: large;"&gt;journal website&lt;/a&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: medium;"&gt;(currently in blog format), request review copies from publishers, producers, etc., solicit reviews from colleagues, and edit and post reviews. On average, these responsibilities should require a commitment of two hours or less per week per Assistant Editor.&amp;nbsp;PhD preferred;&amp;nbsp;Master's degree minimum.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Garamond; font-size: medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Garamond; font-size: medium;"&gt;We are seeking individuals who would help us significantly increase the number of reviews and strengthen the journal’s linguistic, cultural, and thematic inclusiveness. Medievalists and postmedievalists are encouraged to send expressions of interest and a recent&amp;nbsp;&lt;i&gt;curriculum vitae&lt;/i&gt;&amp;nbsp;to Richard Utz, School of Literature, Media, and Communication, Georgia Institute of Technology (&lt;a href="mailto:richard.utz@lmc.gatech.edu"&gt;richard.utz@lmc.gatech.edu&lt;/a&gt;) by December 12, 2012.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/8645095446620033781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=8645095446620033781' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8645095446620033781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/8645095446620033781'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/11/medievally-speaking-seeks-assistant.html' title='Medievally Speaking seeks Assistant Editors'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-5257711366071001402</id><published>2012-11-07T19:02:00.005-05:00</published><updated>2012-11-10T12:36:05.786-05:00</updated><title type='text'>Tech Gets Medieval</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-iBoT2P6ds5Y/UJr2nIJdd6I/AAAAAAAACkQ/Qee5UveBOxI/s1600/TechGetsMedieval1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-iBoT2P6ds5Y/UJr2nIJdd6I/AAAAAAAACkQ/Qee5UveBOxI/s320/TechGetsMedieval1.jpg" width="247" /&gt;&lt;/a&gt;&lt;/div&gt;Title: Tech Gets Medieval Symposium&lt;br /&gt;Time: Tuesday, November 13, 12:00 PM - 5:00 PM&lt;br /&gt;Location: Student Success Center, Press Room B&lt;br /&gt;Hosted by GT/LMC Writing and Communication Program&lt;br /&gt;&lt;br /&gt;This symposium highlights the connections between 21st-century and medieval/early-modern technologies, showcasing Georgia Tech faculty who have found innovative ways to teach the past in their classrooms. Faculty speakers include Brian Bowen (College of Architecture), Hugh Crawford (LMC), &amp;nbsp;Krystina Madej (LMC), Celia Pearce (LMC), Chrissy Spencer (School of &amp;nbsp;Biology), Richard Utz (LMC), and Brittain Fellows Leah Haught, Diane Jakacki, Amanda Madden, and Katherine Tanski.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Program:&lt;br /&gt;&lt;br /&gt;Opening Remarks: 12:00-12:30 (Richard Utz, Chair, LMC)&lt;br /&gt;&lt;br /&gt;SESSION 1 (12:30-1:45): Modern Ramifications of Medieval Traditions:&lt;br /&gt;Medieval and early modern events and traditions have lingering, visible effects in the contemporary world.&lt;br /&gt;&lt;br /&gt;Medieval Construction – Foundation of Today’s Industry (Brian Bowen, Professor of Practice, School of Building Construction, College of Architecture): A major transformation in the organizational framework of modern construction practices has interesting echoes of its medieval origins, which are relevant to understanding today’s challenges.&lt;br /&gt;&lt;br /&gt;Blacksmithing and Timber-Framed Houses: Pedagogy of Risk (Hugh Crawford, PhD, Associate Professor, LMC):This presentation focuses on two forms of medieval technological practice--timber-frame construction and blacksmithing, and how teaching students how to forge iron and chop timber is an invaluable pedagogical tool, especially in the literature classroom.&lt;br /&gt;&lt;br /&gt;Biology and Germ Warfare (Chrissy Spencer, PhD, Academic Professional, School of Biology): This presentation argues that biological or “germ” warfare is by no means a modern invention and explores the evidence for whether germ warfare may have contributed to the devastating spread of the “Black Death” in the middle ages.&lt;br /&gt;&lt;br /&gt;SESSION 2: (2:00-3:15): Technical Communication in the Medieval and Early-Modern Periods: The traditions and conventions of medieval and early-modern technical communication connect with contemporary technical communication.&lt;br /&gt;&lt;br /&gt;Tried and True Methods (Krystina Madej, PhD, Visiting Assistant Professor, LMC): This talk exemplifies how two modern teaching methods; conversational role-playing and practical application, were successfully premiered in 1000 AD by Aelfric of Eynsham, who wrote The Colloquy to help students learn Latin.&lt;br /&gt;&lt;br /&gt;The Afterlives of Gawain: &amp;nbsp;Illustration as Annotation in the Cotton Nero Ax Manuscript (Leah Haught, PhD, Brittain Fellow, Writing and Communication Program): This presentation illuminates the relationship between text and image within one of the most-well known medieval tales, Sir Gawain and the Green Knight, adding much needed information about the context of its composition and reception. &lt;br /&gt;&lt;br /&gt;Bind Him Together and Say, “God speed”: Mnemonic Devices in a 15th-Century English Fencing Poem (Kate Tanski, Brittain Fellow, Writing and Communication Program):This paper discusses the rhyming verse poem “On Fencing With the Two-Handed Sword,” an example of 15th-century technical communication that offers a historical precedent for modern military instruction in today’s “popular” forms.&lt;br /&gt;&lt;br /&gt;SESSION 3 (3:30-4:45): Using Modern Technology to Analyze and Teach the Past&lt;br /&gt;Modern technology not only incorporates medieval and early modern tropes but also has revolutionized the way we research and teach historical content.&lt;br /&gt;&lt;br /&gt;Tracing the Steps of Touring Actors: Using REED Records and GIS to Illuminate Sixteenth-Century Performance Practices (Diane Jakacki, PhD, Brittain Fellow, Writing and Communication Program)&lt;br /&gt;This paper addresses how historical records can be combined with geospatial information systems (GIS) to generate touring patterns by acting troupes; an invaluable new temporo-spatial methodology for generating a robust model of the movements of the 16th-century Queen’s Men.&lt;br /&gt;&lt;br /&gt;Neo-Medieval Fantasy in Video Games (Celia Pearce, PhD, Associate Professor of Digital Media, LMC) &amp;nbsp;This paper will explore the prevalence of neo-medieval themes in video games and pose some potential reasons why these themes are so pervasive in modern-day, high-tech media.&lt;br /&gt;&lt;br /&gt;Your Mission is to Rescue Lorenzo di Medici: A Demonstration of the Pedagogical Potentials of using Assassin’s Creed II for Teaching the Italian Renaissance (Amanda Madden, PhD, Brittain Fellow, Writing and Communication Program)&lt;br /&gt;Based on teaching Assassin’s Creed II in an undergraduate composition classroom during the Spring and Fall semesters of 2012, this presentation explores the pedagogical potentials of a game as text to bring alive for students the social and cultural world of the Italian Renaissance.&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/5257711366071001402/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=5257711366071001402' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5257711366071001402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/5257711366071001402'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/11/tech-gets-medieval.html' title='Tech Gets Medieval'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-iBoT2P6ds5Y/UJr2nIJdd6I/AAAAAAAACkQ/Qee5UveBOxI/s72-c/TechGetsMedieval1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-873385641573126155.post-3756799455818145013</id><published>2012-10-30T21:43:00.002-04:00</published><updated>2012-10-31T13:23:19.171-04:00</updated><title type='text'>28th Intl. Congress on Medievalism to be Hosted by Ed Risden at St. Norbert College</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-HXhPUEds3vc/UJCCEHqb8nI/AAAAAAAACeE/qsRT_rOqiD8/s1600/edward.risden.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-HXhPUEds3vc/UJCCEHqb8nI/AAAAAAAACeE/qsRT_rOqiD8/s200/edward.risden.jpg" width="153" /&gt;&lt;/a&gt;&lt;/div&gt;After a fabulous conference hosted by Carol Robinson at Kent State Stark, get ready, medievalismists, because our next (28th) annual conference will take place at St. Norbert College in De Pere, WI, October 17-19, 2013. The conference host is &lt;a href="http://www.snc.edu/academics/faculty/edward.risden.html" target="_blank"&gt;Ed Risden&lt;/a&gt;, who is also editor of &lt;i&gt;The Year's Work in Medievalism&lt;/i&gt;. Do contact Ed if you are interested in participating, organizing sessions, sponsoring sessions, etc. Here is Ed's e-mail: &lt;a href="mailto:edward.risden@snc.edu"&gt;edward.risden@snc.edu&lt;/a&gt;&amp;nbsp;.</content><link rel='replies' type='application/atom+xml' href='http://studiesinmedievalism.blogspot.com/feeds/3756799455818145013/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=873385641573126155&amp;postID=3756799455818145013' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3756799455818145013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/873385641573126155/posts/default/3756799455818145013'/><link rel='alternate' type='text/html' href='http://studiesinmedievalism.blogspot.com/2012/10/after-fabulous-conference-hosted-by.html' title='28th Intl. Congress on Medievalism to be Hosted by Ed Risden at St. Norbert College'/><author><name>Richard Utz</name><uri>https://plus.google.com/108490564612381298386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//lh4.googleusercontent.com/-zhm0CNJ38wY/AAAAAAAAAAI/AAAAAAAAC8E/9FqjXsqqWFM/s512-c/photo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-HXhPUEds3vc/UJCCEHqb8nI/AAAAAAAACeE/qsRT_rOqiD8/s72-c/edward.risden.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>